Dornob:STANDARDS

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An instrumental piece from the radîf of Shûr, sung to a poem by Hafez

Features vocals by Farhad and Farzaneh and solos on daf, and modifed drumset.

A recent recording of this piece by Ostad Lotfi and Shayda Ensemble can be found on the album “Remembering Boroumand.”

Osul

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A song by the great songwriter AliAkbar Shayda (1844-1909) sung to a poem by Hafez.

Features Mahmood on vocals.

Marhaba

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Daramad

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Nasirkhani is a vocal form from the radîf. Here is it performed as an instrumental with solos for tar, qanûn, and keyboard (in gûsheh Eragh). 

I learned this piece from Ostad Hossein Omoumi.

Nasir

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A traditional piece in Mahûr from the vocal radîf arranged as an instrumental.

Verses from Rumi’s Masnavi are sung in several of the dastgah. The Masnavi in Mahûr, covers several important gûsheh, from which, for this arrangement, we’ve selected the following: Shekasteh and Delkesh. Though traditionally the Masnavi is sung freely based on the rhythm of the poetry, our arrangement sets each gûsheh in a different rhythmic cycle.

Features Farzaneh on daf and daireh, ney solo by Mahmood, and qanun solo by Dara.

I learned this piece from Ostad Hossein Omoumi.

Masnavi

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A simple folk-like melody in Mahûr supported by a tone-row played in two speeds on top of which dances Golsanam's santûr.

Dedicated to young hearts.

Osul

dornob