irrelevant

Hype Machine Favorites Vol. 14

Summer 2017

JULY 12 2017

Pätnásť

sleepdart

First single to be taken from our new Album 'Sick Octave' released on 4th Nov 2013

We Could Be Blood

Second single from the  record "Grow" out on Furious Hooves Records. Purchase here: http://music.furioushooves.com/album/grow

Apple

Nothing Lasts

https://salviapalth.bandcamp.com/album/melanchole

Salvia Palth - I Was All Over Her

DOWNLOAD DJ VERSION ON LIVEMIXTAPES http://www.livemixtapes.com/mixtapes/31947/maxo-kream-maxo-187.html

DOWNLOAD NODJ VERSION ON ITUNES goo.gl/XNxeDT

TWITTER - @MAXOKREAM
INSTAGRAM - MAXOKREAM


1998 FT. JOEY BADASS (PROD. RYAN ESL)

Sodus

Bethlehem Steel - "87s"

Released on February 5th, 2016.

Digital: smarturl.it/istheisare
Physical: http://www.omnianmusicgroup.com/products/is-the-is-are


DIIV // Dopamine

Buy: http://tinyurl.com/pgj32tj
Release Date: 16 September 2015 

anything
if ever there was anything
that could change this thing that's happening
if ever there was anything

it was different then
distant feeling when you lose a friend
it hurts to look at what it used to be
i miss you, and it's sad cuz that's what's meant for me

i don't have anything
i wish i could treat you the same
as i did when we was both in love
anything we did was not enough
now it's gone
i don't have anything

where have i gone?
i'm just myself done wrong
i feel it, yeah i kick my myself around
i lost it, it was everything
and now it's done

--==--==--==--==--==--==--==--==--
twitter.com/TTTOPSSS
facebook.com/TTTOPSSS
www.tttopsss.com
--==--==--==--==--==--==--==--==--

Anything

Written by George Cosby
Produced by Duncan Mills 
Mastered by John Davies

(c) 2015 George Cosby

State Of Undress

This for Moco

@Pigeonsandplanes premiere: http://pigeonsandplanes.com/2016/03/innanet-james-summer/

Summer @the-kount remix
@fetedela squad
Artwork by @ElynKazarian

Official video: https://www.youtube.com/watch?v=Yef5_3lb0-s
Lyric video by @pitchfork https://www.youtube.com/watch?v=Gk0b3073nr8

Download the album, "Quebec Place" out now!

iTunes: https://itunes.apple.com/us/album/quebec-place/id1142002536?uo=4&at=1001l3Iq&ct=888915261569&app=itunes
Google Play: https://play.google.com/store/music/album/Innanet_James_Quebec_Place?id=Bdol72nnb73lvj3laxgei3t5fi4&PAffiliateID=1101l3z7&PCamRefID=888915261569
Amazon: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&field-keywords=Quebec%20Place

Download

Summer Prod. The Kount

this is the final mix of Sis!! ^-^ I had the amazing opportunity to record at Converse rubber tracks in brooklyn this past weekend :)
thank u sachi n blaise n noah <3

all rights go to the creator of the song NOAH KITTINGER aka BEDROOM

Bedroom - Nostalgic Feel

Taken from 'A Savage Kiss' EP out 14th October on Yucatan Records.

Produced by Duncan Mills
Mixed by Eduardo Paz
Engineered by Joseph Rodgers
Mastered by John Davies
Artwork by Sequoia Ziff

A Savage Kiss

All Of Your Love

Seize The Carpet

Grannies

Song from Debbie Downer's debut EP 'You Know You're Wrong'

Why Are You So Mad At Me

Written by HUNNY

Engineered, Produced, Mixed, and Mastered by Jake Hays

Recorded at The Island Studios

---

don't be shy, look alive
no eyes above, could see enough
to be surprised
blue the sky, and miles wide
weighs a ton, cracked by the sun
oh what a lie our strings have spun

and it's too hard to find
an empty space for two to hide

girl, i wanna take your hand
i wanna show you the world 
rebel red curls
do i surrender weeks to young hearts running free

don't be shy, look alive
lamented love,
works hand in glove with wondering eyes
well i can't take you on the plane
and i cant call you home again
it's well after dark
the night was doomed from the start

but maybe it's not hard to find
the empty space for two to hide

girl, i wanna take your hand
i wanna show you the world 
rebel red curls
do i surrender weeks to young hearts running free
in dreams
i stay to see both dirty and clean
only in dreams, is there a place for me

girl, i wanna take your hand
i wanna show you the world 
rebel red curls
do i surrender weeks to young hearts running free

Lomelda's "Thx" out on Double Double Whammy fall 2017

Lomelda :: Interstate Vision

Darkroom

https://planetmu.bleepstores.com/release/85964-antwood-sponsored-content

@margaret-antwood

Antwood (a.k.a. Canada's Tristan Douglas) returns to Planet Mu with his second album 'Sponsored Content'. The album is more reflective than his debut, last year's 'Virtuous.scr'. The relentless mood of the first album has given way to a more melodic, stripped out sound. It still shakes with speed and energy, but with more space, more moments of delicate sadness and strange cyborg pop. What comes to the fore in 'Sponsored Content' is Tristan's gift for melody, coupled with the uncanny feeling that somehow his strange music is an entire ecosystem of it’s own. It's best explained by Tristan himself:

"This record was made during a very challenging year. Some of these challenges were for the best, some were not, most were both, others were neither. The music is inextricably tied to these events, whether I like it or not, and I’ve begun peeking out from behind my self-imposed veil of heavy conceptualization; revealing things about myself that my previous album Virtuous.scr didn’t."   "In the past year, I found that ASMR, which I had previously used as a source of foley in my music, was a fairly effective sleep aid. I’d been using the videos in this way for a few months, when I noticed a popular ASMR YouTuber announced a plan to incorporate ads into her videos; quiet, subtle ads, woven into the content. What bothered me about this was that these ads would target viewers, such as myself, during times of semi lucid vulnerability. This disturbed me, and I unsubscribed."

"Sponsored Content explores this idea of subversive advertisement, at least superficially. It’s obviously about the ubiquity of ads and the commodification of online content. The unlikely placement of ads in the music aims to force the listener to become hyper-aware of being advertised to rather than passively internalizing it. But after the record was finished, it became undeniable that really it wasn’t so much a “concept record” about advertisement; it’s as much about intentionally devaluing the things I’ve invested myself into, and over-complicating my work. When I realized this, I considered taking the ads out, and playing the music straight. But I left the record as it is: honest, flawed, with a little humour, and slightly up its own ass."

"I collaborated with El Popo Sangre (a.k.a. Paulin Rogues) for the visuals after he showed me his short film “Fantasy” which used several tracks from Virtuous.scr. He and his team at UNICORN added a depth to the project I could never have done on my own."

Antwood - Wait For Yengi

The new single from Honey Joy's debut album, out June 30 on Infinity Cat (US)/Everything Sucks(UK)!

Honey Joy

Floreana - Honey Joy

A wind of change is blowing over the cultural landscape of Kinshasa. 
An explosive alternative scene is thriving. 
KOKOKO! is the sound of it.

Follow KOKOKO! online:

Facebook: https://www.facebook.com/KOKOKOmusic
Twitter: https://twitter.com/KOKOKOmusic
Instagram: https://www.instagram.com/kokokomusic
Soundcloud: https://soundcloud.com/kokokomusic
YouTube: https://www.youtube.com/KOKOKOmusic

TOKOLIANA EP is out now on https://soundcloud.com/iciyouare.

KOKOKO! - TOKOLIANA

© 2017 RICHARD D. JAMES ALL RIGHTS RESERVED.
The all korg track created using:
Korg Monologue x3
Korg MS-20 kit
Korg Poly-61M
Korg Volca keys
Korg Volca beats
Korg Volca sample
Korg Minilogue
son on vox

Read the full article with Richard D. James and synth designer Tatsuya Takahashi here:
http://found.ee/aphex-korg

Listen to the album "Korg Trax+Tunings for falling asleep" on aphextwin.warp.net
https://aphextwin.warp.net/release/86888-afx-korg-traxtunings-for-falling-asleep

Graphic by Ryo Asakura (Seventhgraphics)
http://seventh.graphics/

korg funk 5

'Stream’ is the latest single from London based indie-folk trio, August and After. Released 30 June, 2017
Buy here: https://goo.gl/6hS7gb

⇩⇩⇩ Lyrics ⇩⇩⇩

Support August and After:
www.augustandafter.co.uk
facebook.com/augustandaftermusic
instagram.com/augustandafter

More about Indie Feed:
www.indiefeedmusic.com
facebook.com/indiefeedmusic
youtube.com/indiefeedmusic

~ Lyrics:

The sky is a screen and we’re watching it stream for the night
You point with your left while I’m holding my breath with my right
The night is young and we’re naive, nestled on the safer side of evening
Scared to commit, so we sit here still staring at the ceiling

And we rain, rain, rain... and you’ll rain for the night
Will I follow you, will I ever be the one

Here on the Earth I’m the best and the worst of a cautious mind
As far out of reach they're all stuck in 2D cuz we’re too far behind
Hermes is the renegade, chiaroscural, in a state of mourning
As a sun pushes through, and it lights up a truth that is dawning

And you’ll rain, rain, rain... and you rain for the night
Will I follow you, will I ever be the one
And we stream, stream, stream, and I scream at the stars
Till they answer me, will I ever be the one

I've got nothing to lose
I've got oceans to swim
I could stream for the night
As it's drawing me in

Stream

Indie Feed on Facebook

August And After - Stream

From the album The Kid out October 6, 2017 on Western Vinyl

Pre-Order The Kid
BLEEP https://bleep.com/release/86790-kaitlyn-aurelia-smith-the-kid
Norman Records https://www.normanrecords.com/records/166212
Bandcamp https://kaitlynaureliasmith.bandcamp.com/album/the-kid
iTunes hyperurl.co/8n4qa5
WV http://westernvinyl.com/shop/wv170

In 2017, the musical term “electronic” is nearly obsolete given the ubiquity of computerized processes in producing music.  Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment.  Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn’t be further from the truth, and that more often than not, rich worlds of synthesized sound are born from deep reverence of the natural world.  Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.  The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.

The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana.  Smith’s music has always woven a youthful thread befitting of the aforementioned subject. Here she articulates it in signature fashion on the track “An Intention,” which serves not only as a soaring spire on The Kid, but on her entire output.  There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith’s watermark.  The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness.  The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith’s ambition to broach subtler and deeper subjects than the average composer.  This side offers up another highlight in the form of “In The World But Not Of The World” which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one’s own identity to begin giving back to the formative forces of one’s upbringing, which is arguably the duty that all great artists aim to fulfill.  This side ends with the exploratory album cut “Who I Am & Why I Am Where I Am” recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble piece of sound design serves as a contrast to side four’s verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself.  This final side represents a return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life.  On “To Feel Your Best” this concept is voiced in the bittersweet refrain “one day I’ll wake up and you won’t be there” which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the listener, and both interpretations are equally moving.

Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners, and here she represents her kind proudly.  The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.  As Kaitlyn Aurelia Smith explores her existence through music, she guides us in gleefully contemplating our own.

Kaitlyn Aurelia Smith - "An Intention"

Written and performed by Deem Spencer
Produced by LUCK.

Final mix by Spenser Williams & Mel

dirt (prod. by luck)

produced by Chris Hartz // Madame Gold Records

Birdie Bees

Kehlani’s debut album SWEETSEXYSAVAGE available now: http://kehlani.mu/sic/sss
 
Exclusive SWEETSEXYSAVAGE album bundles available here: http://smarturl.it/KehlaniD2CYT
 
Follow Kehlani:
http://www.kehlanimusic.com
Facebook - https://www.facebook.com/Kehlanimusic
Twitter - https://twitter.com/Kehlani
Instagram - https://www.instagram.com/kehlani/