very calculated open minded to new ideas and improvement an individual who does not believe that he cant do what he sets out to do I took the long way but it was worth the journey without the pain there could of been no growth and most of all the belief in my Master and head Director <>The Great Architecture<> DID LIGHTING FOR THE LIKES OF, MACHEL MONTANO, REBERTA FLACK, BUJU BANTON ,DIONNE WARRICK,  STEEL PULSE,  THIRD WORLD, BEENIE MAN , SIZZLA , BOYS, TO MEN, BRIAN MC KNIGHT, BUNJI GARLIN , AND LOTS MORE .

Following a tense chart battle with Demi Lavato, The Snuts recently become the first Scottish band to achieve a UK Number 1 for 14 years with their debut album ‘W.L.’ -  selling over 20,000 sales. The album encapsulates the band’s journey from four working class kids growing up with a dream in Whitburn, West Lothian, to becoming one of the UK’s most exciting and vital bands of the new decade. 

A ferocious 2020 first saw the band land a top 15 album chart position with their debut Mixtape EP, a #1 spot on the UK vinyl chart, #1 in the Scottish album charts, an appearance and sync in a UK-wide multi million pound Strongbow ad campaign, FIFA21 soundtrack sync and over 30 million streams.
 
From their day jobs working in construction to grafting the toilet circuit, blood, sweat, tears and countless shows have been poured into their UK Number 1 selling album. Featuring their Radio 1 playlisted single and love song for the ages, ‘Somebody Loves You’, a fresh take on fan and live favourite ‘Glasgow’, the hip-hop driven ‘Elephants, the hauntingly heartfelt anthem ‘Always’ and main stage festival ready hymn, ‘All Your Friends’, the album has been entrancing critics all over. The Sunday Times labelled the record as “a sun soaked singalong”, the Daily Star stating that “W.L will blow you away”, and the Daily Record declaring the band “Kings of Scotland”.
 
Adored up and down the country for their uninhibited, sweat-drenched live shows, the band head out on a UK & Ireland tour in autumn  2021, including 3 sold-out dream shows at Glasgow’s Barrowland. 

The Snuts are here to stay.

Hago algunos mashup's y mixtape's , sin fines de lucro, todo por amor al arte! 

espero les agrade, bendiciones! 

dancehall/r&b/ trap/ hip hop /all music/space age

Once nearly lost to time, Minneapolis five piece Hot Freaks resurfaced nearly a decade after disbanding when their ten year old single, Puppy Princess, finally found an audience on TikTok and what was to-date only an obscure gem exploded into a bonafide viral hit. 

At the time the five Freaks, frontman Leo Vondracek, guitarist Darin Dahlmeier, bassist Sarah Darnall, drummer Cody Brown, and keyboardist Celeste Heule, were already pondering a reunion show, but the new droves of devoted online acolytes demanded a full fledged tour alongside similar pop-rock phenomenons the Rare Occasions.

Like remembering how to ride a bike, the Freaks have effortlessly returned to full form, prepping a forthcoming tour with the Happy Fits with  fresh jams uncovered from ancient times circa 2013, and new compositions from the  present day. 

Sophomore smash, HOT FREAKS FOREVER, ironically named for a band that once broke up, or perhaps presciently named for a fated comeback, is a jubilant addition to the Freaks’ discography that feels like a victory lap. Tapping into their long history, these 10 new tracks collect unreleased early works along with freshly minted music perfectly embodying their signature, high gloss dancy disco pop, with radiant notes of MGMT, Of Montreal, the Carpenters, and Mitski.

Lead single, LET’S START A COUNTRY,  is one example of an unearthed artifact from the band’s earlier days. A treasure from a time capsule, having gestated for about 10 years, the infectious synth pop serenade has finally “found its home” as frontman Leo Vondracek puts it. Floating an unusual proposition, the track resurrects Hot Freaks’ familiar sound mixing toe-tapping disco beats with tongue-in-cheek sincerity. Kicking off with a fun little “whoo!” LET’S START A COUNTRY imagines a vegetarian utopia where lovers “living in a vacuum” start a country as easy as “one two three,” yet once the song’s narrator does “a little research” it “turns out you can’t just do this type of thing/ in fact it’s kinda regulated.” Despite the harsh light of reality, Hot Freaks’ uniquely catchy qualities, percussively perfect shakers, and preciously earnest handclaps, weave a wonderfully daydreamy ode to the romantic ideal of escaping into the paradise of a person you love more than the whole wide, and unfortunately real, world.

As the album progresses, the Freaks start to get a little freakier, playing with personas like a makeover montage in an 80’s movie. Track six, catchy as all get out love song, BOYFRIEND, imagines a college age romance embodying the voice of a smitten co-ed reflecting on her beau who dozes in bed while she prepares for not just her day, but a future that likely won’t include him. “I want to get out east next spring/ while you’re still dreaming” coos Vondracek, explaining, “the boyfriend isn’t going places, she is.” Bassist Sarah Alfano adds “It’s kinda like a country song cuz she has big dreams, but he’s stuck in the small town, she’ll leave but he’ll always pull on her heart—we’re like that country song too, breaking up the band and going our separate ways just to get back together, but at least we’re touring now.”  

Speaking of, don’t be surprised to find yourself spinning HOT FREAKS FOREVER on perpetual repeat. At times almost impossibly precise, slick and savvy, this seductive selection also brings out a beguiling, intoxicating energy that’s as infectious as any impromptu dance party.

Ryan Bingham's music defies classification with folk, blues, country, and rock 'n roll all part of the recipe. It's authentic and powerful and the songs are rooted in real life - in survival and sacrifice and, yes, sometimes just having a damn good time. Nobody making music today has a voice like Bingham’s, one that has the worn and weary character of an old fighter more than twice his age but the power of a young man. It’s an intoxicating mixture that reaches new levels with the support of his talented band. Bingham is a singer-songwriter, not a product, and his latest studio album American Love Song movingly shows how the overarching theme of the personal and communal American existence can encompass triumph and tragedy from one moment to the next.

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