CONTACT:
Management/Worldwide Bookings: 
Alberto Bragado alberto@prime-culture.com

small steps for mankind
bookings: yoeri@davidlewis.nl

www.residentadvisor.net/dj/toman

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An individual firmly at the heart of The Netherlands’ current electronic landscape, Amsterdam-based DJ and producer Toman is an artist whose stock and stature continue to rise as one of the scene’s most-loved emerging acts. A surging name in recent years, with releases via a host of leading labels and appearances across the globe, his musical journey combines unrivalled work ethic with innate musical talent to showcase exactly why he’s an artist in such heavy worldwide demand.

His debut EP on Mihai Popoviciu’s Cyclic (2017) welcomed a first insight into his studio ability. Since then, he’s taken off with EP’s on Cuttin’ Headz, Moscow, Eastenderz and No Art – the label where Toman features as the A&R. In this role he is also one of the driving forces behind the vinyl-only sub-imprint No Art Red, with his reputation and influence growing as a figure pushing the modern signature ‘Amsterdam Sound’ worldwide alongside close friends and regular studio partners, Chris Stussy and ANOTR.

A talented drummer since his early years, a return to his roots via electronic drum kits within his work has further strengthened his unique sound, building on minimalistic, rolling arrangements to create house music that nods to the golden era of UK tech house. Combining deep grooves amongst hypnotising sonics, his no-nonsense outlook delivers productions perfect for any occasion; from the warm-up to peak time, clubs or festivals, all the way through to the afters and early hours.

The result? His position as Beatport’s best selling Minimal/Deep Tech artist of all time, delivering seven #1’s on the platform across four different labels while gaining support from Raresh, The Martinez Brothers, Joseph Capriati, Enzo Siragusa, Stacey Pullen, Phil Weeks, Franck Roger and Terry Francis to name just a few.

Add in global appearances from Amsterdam to Buenos Aires, Berlin to Montevideo, London to Sydney, manning the decks at Watergate, fabric, Awakenings and S.A.S.H. alongside regular outings at Amsterdam’s most-renowned establishments, and it’s clear to see just why the Dutch talent is on such a steep trajectory… And yet, he’s still only just getting started.

mgmt: ryank@threesixzero.com

https://willclarke.komi.io/

bookings:
North/South America/Asia/Australia: zberkowitz@teamwass.com

Spain/Italy/Portugal: fran@b4bookings.net

France/Germany/Switzerland/Austria/Scandinavia: contact@stephenmacias.com

Treehouse Voted DJ Mag Top 100 clubs in the world! Underground lives here!

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

curated by @jimmybe, 

this is your last set on earth

Luca Agnelli, dj, music maker, @Etruriabeat founder, released on Reckless, NineTimesNine, Blackworks, Soma and more!

SHORT BIO:
Luca Agnelli is one of the most renowned Italian dj and producer for his energy and powerful sets.
In constant evolution, he is always looking for new targets and more challenges, experimenting uncommon paths and inventing innovative languages.
Eclectic, creative, curious and involving, Luca has a unique style which transmits passion and adrenaline, dreams and emotions.
Hard Techno is his sound but you can perceive his House and Techno roots, contaminated by Hardcore, Hardstyle, Industrial and Neo Rave.

Luca is the founder of Etruria Beat records, the label has released since 2010 a lot of international producers like 
Alignment, Nico Moreno, Amelie Lens, Oguz, Gravedgr, Farrago, Alt8, Azyr, La Penderie Noire, Lessss, Diøn, Fantasm, Aphøtic, Jacidorex, Pisapia, Rian Wood, Ben Sims, Slam, Truncate, Radio Slave, Setaoc Mass, Regal, Nikita Zabelin and many more.

He has released music for some important labels like NineTimesNine, Reckless, Blackworks, No Mercy, Innergate, Revised,
Phase 2, Soma, Planet Rhythm, Filth On Acid, Drumcode, Dirty Bird, MBF beyond of course for his Etruria beat.


www.instagram.com/lucaagnelli
www.facebook.com/djlucaagnelli
www.soundcloud.com/lucaagnelli 
www.youtube.com/user/lucaagnellideejay
www.residentadvisor.net/dj/lucaagnelli 

Worldwide bookings: samuele@vaultedmusic.nl
Management & Italy: luca@reflexbooking.com

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