Who can't relate to the "Sometimes I wish I'd lose this job I'm trying to keep" comment? Donovan is an unmatched lyricist, as clever as Paul Simon.

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NEW ALBUM: Smoke and Mirrors Available Now
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When We Were Young

Sydney (I'll Come Running)

From the upcoming album, "Loverboy", due out April 12th on Dualtone Records.

Can't Stop Thinking About You

Song I wrote and produced with Maren Morris and Marty Dodson

Shoot Out The Lights (Maren Morris, Brett Tyler, Marty Dodson)

Written by Donovan Woods & Jessi jo Dillon 

It Just Got Weird - Donovan Woods & Robyn Dell'Unto

A demonstration of little country song. 

Written by Johnny Bulford, Robert Arthur and Donovan Woods 

Sleep On The Plane (guitar/vocal)

The second track off the Debut EP- This Line.

To keep up to date with the rest of the EP visit www.facebook.com/brookfieldmusicuk and like the page.

Enjoy xx

All parts written and performed by BROOKFIELD
Produced by BROOKFIELD
Engineered, Mixed and Co-Produced by Oliver Lyu
Mastered by Tim Bran
Artwork by Phoebe O'Flynn and BROOKFIELD

This Line

Overdue

lost in a daydream

Massey Hall presented Donovan Woods at Toronto's Harbourfront Centre Theatre on Nov 13, 2015.

This recording was from this concert and is being offered here free as a thank you to the fans who attended, on behalf of Donovan and Massey Hall.

We gratefully acknowledge the support of the Ontario Media Development Corporation.

Donovan Woods "On The Nights You Stay Home" | Live at Harbourfront Centre Theatre - Nov 13, 2015

"Spray Paint"  by Donovan Woods, Aimee Mayo & Chris Lindsey


Spray Paint

"Slow Country" by Jessi Alexander and Donovan Woods

Slow Country

The Voice of Reason

'Car Ride' is the new single from Melbourne creative Alexander Biggs.

https://twitter.com/biggsalexander
https://www.instagram.com/biggsalexander/
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Car Ride

Nunca escribo en español, pero nunca me siento así tampoco. 
Una canción rápida que hice a las 2:00AM queriendo sacármelo del pecho.

Sin título, para ti.

Cowboy Cliche

'Big Hurt Boy' is out now: https://linktr.ee/donovanwoods

Donovan Woods was in on the joke when he named his latest release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies. 

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos. “It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says.

“I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

Sleep On The Plane (guitar/vocal)

DonovanWoods

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