In my work, I explore the transmission of music, particularly folk traditions. This is why I aim to delve into a specific realm of atmosphere and pan-mediterranean structure. In doing so, I seek to both counterbalance and transgress dominant occidental tuning systems, moving away from rigid tonal frameworks toward a more modal approach, freer, more organic, and rooted in alternative systems of resonance and listening.

Tramonti

H3y.mp3 (slowed)

Moove (firstexptsdcd)

https://clandestinerecords.bandcamp.com/album/coated-and-submersed

JT WHITFIELD - ANSIAS LOOP

Lanzamiento de "Resurgir", primer V/A del sello PERLAS.
✵ El propósito del sello es el unir a artistas con un mensaje de trasfondo.
✵ Esto se originó en Buenos Aires, Argentina, con la idea de hacer visible el talento escondido, tal como se encuentran las perlas debajo del mar.
Involucrando la distorsión como elemento principal y ritmos diversos, cada track es interesante ya que mantiene un sonido novedoso y potente que impacta.

Format: Digital and CD.
✦ Artist: @dh-wtj
✦ Master: @cvtriel
✦ Artwork: Daniela Mata
🛒 www.perlaslabel.bandcamp.com/

Buy here!

Dh.Wtj - Ack

Compilations fulfill a task both delicate and essential of offering us a
perspective as concentrated as precise of a specific artistic context,
congregating many voices in a single place and, in the process, giving them a certain cohesion. “Ferramentas Vol. I” is what we have when an artist such as Martinelli faces this curatorial challenge and takes charge of providing us with a glimpse of what his peers are creating, while always having in mind what we will be doing. Here the core idea was to collect a wide array of qualities that could cover a
vast universe of usages: percussive bluntness with ‘c66’ by Kakubo and ‘Maria Ferramenta’ by Martinelli; sonic effervescence with ‘Sensus Lex’ by Letrícia and ‘Rebimboca’ by Zelada; rhythmic malevolence with ‘Discrete System’ by
Bad_Mix ‘ and ‘Thriller’ de b144; tonal bubbliness with ‘Glok’ by Dreams and ‘Confucian Scrolls’ and Xiao Quan among many other tools that flow through varied pH levels and types of groove. The overall result is a versatile set of useful instruments for anyone’s routine, as they encompass all kinds of musical delight -
be them personal, professional or passional, as long as we are listening or dancing.
credits
released December 20, 2019

Tracks compiled by Henrique Martinelli
Mixed by Pedro Zopelar, at ODD Studios, São Paulo
Artwork by Juliana Frontin
Distributed by Muting The Noise
São Paulo, 2019

Letricia - Sensus Lex

Acoustic Analog Digitally Composed 8 (Solenoids) - Julian Abraham ‘Toga
New York, an Eternity - Aquarian
Immobile - Étant Donnes
Course De Couteau - Raymonde
Adelante! - Esplendor Geometrico
Zezina 2 (feat. She7ta Wel3a) - 1127
Clang 1 - Reece Cox
Drums, Guitar, Crotales - Eli Keszler
Just Be Truu - DJ Nate
31.12.18 [excerpt]- XT & RP Boo
Of Spiritual Strivings (fr. Syanide) - Speaker Music
Sayang - Bani Haykal
Swarm (Naturalismo O. Scyllarus remix) - Æthereal Arthropod 
QUARANTINE - Bergsonist
 Un Uono Da Rispetarre (Titoli) - Ennio Morricone
Soft Close Up - Terreng
Guillotine - Amani x King Vision Ultra
Naked - Dreamcrusher
Reguard - Handoyo Purwowijo
708 + Lost - Zohar
Mon Amé - Étant Donnes
Mezzo. "Wotansday, "Mittwoch", "We(d)nesday" / Baritone YAH-WEH, God Of Israel (Hebrew) - Karlheinz Stockhausen
Neo Punggol - George Chua
Four Into Three - Robert Aiki Aubrey Lowe
Anything With A Pulse - Baron Mordant
Kallabo - HM505
ArArMyMy - Pisitakun
End Games - Sky Needle
Darkwater - Lamin Fofana
Constant Commentary - NAH
TCM-5000EV - Yann Leguay
1811071311 (228m edit) - Graham Dunning 
Enlightenment - Sun Ra

Hello Earth on Hope St Radio with Thomas Ragnar 6/8/2020

“Névoa” is the latest beguiling mutation from the Brazilian producer Naves Cilíndricas for Domina Label, where his shape-shifting sound design skills come to the fore as an ever-morphing, hyper-modern feature that never shies away from its highly affective if not androgynous paths; beneath its multicolored digital simulacrum, one can still find traces of human vocalizations next to fragmented robotic speech. Its ultra-stylized tones and somewhat percussive ghostly presence should perhaps be perceived more as sonically sculpted environments where one can navigate and drift through rather than tracks per se.

At times melancholic and ethereal but on the other hand hermetic and noisy, his melodic arrangements composed of digitally generated timbres and hyper-processed vocals evoke simultaneously dystopic images and videos in an attempt to extrapolate limits between body, sound, and image.

Written, mixed and mastered by Naves Cilíndricas 
Artwork by Naves Cilíndricas

Release Date: 4th September 2020
Distributed digitally by Lobster Theremin

Névoa

Naves Cilíndricas - Névoa (Snippets) [DOM014]

releases October 15, 2020
mastering :: Giuseppe Ielasi
artwork and design :: Bill Nace

all proceeds to Junglekeepers (Madre de Dios, Peru ++ Oakland, US) :: www.junglekeepers.com

"Field recording, that cherished technique of electroacoustic artists, gets fresh conceptual treatment with “Eaves Drop” by Horaflora, one of the aliases used by Raub Roy (Oakland, CA). Using a Sennheiser AMBEO binaural headset, he collected a year’s worth of public and private footage, then collaged it with sparse, yet pointed, instrumentation. Straddling diarist and voyeur, Roy evokes and lingers upon questions about field recording in the context of surveillance capitalism—and the purposes of music made in its purview.

There’s kids’ playground babble. The artist striking a piano key on his porch, as a train sounds in the distance. Like rummaging through the NSA’s trash, these sounds are irrelevant to governments or corporations (for now), but fruitful for more generous listeners. The crow caws, the dog barks, the door creaks. And then a firecracker explodes, and you throw off your headphones as it seemed a real firecracker actually exploded just above your right temple.

The realistic yet aestheticized arrangement of sounds in space is where the dynamism of this album lies. There’s a moment of beautiful clarity when we hear a woman singing along to Jazmine Sullivan’s “Bust Your Windows.” Her voice, going along with the song that’s playing in her own headset, cuts through all the noise, making a poignant threat. But then she’s drowned out by some bureaucrat’s intercom as the album flows onward, each cataloged and collaged sound seamlessly shifting into the next arrangement.

Lines between composition and chance blur; the tapping on a snare, the languid strumming of strings could be read as a musician’s self-surveillance. The fact that these are recordings from the Bay Area, where he lives, is not coincidental. Such methods are at the heart of big tech’s empire, and though “Eavesdrop” is not explicitly confrontational regarding such concerns, the album does tap the sense that we, as privacy erodes and mutates, are becoming voyeurs of our own lives."

Eaves Drop

Horaflora - Scrubby Foreland [Excerpt] (ENM06)

From AEST-053: J. De Sosa “Contrition” CS

The Los Angeles-based artist Joseph De Sosa makes his Perfect Aesthetics debut with a standout release and truly killer material - minimalistic but powerful, spacious, deep and ominous, low synth textures and ethereal & haunting atmospheric sound design. His music is eclectic and influenced by various genres and styles, he's made a nice name for himself after a stand out live and DJ sets, definitely one of the best in modern industrial electronics 

Recorded in Los Angeles, California

Contrition

J. De Sosa - Contrition

quem me viu mentiu

[Out now] "Tape Loops Vol.1" by @paularebellato  
http://dominalabel.bandcamp.com
-
Domina is a Brazilian label focused on the local underground and experimental electronic music scene.

Contact / Demos
domina0800@gmail.com

Naves Cilíndricas - Névoa (Snippets) [DOM014]

Domina Label

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