Excellent work, gents! Tried to send you a message but it didn' t get through. Maybe it does if you follow me?

hey Donald and Lawrence, ya'll really did a great job on this song, i love it,

Love the song! Great rock! Congratulations to you, Donald, and to Lawrence. 👏👏👏🔥❤️

Related tracks: Talking To Myself (Acoustic)

Song that I and Lawrence made in late 2016 and one of my favorites of the songs that we made together. Hope you enjoy and we thank you for listening!

Lawrence Farr: Vocals, lyrics, bass, drum additions
Me: guitar

Same Old...(with Lawrence Farr)

Nampara Krowji

This is the 3rd collaboration with my old friend Synline (@synline). I created a basic track using his equipment in his studio, and he completed it with his excellent arrangement (includes creating additional sections, tracks, etc.) and mastering work.

Composition by Ken
Composition and Sampling collage and mix by Synline

Taken Away (collab. w/ Synline)

RELEASE NOTES

A collaborative jam featuring Stonerjazz (@user-911083679) on vocals,
Turab Khan (@turab-khan) on guitar, Zanshin 残真 (@soundsofthekosmos) on
drums & Teth Sin (@teth-sin) on guitars, bass & vocals.
This collaboration started back in 2020. Myrh (@myrhyum) suggested Teth
Sin to track a guitar part on "Mazdoor Funk (loop jam with Raza)" -
Original track by Turab Khan:
https://soundcloud.com/turab-khan/chichora-23. The project was then left
aside for various logistical and technical reasons.
A couple of years later Zanshin 残真 sent Teth Sin a sample of his cool
street drumming, which was synced to Turab Khan's jam. Teth Sin, at that
point, decided to cut out the bass and drums from the original piece,
leaving only Turab Khan's guitar. Then he chopped up his guitar solo and
redistributed it across various tracks. He also added a new bass line,
which helped vary the structure of the song.
In late 2023 Teth Sin asked Stonerjazz to kindly add lyrics and vocals.
He mixed and mastered the song, and the result is this enjoyable
funk-rock jam, featuring a sample of Stonerjazz's exquisite
post-beat/psychedelic poetry.
Please note that every element was recorded in a different continent:
drums in Australia, some guitar in Pakistan, other guitars in Tunisia,
bass in Italy, vocals in the USA. Still this virtual jam sounds so
cohesive, despite a world that seems to be increasingly fragmented and
disjointed. At the end of the day, we should always remember that we all
revolve around That Giant Ball Of Burning Gas...

LYRICS by Stonerjazz:

Just out here in the middle of the void,
spinning fast around a giant ball of burning gas
that's hurdling thru the deepest darkest space.
Meteors and comets are zooming by at breakneck pace
The situation seems to be a little bit precarious,
some might even say Nefarious,
how can it be that tragedy can sometimes  almost  be  hilarious.
Stupidity it seems to be the order of the day.
But here we are and here we go onward out,
like warriors without a clue,
and everyone will play their part,
of this i'm sure, i know it's true.

That Giant Ball Of Burning Gas - Feat Teth Sin, Turab Khan, Zanshin 残真

An old one, but a new mix.

As said before – dedicated to a power button on my practice amp.

Black Button

Dancing with a Man

https://dominiquelebars1.bandcamp.com/track/sapiens-g-n-ration

SAPIENS GENERATION

Sweety Hug

[English lyrics below]

I was a high-schooler, not yet able (if at all) to write decent lyrics. So I resorted to more or less famous poems, but also to short stories from which I cut out fragments and stitched them together. Under my scalpel also fell 'Superfluous Invitations', a short story by Dino Buzzati published in 1958 in 'Sixty Short Stories'. There is a version that I recovered from a 1977 tape , but I had the desire to replay and rearrange it a few time ago.
2024, May 22 (Last version). At the sax Jörg (@joerxworx); together we have also produced an only instrumental version of the track (https://soundcloud.com/michele-ansani/i-would-like-you-to-come-instrumental  AND  https://soundcloud.com/joerxworx/michele-ansani-instrumental-with-alto-sax-2).

Cover picture: "Ritratto di Eura", from the graphic novel of Dino Buzzati, Poema a fumetti (Poem Strip), Milano 1969.

English Lyrics

I would like you to come to me on a winter evening
and huddled together behind the window looking at the night
we would remember the winters of fairy tales
where we lived together without knowing it.

By the same fairy paths did you and I walk
together we went through forests full of wolves
together without knowing it perhaps we both gazed
towards the mysterious life that awaited us

‘Do you remember?’ we will say each other and you will smile,
while outside will sound the wind's shaken metal sheets
but you - now I remember - do not know the ancient tales
of the nameless kings, of ogres and bewitched gardens

You have never passed enraptured under the magical talking trees
nor have you ever knocked on the door of the abandoned castle.
you have never walked in the night towards a distant light
nor have you ever fallen asleep under the stars of the East

Behind the window in the winter evening probably
we will remain mute like two strangers
I would ask ‘do you remember?’
but you would not remember
you would not remember

------

Music by Michele Ansani (1977); lyrics by Dino Buzzati (1958).
Remade in 2023-2024.
Posted on SoundCloud: 2024, July 22.

Vorrei che tu venissi da me in una sera d'inverno **

juste un tour

La lune

La Lune  - STYC x MAZ

A few people have contacted me about the original track "Talking to myself",   and asked if they could hear an acoustic version, so here it is. appreciate your likes/comments/plays etc etc

Hope you like 

G

Talking To Myself (Acoustic)

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

From the rain-soaked toll of a distant church bell, "Letters of Gold" emerges from the shadows. This is pure, 1970s-style doom metal in the vein of early Ozzy.
A slow, monolithic tritone riff opens the floodgates to a lurching, heavy groove, driven by a fuzzed-out bass and powerful, crash-heavy drumming. Haunting, high nasal tenor vocals, delivered in a classic Ozzy style, tell a dark tale of figures in black and a world on the brink.
Prepare for a fiery, psychedelic wah-drenched guitar solo and a frantic, double-time bridge that pushes the song to its breaking point before slamming back into the abyss for a final, feedback-drenched chord.
Music & Lyrics: Russell Nomer ASCAP Work ID: 931316381 ISRC: QT5AM2516381
Copyright Russell Nomer 2025 All Rights Reserved


Letters of Gold

When Push Comes To Shove

01 - SA - EWC - Tutti - All In One - Dynamic Swell EH
02 - Spitfire Audio - Kepler Orchestra - Woodwinds - Shards Grid Time Machine_ Albion 2 - String Lo - Short
03 - NI - Noire Pure _Emotional

Henceforth

Once settled in Artica Point, almost frozen, I watch the world happening fast, and I tell you about by singing five verses with different vocal styles, a main instrumental theme in progress all along, and some bits of the other songs in the album to keep it conceptual ;)

Letra  /  Translated Lyrics:

DESDE AQUÍ (HISTORIA CONTEMPORÁNEA)  /  FROM HERE (CONTEMPORARY HISTORY)

Ahora que estoy aquí congelado,  /  Now I’m frozen here,
observo el mundo por internet y radio.  /  I watch the world on internet and radio.
Todo sucede ahí abajo tan rápido,  /  Everything happens so fast down there,
que se aprecian claramente los cambios,  /  that changes are clearly appreciated,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Con mis constantes vitales al mínimo,  /  With my vital signs down to a minimum,
como viviendo una película,  /  like living in a movie,
soy capaz de comprender el mecanismo  /  I am able to understand the mechanism
de la evolución de nuestra civilización,  /  of the evolution of our civilization,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

El frío que congela mi cuerpo  /  The cold that freezes my body
… … no me permite llorar,  /  … … doesn’t allow me to cry,
pero mi corazón sigue caliente muy adentro, en algún lugar,  /  but my heart is still warm deep inside, somewhere,
y puedo al menos entristecerme por lo que veo al mirar  /  and I can at least feel sad about what I see when I look
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Ahora que lo comprendo todo  /  Now when I understand everything,
entiendo que todos somos iguales,  /  I realize we’re all the same,
que sentimos lo mismo aunque ninguno lo sabe.  /  and we feel the same although no one knows it.
Desde aquí me identifico con cada hombre,  /  From here I feel identified with every man,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

Desde aquí me alegro de no estar ahí abajo.  /  From here I’m glad not being down there.
Esperaré a ver qué pasa dentro de cien años.  /  I’ll wait and see what happens a hundred years from now.
Mi cuerpo apenas será un poco más viejo,  /  My body will hardly be a little older,
pero sí cumpliré siglo y medio de sabiduría y tristeza,  /  but I will get a century and a half of wisdom and sadness,
desde aquí como un documental de historia contemporánea.  /  from here like a contemporary history documentary.

ER36 PA03 RUIZZO ©1996 ®2020

Desde aquí (Historia Contemporánea)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Welcome to my page. I am a multi-instrumentalist and this is where I post my original works and works with others. Thank you for your visit!

Same Old...(with Lawrence Farr)

Donald Bell

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