Track taken from the new Universal Veil album, Helios/Hind.
Universal Veil is a new name for a long time collaboration between Sam Mcloughlin and David Chatton Barker

The Camel - Helios/Hind - The Universal Veil

https://www.discogs.com/release/1944400-Various-Pianeti-Di-Lana-3-Molteplice-Enarmonico

Pianeti Di Lana 3 - Molteplice Enarmonico

Influenza – Trieste Sogna

discogs.com/master/58062-Die-Form-Photogrammes

Photogrammes

Die Form - Remission

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great label: Dead Channel Records, with the track of: Bound By Endogamy - Sacre Du Printemps

"Six cauchemars d​’​une machine f​ê​l​é​e" is the release name!
The album contains 6 electronic music original tracks. ENJOY
Next we leave you the description of the release:

Geneva based Bound By Endogamy arrives on Dead Channel with their EP 'Six cauchemars d’une machine fêlée'. Savage and cimmerian, these six tracks meld coarse growling basslines, crisped analog rhythms, and ardent vocals that range from breathy to viciously cutthroat. Relentless and brutally sublime, this utterly singular release is a take no prisoners, in your face, punk future-classic.

Artist_ Bound By Endogamy
Title_ Six cauchemars d​’​une machine f​ê​l​é​e
Label_ Dead Channel Records
Format_ Cassette & Digital
Catalogue_ DC020
Release Date_ March 24, 2023
Buy_ https://deadchannelrecords.com/album/six-cauchemars-d-une-machine-f-l-e


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Six cauchemars d​’​une machine f​ê​l​é​e

| PREMIERE | Bound By Endogamy - Sacre Du Printemps | [Dead Channel Records]

CS/DL : f-o-m.bandcamp.com/album/upstream-ensemble

@forms-of-minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens (@pablodiserens)

During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience.

Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Listeners encounter drifting habitats trickling with the songs of sea lions, dolphins, blue whales, humpback whales, Arctic terns, and algae photosynthesis – as well as with the invasive hums of submarines’ sonars, boats, and naval industries. With "upstream ensemble" some of the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones.

In resonance with Pauline Oliveros’ Deep Listening practice and inspired by Rachel Carson’s exploration of the intertidal zone in her book "The Edge of the Sea", this project contributes to an ever-expanding list of works that propose a focus on listening as a way of engaging and existing with the planet’s waters. By stimulating shared listening and attuning practices, Pablo Diserens aims to develop a sense of interconnectedness by blurring the boundaries between species as well as environments. Experiencing aqueous biomes both individually and collectively acts as a way of rethinking our relationships with the world. Despite these being mostly solitary experiences, Pablo believes that field recording and listening are communal and environmental practices that form gateways for earthly synchronicity and world mapping in time and space. Thus listening in turn can become a political act that sparks emotional bonds with the world and its biotic communities.

˜

concept: Pablo Diserens and Fiona Middleton (TBA21–Academy)

composition and mixing: Pablo Diserens

with sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Moritz Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian.

all profit of the release will be donated to the Blue Marine Foundation.

listening with good speakers or headphones is recommended as the piece features a large range of frequencies (notably blue whales' subsonic calls).

cassette mastering by Mathieu Bonnafous

graphic design by Cecilia Murgia

cassettes pictures by Camille Blake

duration: 30’29’’ — C60
piece repeats on both sides — limited edition of 100
published by forms of minutiae & TBA21–Academy — fom09 — 2023

special thanks to all the contributors, Fiona Middleton, Markus Reymann, Michal Kucerak, Petra Linhartova, TBA21, Madelyn Byrd, Diane Barbé, Lou Croff Blake, Thom Lucero, and Mélia Roger.

cassette & digital

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

The show delves into a peculiar niche of South Italian music repertoires exploring themes connected to the life of donkeys and horses. Expect old songs tipically recited by horse cart drivers in the streets of places such as Napoli, Palermo, and Salento, as well as a selection of other sort of songs entirely dedicated to the life of the two species.

The mix will explore the intricate relationship between man and these animals, the hardships of farmers life in post-war Italy and the love for these creatures, but also their dreadful exploitation that used to take place in mines and fields, or still happening in contemporary clandestine horse racing.

Turbo Sud / Radio Alhara (Ciucci, Cavaddhi, Trainieri, Carritteri, etc...) 12th September 2023

RONCE - CRÈVE
(DAWN020)
50 limited copies
CD
@itsronce
Produced by Zoë Villerd
Mastered by @lastrackqlf
Photos by Gabriel Cautain
Design by @hadji-hajj
Dawn 2023

CRÈVE

CRÈVE OR PAY

Ronce - Lilac Blue (ft HTRK)

Core: I WANT TO FORGET MYSELF AND DANCE
CAUSE I'M STARVING MY IMPULSES
CORE AND COIL: the tension between what is revealed and what is hidden in the expression of vulnerability.

CORE definition:
- the central part of a body, mass, fruit or part
- the part of something that is central to its existence: essence, heart, gist, center

I WANT TO FORGET MYSELF 'N' DANCE CAUSE I'M STARIVING MY  IMPULSES

From the cassette only release in 1982 on ROIR (Reachout International Records)

Sounds From The Stars
WKGB
Weird Streams
Diseases
U 235
Facist
El Salvador 
G-Stalt
Girlfriend Dub
Ball Of Confusion
When I Was A Kid
Cold Turkey
Water Underground
Service Dub
Name That Tune

The Scientific Americans – Load And Go! (FULL ALBUM)

Kenyan,, Uganda-born and raised @MCYallah links up with frequent collaborator @Debmaster on debut LP 'Kubali'.

It's only right for an album from one of East Africa's brightest MC talents to land on one of the region's brightest labels so, with that in mind, it should come as no surprise that the LP is scheduled for release on @HakunaKulala, the flourishing sister label to @Nyege-Nyege-Tapes.

Coming in at 11-tracks, our pick of the bunch just had to be 'Nasonga'. With a weighty, murky instrumental that fuses forward-thinking Kampala bass flavour with motifs reminiscent of dark, dubstep-ish Bristolian fire, MC Yallah and her hard, cold flow ride the beat like a pro. 

The 'Kubali' LP releases on Hakuna Kualala on September 27.

Kubali

More exclusive music

Premiere: MC Yallah x Debmaster 'Nasonga'

TALES OF LA LA HUMAN
Data-Action-Data [IM]Pulse Library 
'n' another radio transmission 
to the nerve system
by Joana Moher
S. Pedro de Moel, Portugal
based in Barcelona

I WANT TO FORGET MYSELF 'N' DANCE CAUSE I'M STARIVING MY IMPULSES

JOANA MOHER

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