Contemporay Mixed Music

Penumbra / Umbra / Void
//
Douglas McCausland
11.1.21

FULL PIECE AVAILABLE HERE: https://youtu.be/2gF24WisN-w

Penumbra / Umbra / Void is an entry in a diary. This piece is about self perception and identity, finding catharsis through the artistic process, recursive self-destructive cycles, obsession over minutiae, and self-inflicted isolation starting long before the COVID-19 pandemic.

Composed for cellist Seth Parker Woods in 2021, this work was supported by Music 541 and Experimental Sound Studio; cello materials were recorded with the assistance of Alex Inglizian and Ben Kolak.
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Penumbra / Umbra / Void (2021) // Binaural Audio

INFERNO
for Choir, Orchestra, and Solo Performer

Gulbenkian Choir & Orchestra
conductor. Nuno Coelho
soloist. Andre Hencleeday

music. Nuno da Rocha
text. Clément Bondu

commissioned by OSESP - Orquestra Sinfônica do Estado de São Paulo & Fundação Calouste Gulbenkian
premiere. 24th January 2020

audio & video. Gulbenkian Música | Fundação Calouste Gulbenkian

INFERNO - for Choir, Orchestra, and Solo Performer

Douglas McCausland is a composer / performer, sound designer, and digital artist whose visceral and often chaotic works explore the extremes of sound, technology, and the digital medium.

As an artist, he researches and leverages the intersections of numerous technologies and creative practices, such as real-time electronic music performance with purpose-built interfaces, spatial audio, interactive systems, intermedia art, musical applications of machine-learning, experimental sound design, and hardware-hacking.

Described as “Tremendously powerful, dark, and sometimes terrifying…” (SEAMUS) and “Ruthlessly visceral…” (The Wire), his works have been performed internationally, including features at Sonorities, SEAMUS, the San Francisco Tape Music Festival, MISE-EN Music Festival, Klingt Gut!, Sounds Like THIS!, NYCEMF, Sonicscape, and Ars Electronica.  Recent collaborations include artists such as bassist Aleksander Gabryś, cellist Seth Parker Woods, the Quasar Saxophone Quartet, the TAK Ensemble, and vocal ensemble Variant 6.  His work is available through various online platforms, and on SEAMUS, Plyta Z Audiomatu, and Jikken Records.

Recent honors include an award of distinction in the 2021 Prix Ars Electronica for his piece “Convergence”, winning 1st-Prize in the 2021 ASCAP/SEAMUS commission competition, the gold-prize award for “contemporary computer music” in the Verband Deutscher Tonmeister Student 3D Audio Production Competition, and being awarded the runner-up nomination for the International Confederation of Electroacoustic Music's 2019 CIME Prix. 

Douglas is currently the Technology and Applied Composition (TAC) Studio Manager at the San Francisco Conservatory of Music.  He holds a DMA in music composition from Stanford University, where he studied with Chris Chafe, Patricia Alessandrini, Jaroslaw Kapuscinski, Fernando Lopez-Lezcano, and Mark Applebaum.  He additionally holds a MSc in Digital Composition and Performance from the University of Edinburgh, a MM in Music Composition from Michigan State University, and a BM in Music Composition, Saxophone Performance, and Music Education from Southern Illinois University Edwardsville.