Disquiet Junto Project 0530: Minimally Viable Music (disquiet0530)

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

Hi there. I'm Jonas Ruchenhever. Between 2005 and 2013 I created audio collages, soundscapes, radio art, ambient, noise and drone music. Some of my work has been self-released, some has been published by labels such as Nostalgie de la boue, Pocket Fields, Industrial Culture, suRRism-Phonoethics, A.M.P.-RECS and Smeraldina-Rima. ~ After a very long hiatus, I'm sort of back, occasionally putting out stuff from the archives. ☺︎ ~ Thank you for listening. ♡ Much appreciated. — Peace

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

During the early 1990s I studied Mathematics and Computer Science. The world wide web was still largely text-based and mostly empty. Today things are obviously different, though I still thoroughly enjoy art, design, cinema and music in all its forms. I have traveled all over the world for nearly two decades, visiting just over 140 countries. Japan is my favorite. All of this I attempt to incorporate into my music and art.

https://soundcloud.com/smashingtaperecords/porosty
https://smashingtaperecords.bandcamp.com/album/dungeon-crawler
postpunk mutant electronics
POROSTY / Mchy i porosty / Bartosz Zaskórski
Music and drawings from a small polish village. Released some EPs and albums on @syntetyk @not-not-fun-1 @bruitage @kikimora-tapes @transatlantyk-records @pointless-geometry @recognition and made artworks for @forbiddenplanetofficial @ghettotraxx @c-g-i-records @carl-clan-d and a few polish labels. You can hear my music in Cyberpunk2077 game.

contact: bartoszzaskorski@gmail.com

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

Electronic Musician, Percussionist, Guitarist and Composer. Modular Synth Enthusiast
http://rupertlally.bandcamp.com 
http://www.rupertandespen.com

Disquiet Junto Project 0530: Minimally Viable Music (disquiet0530)

./noise