Newly remastered Darkness
You're such a goody two shoes - don't smoke you don't drink booze - sometimes i wonder - how i hooked up with you - you never let your hair down - hardly ever come around - is it that you think your just too good for me.
I'm starting to think can't handle the pressure got a My Little Pony on your dresser for Christ's sake - still believe in elves and Santa Claus - wonder what's really in those dresser drawers -  every time i walk in i have to pause waiting for the moment you take out your claws I'll never believe your really this nice - accepted a man that's cold as ice.
I can see your bright eyes shining through my window i can see your kindness your tranquility - I'm thrown off by your good deeds you'll never suit my needs i just need some darkness you're way too bright for me
Your so conceited when you show the goodness in you and every time i falter you throw it in my face - I'm such a disappointment yet you still come back for more - in spite of all your sweetness your really a disgrace - 
I'm starting to think that i should run this relationship just isn't fun for me no more - still believe in hugs and holding hands you're so blind that's not who i am - may have been back then who i was - used to hit you up all the time just because but that type of shit's all in the past - you can shove your righteousness up your ass
I can see your bright eyes shining through my window i can see your kindness your tranquility - I'm thrown off by your good deeds you'll never suit my needs i just need some darkness you're way too bright for me
I'm starting to think the roof's caving in  I used to believe I was one with the one who made me sin - truth is i really don't care could really give a shit if you're elsewhere darkness has a hold on me open up my arms and welcome him in even if I'm damned for eternity - i don't give a fuck you're too bright for me 
Chorus

20 years in the making

The Darkness

roland GR33 guitar synth improv & orchestration by naldo
additional orchestration & mix by guillaume

cover artwork: forest mozo by Bensi Froymovich

Flora No Fauna

I can see it

the Gravity of Paper Dolls

Observe What They Pick Out For Enjoyment

*Listen w Headphones

I'm having a hard time creating new stuff because my left 
ear is shut tight. So things might seem off here and there! 

Stay save!
LS
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Remixed by LS / 2023.

I Feel Emotional feat River & Jigs trippin

Coração

Coração by Trancylvania

Meandering

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

Ragtop Gnosis

slow muzic musica tranquila composer dauod khalid  bashir

Project RESIDUE is about escaping the ordinary world we all live in ,and finding something new, somewhere else our own world where MUSIC is all we need . Thank you for letting me be a part of your journey !   Luv2All !!!