Tune out the world and find your hyperfocus with these ambient tracks. Updates every Wednesday with popular tracks in United States.

Ambient Flow State

Unstable Structures was written during a rough patch in human history and has been my outlet during these recent and ongoing hardships. 

Written, produced, mixed, mastered by Peter Jonason

Artwork by Tom Coolen @mad.leif

"Crestfallen, still adrift
In this unknowing, where light red shift
 And in that darkness, the spirit bend
For a hope of transcendence, to whatever end."


Written, produced, mixed & mastered by me: Peter Jonason, 2025

Unstable Structures

And In That Darkness

MORI, our latest Japanese lofi album that brings cinematic Japanese nature vibes to life. As the second album in our series by Deebu, following SERENITY 静けさ and MOMENT OF HARMONY 和音の瞬間, MORI invites you to explore the serene beauty of the forest through music. This album preview offers a glimpse into the harmonious blend of lofi beats, nature sounds like forest ambiance, rain, and birds, mixed with traditional Japanese instruments such as shamisen and koto. Perfect for relaxation, study, meditation, or simply enjoying peaceful moments, MORI is a must-listen for fans of ambient music, instrumental lofi, and chill beats. Experience the calming and inspiring atmosphere of Japanese nature with this new release.


Ameagari

Using Ableton's Operator to synthesize a quiet evening soundscape, complete with crickets and water.

Lowland Mist

In Summer

Summer Air

stream: frogi.lnk.to/flora

www.peaceofmind.studio/
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frogi - photosynthesis

Think

all i need

hope

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR039
artist: akira film script
release title: live at the modern
runtime: 1:44:03
location: san francisco, usa

Akira Film Script - V

Nocturnal Nuances

Barranquilla Sunset (Solo Version)

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@nilowhbeats

Download / Stream:
https://lnk.dmsmusic.co/lesnilwh_thelifeidesire

the life i desire

Willoughby Tucker, I'll Always Love You

Radio Towers

Bayang Senja

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

“Thunder” was born from the stillness before the rain. It explores the emotional landscape between peace and chaos — where sound becomes weather, and music becomes memory. The thunder in the background is not an effect, but a voice: nature’s own percussion, echoing through the composition’s slow, unfolding melodies.


credits
releases October 31, 2025
Written & performed by Valeska Rautenberg
Mixed by Thomas Lemmer
Mastered by Ramin Tehrani

Thunder

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Thunder - Valeska and the River

In the silent core of existence, time grows like a root beneath perception: invisible, yet shaping all. Every fragment of reality curves back to its origin, folding light into consciousness. Harmony flows through unseen architectures, connecting the pulse of matter with the breath of eternity. The past is not behind, but beneath; the future is not before, but within. Every vibration becomes a memory of creation, resonating in the soil of consciousness where the roots of time awaken.

Summer Air

Domy Castellano

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