French Record label.
#NWDS
Releases: 
Grand Soleil - Horizon
Blanka - Flares
Jeff The Fool - Russian Dolls
Jumo - Et le vent?
Fakear - Talisman
Grand Soleil - Human Error
Club Nowadays Vol.1 (various artists)
La Fine Equipe - Re-Cycles
NOWADAYS V (Birthday Comp)
Unno - Amaai Orchestra
Jumo - FORMS
La Fine Equipe - La boulangerie (Back Burners)
Leska - Circles II
Clément Bazin - Everything Matters
UNNO - Amaai (Album)
Jumo - Derive EP 
Leska - Circles 
Douchka - Infantile EP
Nowadays vol.7 Montreal Tape 
Unno - Silence 
Clement Bazin new EP 
Hugo LX - Akegata
Le Vasco - La Trance Des Oiseaux 
Kultur - Midnight Whispers 
Awir Leon - Giants 
Nowadays, Vol.6 (Fall Tape) 
Sekuoia - Brace 
Everydayz & Phazz - Almeria 2.0 
Clément Bazin - Return To Forever 
LeMarquis - Mindtrick 
Fakear - Animal
Jumo - Nomade 
Le Vasco - We're Not Natural Anymore 
BRNFKD - EP
Douchka - Together 
Nowadays vol.5 (Winter Tape)
Skence - Home
UNNO - As We Land 
Nowadays vol.4 (Jayfly Tape)
Christopher Dixit - LBBM
Douchka - Joyful
Fakear - Asakusa
Julian Earle - Nvragain
Phazz & Everydayz - Almeria
NWDS #3 Spring Tape (Compilation)
La Fine Equipe & Friends - La Boulangerie 3
Yann Kesz - Reflexxions Series EP 
NWDS #2 Summer Tape (Compilation)
Fakear - Sauvage 
La Fine Equipe - Love For Eva 
Blanka - Kasablanka 
Fakear - Dark Lands 
Mr Hone & Geteye - Just a Lil' Beat vol2 
Hoosky - #Flush
La Fine Equipe - Gremlins 
Fakear - Morning In Japan
Hoosky - Cul-De-Sac (re-edit)
HOOSKY - Night Town EP
CLST - Sunset Hunter single
CM Jones - Our World
Hoosky - Just a Lil' Beat vol1
La Fine Equipe & Friends - La Boulangerie 2
La Fine Equipe & Mattic - Fantastic Planet
Mattic & Jneiro jarel - Fantastic JJ Project (Mixtape)
La Fine Equipe - La Boulangerie

Dovecote Records is a Brooklyn based record label which releases primarily indie rock music. It is run by its founder, Carter Matschullat and is distributed by Redeye Distribution in the US.  Dovecote's roster currently includes Wise Blood, Hard Mix, Hooray For Earth, Jonquil, Supreme Cuts, Wunder Wunder, SSION, and The Futureheads.

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

My Official Soundcloud page. Thanks for listening! For all enquiries please contact jocelynbrownmusic@gmail.com

The official New Kids On The Block Soundcloud!

<b>Gary Clark Jr </b>
Warner Records
Austin TX

Vanguard Records, part of Concord Bicycle Music’s Fantasy Label Group, is one of the world’s leading independent record labels. Its eclectic roster of quality artists includes Andrew McMahon in the Wilderness, Switchfoot, O.A.R., Flogging Molly, Parachute, Sallie Ford, Matt Nathanson, Chris Isaak, Barenaked Ladies, Greg Laswell, Trevor Hall, Indigo Girls, and more. It’s rich history of catalog artists features Levon Helm, Merle Haggard, Joan Baez, Mindy Smith, Buddy Guy, Big Mama Thornton, Junior Wells, John Fahey, to name a few.

Donovan Sim 1 is following