Please enjoy this devastatingly beautiful vocal by our very own Petter Carlsen.

Dedicated with endless love, forever to Vincent Cavanagh, brother, friend, and loving soul.


✨❤️✨❤️✨❤️✨



Donations for the album and upkeep of the band made here:

Our need for your help has been, and still is, urgent. 10% to the charity MIND. Thank you


https://gofund.me/619f44f6

Thank you all who have dontated, every penny has counted, in these hard times. 

✨❤️✨

DREAMING LIGHT 2022 - Featuring Petter Carlsen

Solo Piano.  Created in Real-Time at St. Wenceslaus Church, St. Louis MO.

Photo by Greg Carr, my brother.

Year of Music: November 1, 2025

Midday, The Black Sun

Boys Like Girls + Taylor Swift - Two is Better than One (nice piano cover)

Celebrating Piano Day 2017 I give you... SAFE

YOU ARE ALREADY LOVED
BY SO MANY PEOPLE
KEEPING YOU SAFE FROM HARM

Watch me perform SAFE live here:
https://youtu.be/oXtsKNy6-Ig

Piano Day
March 29th, 2017
at "Uw Pianowinkel"
Gele Rijdersplein 16
Arnhem (THE NETHERLANDS)

Safe

John Kameel Farah - Time Sketches 
Via Neue Meister 
https://nm.lnk.to/TimeSketchesFA

Time Sketches

John Kameel Farah - Behold! (Time Sketches)

Sebnoah

Moss

a little piano piece composed just for the fun, in 45min, for the 1H challenge. The  rule was to create a piece from start to finish in less than 1 hour. Recorded on a crappy piano, sorry! 
All rights reserved.
Photo by Kyle Head: https://unsplash.com/@kyleunderscorehead

Déjeuner sur l'herbe (1 Hour  Challenge) // Demo Version (on a shitty piano)

As some of my favourite modern classical and solo piano composers have evolved and moved on to developing themselves and discovering new challenges in work for film and orchestral production, I’ve felt an earnest void in the space they left behind. I’ve even noticed the pattern in my very own music, always trying to embellish, enrich, strip down, or advance. But what about a simple piano tune – one that veils and slightly bears the heart and soul of the composer, with all its rawness, nudity, and truth? Mayhaps we’ll find this brave reveal in new contenders, that step to fill that earnest void.

Cameron Brooks is only 21 years old, hailing from the south of England, and this four-track EP is his début on Subtempo imprint. Clearly inspired by artists such as Ólafur Arnalds, Nils Frahm, and Max Richter, Brooks sets out to compose gentle pieces centred on the piano with some treatment from the strings. The track I selected to première for you today was recorded on his grandparents’ home piano, on his Grandfather’s 90th birthday, “so it brings back fond memories of visiting both his grandparents and of celebration, as well as being his favourite piano to play.” There’s a tone of melancholy, sweetness, and a bit of hope in the underlying melodies, the flow of tempo, and Cameron’s gentle playing on the keys.

"Vicissitude, the title of the EP,  is the main idea behind this record: change and unforeseen circumstances, it speaks to the passage from darkness into the light and the ongoing journey to get there. The music was born from a dark place and the compositions and the instruments brought light to a much-needed time of personal struggle.”

This digital release is out next week, on September 21st, available from Cameron’s Bandcamp and Subtempo‘s page. I’m sure we’ll hear from Brooks in the many years to come, so it’s a bit exciting to begin observing this composer’s journey…

Vicissitude

TRACK PREMIERE : Cameron Brooks - Final Solace

You, Me, Them, and Us (Piano Day 2019)

Independent neoclassical pianist and composer from France with millions of streams worldwide. Passionate about creating cinematic music that tells stories and touches emotions.

Déjeuner sur l'herbe (1 Hour Challenge) // Demo Version (on a shitty piano)

Dominique Charpentier