Simulation of a Bat Engulfed in Acid (excerpt)

PRINCESS ROBOT


DM ON IG 4 FTS: @venosaint_
Twitter: @venosaint 

synthetic sonic images of blikjandabol

Typified by a relentless pursuit of enervating and enlightening novel sound-forms, Unguent represents over a decade of independent research, recording, and performance of experimental synthesis by Lance Howard Simmons. Current work focuses on the detail, flexibility, and precision of the digital synthesis medium.

Omni Pop 🌐🐉

RTT is 
Terry Cloth
Ken Shiro
Max Methane
Gerry Gemstone

Genoa-based Massimo Pegoraro invites you to a ride on the carousel of Modus, a voyage of
cinematic and sacral music, flavored with surreal atmospheres.
His past releases for Marmo Music and Wo_land – such as The Adderf Arreug EP featuring a
remix by Hierogliephic Being – show sophisticated arrangements and an extraordinary genre
versatility. Wether he treats electronica, down-tempo or techno, he uses electronic devices
and acoustic instruments to lead you to a parallel world, a polychrome musical universe.
His highly immaginative and narrative compositions draw inspiration from Nino Rota,
Moondog, Magister Perotinus, Fabrizio De Andrè as well the adventurous scales of early
progressive rock.

Boston-based label for experimental music

Who Ate David? was a experimental, avant-garde, noise band from Oklahoma, United States. The project lasted from 2008 to 2011.

The project was made by David Heath and has since gone on to form other projects such as 5 Animals At The Zoo Eating Grass,Del Boca Vista, Spotted Pinto Bean and Happy Hour Ninja Freak Show.

Composer, Producer | Film & Audiovisual Media 

contact: franciscomorganmusic@gmail.com

Francisco Morgan is a Portuguese producer, composer and sound artist based in Barcelona. Having spent a lot of time performing in free jazz ensembles, he developed his taste for experimentation, while simultaneously falling in love with electronic music, hip-hop and film in all its aspects. For 7 years he has led his solo dance music project Mujipuki, focusing on Chicago Juke/Footwork inspired sounds. His film scores consist of nuanced electronic pieces intertwined with orchestral elements.

On his live sets, mostly constructed with his own dubs/remixes and original compositions, Morgan’s mission is to create adventurous sonic narratives that feel like movie soundtracks. Navigating through drone, beats, orchestral and world music, with an experimental approach to sound.

https://yefra.bandcamp.com/album/tre1
https://yefra.bandcamp.com/album/musiques-du-maintenant
https://amicalementvotre.bandcamp.com/album/amicalement-verte-13-pistes-en-soutien-lachat-collectif-de-lamicale-du-futur-lyon

citerne souple / sitern çoupl 
terrasse élastique
martinet transparent
carrefour
service élagage
source tarie triskell palmier
côte de jade

1/2 groupama stadium
1/2 maracassos
1/2 gûrû'männschàft
1/2 Néon Néant

past : : :

1/2 de Miraculine / Pas En Forme
https://soundcloud.com/user-419608024

ai étudié sous la direction de AA pendant plusieurs mois en 2017
https://blackshiprec.bandcamp.com/album/ectoplasmic-rebirth-vol-iii


jsud
https://jesuisundeontologue.bandcamp.com/
lyonnèsian recs
https://lyonnesianrecordings.hotglue.me/