It's all about the Music.

Made in Naples, Italy, Music On proposes the creation of a cutting-edge club sound, along with unique events across the world.
After some amazing years at Minus, Marco Carola @marcocarola felt the need to expand his musical realm and create a home for up and coming, talented and inspired artists. Music On was born. Music On is a music label where the only requirement is good quality music, which is the standard for everything Marco Carola puts his stamps on.

demo@musicon.com

Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

Bookings:
bookings@davidlewis.nl
managment: 
jitse@jjk-company.com 

Promos:
 coeusmusic9@gmail.com

Coeus is a Serbian electronic music artist making waves with his deep, groovy sound. With releases on Diynamic, Afterlife, and more, his sound is making serious waves. Supported by industry heavyweights Tale of Us, Solomun, Adriatique, Vintage Culture, Âme, Dixon, Innellea, Max Styler and more, Coeus continues to shape the global electronic music scene.

Two music making, tea drinking, boys from the Shire…

feedback and advice appreciated, just avin a go yano :)

Tale Of Us are Berlin-based musical partnership Karm and Matteo who are currently re-writing the rulebook for deeply moving, emotional electronic music.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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