I make noise and organize it in semi recognizable patterns.

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

bookings: 
info@dj-jensmueller.de

general infos & remix requests:
info@dj-jensmueller.de
_______________________

Biography:
Jens Mueller comes from Essen, the heart of Germany’s Ruhr region and in true German fashion Jens Mueller is the master of all things Techno. Jens has been behind the decks lighting up dance floors since 1994 and has played set’s at some of the Europe’s most prestigious events such as Love Parade and Nature One Festival. 

Jens Mueller has been producing music for as long as he can remember and it certainly shows by some of the incredible tracks he has released on Labels like ‘Dolma’, ‘Autektone Dark’, ‘Reload Black’ Agile’ and many more. Jens draws inspiration from the likes of Chris Liebing, DJ Rush, Andreas Kraemer and Steve Stoll. After working on a variety of web-radio shows and searching for the newest up and coming talent in the Techno scene, Jens went on to develop his label called Sound Kleckse Records. Sound Kleckse debuted back in 2009 with Jens’ famous ‘My Name Is Roland EP’

A keen advocate for indie labels, Jens champions new artists and those who build platforms to enhance music all whilst sharing his wealth of experience and knowledge. The rest of the industry are also taking notice as Jens has been featured in some of the industries leading blogs and online magazine such as One EDM, Hypestorm, ElectroWow and Global Techno Magazine.

Some believe in life on other planets, and some were just born different. Over a decade ago D74 a.k.a. Dose the Alien crash landed on earth seeking a life of his own. Lucky for us, He found music and continues pushing his genius across the world. With a background in music theory and education he has a taste and ability to play almost any instrument you can hand him. With years of piano training and roots in Rock and Dance music since the early 90's D74 has pushed the envelope of his sounds to find his own unique flavor.

Setting out to create his own unique sound and fueled by the Industrial sound of the time, his first album was released in the spring of 1990 and was full of hard hitting industrial beats, heavily distorted guitars, and ripping synth lines. The Music Press voted the debut album " Best Industrial Album" and voted Dose "Best Industrial Artist" by their readers.

Dose the Alien returned to the studio and began work on his first solo studio project in over three years in 1993. The result of over six months of studio experimentation was released in November of 1993 under the name "Random Noise Generator ". The album was released as a comic book with the music as its soundtrack. His music was now being influenced by the sounds he heard while attending underground raves in the North East US and Canada.

In 1994 he began promoting and throwing underground raves. Starting from his loft apartment in Binghamton, New York "The Bubble" was known to hundreds of party goers each weekend as they piled in to hear him play his signature blend of Techno and Trance. By 1995 he was totally immersed in his new lifestyle. Fusing the sounds of Ultrabeat and Trance, he quickly made a name for himself not as a DJ but as a live artist sharing the stage as a headliner with the likes of Frankie Bones, Anthony Acid and Charles Feelgood. 

In 1996 his first 12" "Erotophobia" was released on the San Francisco based 'Utopiate Recordings'. The tracked combined all the elements of his years of music training with roots in rock, techno, and his quirky alien like noises that signified the alien trademark. Not only working diligently on producing music.

By 1999, Dose had thrown over 80 Events across the Northeast bringing in thousands of adoring fans and party kids. Now considered a pioneer of the Upstate New York Electronic Scene, he still plugs away every year bringing in International DJs and Talent in effort to continue educating the masses and saving them from today's typical Commercial Culture.

At the Turn of the century in 2000 Dose the Alien and fellow producer and friend Mike Parker enlisted on a 12 city tour throughout the Us and Canada. Uplifting thousands of party fans and spreading the Dose the Alien sound to the masses, his ability to captivate audiences and lure them into his own musical journey made Dose the Alien a signature headlining name, being requested throughout the United States and Canada.

In 2006, with a decade of experience behind him. Dose with help of long term friend and partner Mikey Parkay created 'Visionary Mindz Recordings' and began focusing on producing there own group of upcoming performers and producers, constantly seeking new and fresh talent to motivate and push the musical forum of which he flourishes.

2007 has seen multiple Dose the Alien Tracks and Remixes on labels such as "Protium Muisc", "SinSation Sound", and his own Label "Visionary Mindz," including top 20 charting Juno track "So Sexy" and his Trance remix of Snow Patrol's "Chasing Cars" that received critical acclaim at his 2007 World Electronic Music Festival (WEMF) performance.

2008 has been no different than any other year of his career. In January he headlined “Intense 2008” in Quebec City with Slinky Recording Artist Lee Haslam and Tidy Traxx Recording Artist Amber D. His Label Visionary Mindz hosted one of the four main stages last July at this years World Electronic Music Festival, booking DJs and Live Acts from all over the Northeast US and Canada.

Now as summer comes to an end he is settling in to his new home of Miami Florida and is about to launch his Second Record Label called Intermission Ltd. The new label will cater to the Minimal, Glitch Tech & Experimental Techno Genres and the first release is set for October 7, 2008.

From September 2008 thru July 2009, He Co-hosted "The UniSound Project" every week on Womb TV with Florida Native Oscar Taerazz. The webcast aired on Tuesday nights from 10pm to 12am Eastern Standard Time. Womb TV was the first 24/7 live multimedia television station and now carries Internet audiences of 1.5 million each month across 120 countries.



Roy RosenfelD's Imprint.
Rusted Records was launched with a desire to put all of the elements together and serve as the ultimate platform for top quality Techno House enhanced music. One-Stop-Shop for brilliant musicians, which are directed toward the clubbing scene, focusing on dance floor oriented well-known artists, along side promising new comers.

Demo Policy: 
Please send a Soundcloud PRIVATE link to demo@rusted-records.com
Full length 320kbps/WAV required - otherwise we won't listen to your demos.

Miroslav Pavlovic is a young DJ and producer from Bosnia and Herzegovina whose name you should keep in mind if you happen to be a fan of electronic music, a DJ, a producer, a promoter, a publisher, or just an occasional dance floor champion.
His sets are a combination of quality, experience and talent, and the music selection and mixing techniques will leave you breathless.

Miroslav Pavlovic was born in 1987 and has been DJ-ing seriously since the 2003. Four years later he began creating his own music, and you've probably heard some of his tracks - the "Qurshloos" song was created in 2008 and has found its place in the charts of many renowned DJs. For two full weeks it was the number one best-selling tech-house single at Juno website in the UK.

His authorship soon became his means of expressing, of drawing attention to himself and showing the world the wealth of talent he possesses. That talent was recognized by many prominent DJs and producers such as Marko Nastic, DejanMilicevic, Umek, Mathhew Hoag, Cristian Varela, MladenTomic, SinisaTamamović, Paul Hazendonk, Darkrow and many others.

His compositions have been published by a number of well-known labels, and most notable of which are the Night Light, Estrada, Lovable Fairy Tale Melomane, Proton.

Miroslav Pavlovic spins and creates deep and tech house, but if you are following his work, you will find the traces of original techno, as well as the numerous fragments of carefully selected ambient sound.

Working within the contemporary trends for the past few months, he has focused mainly on producing deep house sound, and what you most certainly should pay attention to is his first album that will see the light of the day by the end of the year.
This album will crown his previous work, a combination of experience, knowledge, love and good energy collected from thousands of satisfied people he had performed for. The album will feature a lot of the progressive sound, a small experiment which is Miroslav’s way of stepping outside the current working area.

When it comes to the future, he plans to work hard to create a unique expression by means of which he will find and imprint his own place on the world musical map.

One of the greatest desires of this young musician is to create an electronic music festival that would place Banja Luka in the centre of similar events at least once a year, and that would in one place host renowned DJs and producers whose work Miroslav respects and follows, and which would restore the domestic electro scene to its former glory and inhale it new life.

So, the next time when on a billboard, a poster or a flyer you see the name of Miroslav Pavlovic, take a pair of comfortable shoes, add a smile to the list and enjoy the magic!

A firm fixture in the House and Techno scene, Sonny Wharton has established himself as one of the finest DJ/Producers to emerge from the UK in recent years.
 
Breaking through by winning a mix-tape competition for Renaissance and DJMag immediately placed Sonny right in the heart of Ibiza’s nightlife with high profile shows at Amnesia and Space, and a weekly residency at Manumission whilst capturing the attention of key industry press and aligning him alongside the likes of Nic Fanciulli in Mixmag as a ‘Future Hero’.
 
Sonny’s skillful ability to captivate the audience with his energetic performance and diverse track selection is what prominently positions him behind the decks of many of the world’s biggest clubs and festivals. Whilst sharing the bill with everyone from Laurent Garnier and Steve Lawler, to Armand Van Helden and Eric Prydz, Sonny consistently delivers on a global scale playing everywhere from Pacha, Sao Paolo and the Berlin Love Parade in Germany to London’s legendary Ministry of Sound and the iconic Glastonbury Festival. Holding international residencies at both Club Octagon in Seoul and Solidaritet in Stockholm, Sonny’s DJ career has been solid from the start.
 
With his unique and intricate production style, Sonny’s signature sound has been strongly supported by BBC Radio 1. Originally showcased by Annie Nightingale Sonny continues to receive regular rotation from Pete Tong, Annie Mac, Danny Howard and most notably Carl Cox who chose Sonny’s single “Raindance” as his ‘Ibiza Tune Of The Summer’ for Radio 1’s Review Show. It’s this level of tastemaker support that see’s Sonny release his music across a range of high-calibre labels and the catalyst to his long standing relationship with Brighton based Skint Records; a label that see’s him sit side by side with the likes of Dave Clarke, Tim Deluxe, and Tiga.
 
Year on year Sonny continues to expand on his creative capabilities and his now reputable capacity in the studio has seen him collaborate with X-Press 2, DJ Chus and Roland Clark whilst remixing for a broad array of artists including Morcheeba, The Temper Trap, Frankie Knuckles and Fatboy Slim who subsequently named Sonny as his “producer of the year” firmly strengthening his position within modern Dance Music today. 


Decorum Music is the brand new sub-label of Anti-Slam & W.E.A.P.O.N.'s Jumpstereo Records.

The aim of the label is to create a solid platform for emerging talent and give them the opportunity to release alongside already established artists.

Decorum will be based around styles ranging from House through to Techno.

Please send demos to darren@antislamweapon.com

[Please send downloadable Soundcloud links only]

Dose the Alien is following