@okayvivian 
Streaming platforms - ffm.to/yourcells

Okay Vivian is the project of Turkish singer/producer Pervin Güzeldere. Shifting through experimental minimalist compositions to catchy pop elements; her music combines ethereal silent spaces with heavy beats, scattered vocals, breaths and whispers.
Since 2018 she has released two singles, a 7” vinyl and an EP; on labels such as Table Records (Ankara), No Exist (Montreal), Euphonic Recordings (Paris) and IA (Warsaw).
Performed in Ankara, İstanbul and Berlin with her live A/V performance ‘Wildflowers That Cannot Move But Can Bend And Twist’.

All songs written, produced and performed by Okay Vivian.
“Remember [me]” co-written and “Teach Me Love Too Late” co-produced with Exitpink.
“Gözlerinle Korudun Beni” co-written with Alper Yıldırım.
Mixed by Okay Vivian and Exitpink.
Mastered by Exitpink.
Cover art by Okay Vivian.

Okay Vivian - Remember [me]

mixy for @user-799326121 from Brussels, streamed on 28th of march '21.

ˆ_•  (Alti Tune Mix)

https://hkcr.live/shows/cheng-daoyuan-13-05-2021

Cheng Daoyuan - 13/05/2021

Special Music
Sung by Angela Martin

October 19th, 2025, Worship Service
Groveport UMC, Groveport Ohio

To support the ministry of the church, 
please click here: https://groveportumc.org/give/

Special Music

‎ .لَقَدْ أَرْسَلْنَا رُسُلَنَا بِالْبَيِّنَاتِ وَأَنْزَلْنَا مَعَهُمُ الْكِتَابَ وَالْمِيزَانَ⁩.

Forever is in multiplicity and mutation. Musician and visual artist Nicola Tirabasso (VISIO), together with Haunter founders Daniele Guerrini and Francesco Birsa Alessandri called for a collective effort in order to celebrate these elements of experience. In opposition to linear notions of time itself. An attempt to let perceptions of future and past bleed together, to establish every moment as an infinite process of consumption and re-generation. A compilation of 33 artists, each contributing in their own peculiar style, adding their own blends to the palette and exposing the lineage of their work. It is precisely to state that the perennial immanence of difference is what constitutes the basis for true unity, that the curators have grouped an utterly diverse cast of contributors, whose output strikes a vastity of moods and textures, and grows out of very distinct intentionalities and backgrounds. Making kin without borders, letting mutual support evolve into a chimeric infinity.

Curated by Nicola Tirabasso and Haunter Records
Mastered by Jo at Tapewave Mastering
Artwork by Katja Novitskova & Kareem Lotfy
Cat. No. HR024 – All rights reserved.
℗ & © Haunter Records 2019
www.haunterrecords.com

Pubblicato da:
Haunter Records
Data di uscita:
4 Ottobre 2019
Copyright P:
℗ Haunter Records 2019

Katatonic Silentio - Eerie

Neljä koetusta pysyä | Four Try-outs in Staying
W & Milka Luhtaniemi | A work combining poetry and sound art.
NOKTURNO Magazine 2019
Whole piece released on the August episode in Nokturno.fi https://nokturno.fi/poem/nelja-koetusta-pysya-four-try-outs-in-staying

Read and listen simultaneously. There are four audio players and four segments in the poem. All parts of the poem include sound, but all parts of the sound don´t include text. Stay or move on as you like.

The fifth issue of this year contains various encounters between poetry and sound art, probing of everyday technological vocabulary and videopoetry in the landscapes of remembrance.
This issue opens with Neljä koetusta pysyä | Four Try-outs in Staying, a work combining Milka Luhtaniemi´s poetry and sound art by W. There are four audio players embedded in the poem, you can read and listen the work as you like.

Neljä koetusta pysyä | Four Try-Outs In Staying

This is my kiss for all cobras 
especially for albino...

White Cobra 长工丂丂 (black mamba tribe///.)

Neu BalanÇ Luxxuryproblems - Altø Sax Edit

Presented as a re-creation of two live sets performed in 2019, Patrick Gallagher deftly melds field recordings, a "fairly standard" synthesis toolkit, and prepared electric guitar into two peerless electro-acoustic compositions comprising his debut album for ENXPL (enmossed x psychic liberation).

As the album's title implies, "Set In the Bardo" embraces indeterminacy in all respects. An extreme range of timbrel variety and complexity is employed, from pure sine waves to nearly-incomprehensible sonic blasts. With a formal education in mathematics, Gallagher's astute arrangements modulate between smooth glissandos and abrupt interruptions, reflecting the compositional process used: salvaging hitherto-abandoned recordings and live snippets from the artist's archive. Post-processing was eschewed on the album in order to preserve the improvisatory nature of a live performance, giving an organic quality to the album which is often lost in academic compositions.

While "Set In the Bardo" was created in pre-pandemic times, it also functions well at this particular juncture of history. We have been 'set in the bardo' ourselves, and Gallagher has made an engrossing set of pieces - encapsulating and unfolding sonic uncertainties as we venture through trying times. Well worth many listening sessions; high volume and high fidelity during playback are recommended.

---

Patrick Gallagher is a sound artist and composer currently residing in Philadelphia, PA. He cut his teeth in the North Carolina avant-garde underground, perfecting his composition processes with numerous live performances as well as releases on Tone Log, Hot Releases, Refulgent Sepulchre, and other independent labels. 

releases January 29, 2021

mastering :: Jack Callahan

cover artwork :: Autumn Casey

design ++ layout :: Robin JM Vanderheyden

a portion of Side A was recorded live at Rhizome (Washington, DC) by Steve Sanford

all proceeds to The Youth Art & Self-Empowerment Project (Philadelphia, PA) :: www.yasproject.com

Set In The Bardo

Patrick Gallagher - Untitled [Set In The Bardo Side B Excerpt] (ENXPL05)

guest Post- Apo - Emo mix by FOQL: '𝔒𝔥, 𝔡𝔞𝔯𝔩𝔦𝔫𝔤, 𝔪𝔞𝔨𝔢 𝔦𝔱 𝔤𝔬 𝔞𝔴𝔞𝔶'

Doom Radio #20 - FOQL

DOOM 3K