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01/12/2017

Pixelord "99%" is out now digitally and on limited translucent magenta vinyl. STREAM / DOWNLOAD / VINYL: https://band.link/99percent

Moscow producer Alexey Devyanin, who records as Pixelord, is one of the founders of the Hyperboloid Records. He is releasing his new album, a turning point for the entire course of the label. Alexey continues the unique sound tradition of his label and the entire Russian electronic scene, a tradition that he himself once created. At the same time, he breaks off this tradition and creates a new one.

Pixelord's insane new album "99%" is a mixture of exciting new music that is difficult to frame by genre, which meets nostalgia for classic IDM, breakbeat and trance music. The album brings the tension of the artist's earlier releases to a glorious conclusion and almost to perfection — literally 1% missing.

Remember how you downloaded something from the old Internet from the distant past, but it tended to freeze at the last moment at the last one percent? It's the same with this album. It plunges into nostalgic sounds of electronic music of the past, makes sense in the present and takes this legacy with it into the world of the future, pushes its way through mistakes and bugs.

Over the past ten years, Pixelord has developed its own unique musical style, which is closely related to the sound of the Hyperboloid records, and which is inspired by artists such as Bicep, EPROM, Mu-ziq, Lorn and others. "99%" is a complex love note for finding new sound, formed in Pixelord's interdisciplinary practice.

Following this project, stay tuned for more experiments, echoes of NFTs, and whatever else human thought can come up with.
Moscow producer Alexey Devyanin, who records as Pixelord, is one of the founders of the Hyperboloid Records. He is releasing his new album, a turning point for the entire course of the label. Alexey continues the unique sound tradition of his label and the entire Russian electronic scene, a tradition that he himself once created. At the same time, he breaks off this tradition and creates a new one.

Pixelord's insane new album "99%" is a mixture of exciting new music that is difficult to frame by genre, which meets nostalgia for classic IDM, breakbeat and trance music. The album brings the tension of the artist's earlier releases to a glorious conclusion and almost to perfection — literally 1% missing.

Remember how you downloaded something from the old Internet from the distant past, but it tended to freeze at the last moment at the last one percent? It's the same with this album. It plunges into nostalgic sounds of electronic music of the past, makes sense in the present and takes this legacy with it into the world of the future, pushes its way through mistakes and bugs.

Over the past ten years, Pixelord has developed its own unique musical style, which is closely related to the sound of the Hyperboloid records, and which is inspired by artists such as Bicep, EPROM, Mu-ziq, Lorn and others. "99%" is a complex love note for finding new sound, formed in Pixelord's interdisciplinary practice.

Following this project, stay tuned for more experiments, echoes of NFTs, and whatever else human thought can come up with.

Artist: Pixelord 
Title: 99% 
CAT: HYPR099 
Release Date: 14th may 
Release type: Digital (all formats) Vinyl 
Mastering by Pixelord 
Artwork by gsmgarden

DIGITAL / VINYL

PIXELORD - DOS

Janet Jackson Remix produced by Paper Tiger
Winner of 2014 TurntableLab Remix Contest 
www.doomtree.net


When I think of you (Paper Tiger Remix)

Pale Jay-Dos Uvas

Created by Lazerbeak
Mixed by Joe Mabbott at The Hideaway
Mastered by Bruce Templeton at Microphonic Mastering
Art direction and photography by TZBZ

It's Going To Rain

Purchase EP

Sleepover

The Joynt

Bog Talk

Two Boats

Raps by Dwynell Roland and P.O.S
Beat by YATA
Additional throwdowns by Casey Gerald and Ryan Amos
Mixed by Joe Mabbott at The Hideaway
Mastered by Bruce Templeton at Microphonic Mastering

Dwynell Roland x P.O.S - "Don't Call The Cops"

Raps by Dwynell Roland and P.O.S
Beats by YATA

“WOE” and “Cold/Clone” produced by Ryan Amos
Horns on “Cold/Clone” by Jeremy Nutzman AKA Velvet Negroni
Guitar on “Throwing Ghosts” by Damon Kalar
Additional vocals on "Cold/Clone" and "Throwing Ghosts” by Ryan Amos

Engineered by Ryan Amos
Co-anchored by Casey Gerald
Mixed by Joe Mabbott at The Hideaway
Mastered by Bruce Templeton at Microphonic Mastering

White RELAY RELAY!! dog: Sansa

Thanks yall

Mud Tires

Throwing Ghosts (ft. Casey Gerald)

Cold/Clone (ft. Casey Gerald)

WOE (ft. Demon Marcus)

No April Fools joke here. After dropping the out-of-nowhere “Cross Countries” single earlier this week, Cecil Otter announces the immediate release of his new EP Dear Echo, available digitally through Doomtree Records.  Longtime Doomtree crew member and behind-the-scenes production wizard, Cecil has spent years developing his unique and signature sound, and Dear Echo pushes the genre boundaries even further for his most modern, lush, and experimental offering yet.  Recorded in Fall Creek, WI at Justin Vernon’s renowned April Base Studios, the six-track EP includes three brand new songs alongside their accompanying instrumentals, with production, songwriting, and vocals masterfully handled by Cecil himself.  Available now for download, Dear Echo will also see a vinyl release later this year.  Standard and deluxe LP  packages are now available for pre-order from the Doomtree webstore, and include limited-edition white vinyl and an extremely rare signed-and-numbered screen-print series featuring the artwork Cecil created during the Dear Echo recording sessions.

After self-producing several of his own solo albums throughout the 2000’s, Cecil Otter rose to fame as one half of the mashup duo Wugazi, a remix project that overlapped the gritty raps of Wu-Tang Clan with the sounds of post-rock vets Fugazi.  The project went instantly viral and garnered high praise from the likes of NBC, Rolling Stone, MTV, and even Jay-Z’s own site, Life + Times.  Dear Echo marks Cecil’s first new collection of solo material since 2008’s Rebel Yellow.

Dear Echo

Grime

Cecil Otter "Grime"

Today is the first release of my new project, In Other Words, which will consist of four separate EP releases this year. Each release will have its own feel based on a set series of albums that have had a super influential effect on me. To make the music I recorded some friends of mine (Dessa, Aby Wolf, Jessie Daley) singing some vocal lines that I then manipulated and recorded my friend Nate Kinsella playing some drum tracks. Oh man you guys, it makes me so happy to be putting out new solo stuff. It’s been a minute. OK, talk to you soon. 
 – Paper

From the new EP, In Other Words: Part One — Available now on Doomtree Records www.doomtree.net

iTunes: http://smarturl.it/iowpt1
Bandcamp: https://papertigerdtr.bandcamp.com
Amazon: http://amzn.to/1XM2Chj
Spotify: http://spoti.fi/1VoYVAu


Paper Tiger "Always Meant"

Lazerbeak "Lift Every Voice"

This is a new PROF mixtape track called "Fish Nets" off the Money$ota 10 mixtape hosted by Dizzy Wright

Make sure to download the entire tape for free - http://www.livemixtapes.com/mixtapes/39405/moneysota-10.html

Huge thanks to Mr. Peter Parker & DJ D Mil

Free Download

Fish Nets

In Other Words: Part Two

Paper Tiger "Think U"

Paper Tiger "Done For Me"

Paper Tiger "Nobody Nobody"

Paper Tiger "Stay Season"

Watch “WWII (Word War II)” NOW!: http://bit.ly/SAROCWWII

Sa-Roc returns with WWII (Word War II), the second installment of her Wisdom Wednesdays series. Continuing the lyrical onslaught of last week’s Queen Ting, Sa-Roc murderously rips through this two minute Sol Messiah produced banger.
 
Lyrics: 
I could be the last of the classical acts in modern times. I'm the Nina Simone of rappers; got a bag of black magic stashed in a rather elaborate package taped to the spine. The upper echelons of humankind, you and I ain't in the same vicinity, so you'll never be suited for my secluded climb. This Guggenheim shit and y'all arts and crafts. Most of your peers won't come close to {the wiz}, and truth be told none of these lying cats ever had the {heart}to last. So much building got em calling me the architect. And so you'll never catch me rhyming bout my ass but my past three albums was bout astral travel but I never saw a magazine or blogger feature or market that. And the awkward fact is that I still spit spheres round your top five picks so if you calling that shit fly then I go Mach Five, seen? imma dot I's, cross t's, the call's easy. But nowadays they need a hand deciphering writing this complex so i call my first verse to every song my prosthesis. And when the introduction's over I proceed to shake up their confidence in every mc they sponsored like grand mal seizures. I'm all season. I don't give a gotdamn about a pop fan putting me inside their top ten, I do not plan to drop, bend, twerk, spread, I am here to offend your senses with some senseless sentences down in Austin at the south by showcase with a straight face at a turnt venue. And when I'm done i throw a deuce up in the atmosphere. Come in peace or you might get your Adam's apple speared. With all these sharp witted lines and verses I'm a threat to any opponents I find roaming through dem atlases. And they wonder why I can be so cavalier about it, I run with a team of champions let's be clear about it, Trust me, I can bullshit my first 12 bars then leave the final four with a winning shot that surprises everybody. Cuz im a lyrical beast in the street dem. Gods illest gladiator with a muheffing ink pen. I got Almoravids moonlighting as my henchmen, the dopest rhyme slayers from out the deep end. 
Sa-Roc

Connect with Sa-Roc:
rhymesayers.com/saroc
facebook.com/sarocthemc
twitter.com/sarocthemc
instagram.com/sarocthemc

Follow all the action... #wisdomwednesdays

WWII (Word War II) - Single

Sa-Roc - WWII (Word War II)

Flying Wonders

Dosta

Still Alive

Strateegery

Dawson's Anthem 2005

The Windham Song

May Days

15 Amp Circuit

Blank Project

Dossier

All songs written, produced, performed and mixed by Pachy García.
Recorded at 333 House in Los Angeles, California
Mastered by Mikey Young

Trombone on '333 House' by Ruben Durazo
Kette on 'Zion Love Sound' by Micah Smoley
Bass on 'Javius Malones' by Javier Perez

'Dust to Dust' written by Patrick Adams & Peter Brown

Photography by Anna Aguirre
Design & Layout by Christine Fraguela

Released by Mock Records

Dose It