WE LUV CHAOS
Music by Overdrive, Chris Schlue & Leandro Bastos

This is a typical early 80s punk rock song, but with a modern twist. Chris Schlue's cutting rhythm guitars add an aggressive edge to the futuristic drum'n bass foundation. And this unlikely musical backdrop provides the perfect setting for Leandro Bastos' incredible vocals.

LEANDRO BASTOS
Leandro Bastos is a Brazilian singer, songwriter, guitarist, producer, and enthusiast of the rock genre (metal, hard rock, melodic, progressive, alternative, acoustic, etc.). He has been playing and recording with rock and metal bands for the past 20 years. I am a fan of his work and enthusiastically recommend visiting his pages on Fiverr and Instagram;
https://www.fiverr.com/leandro_bastos
https://www.instagram.com/leandrobastosmusic/

CHRIS SCHLUE
German musician Chris Schule's spectacular technical work in mastering songs is only overshadowed by his brilliance as a guitarist and music producer, both in his solo work and in the various bands he plays in. Check out Chris's great tracks on his Soundcloud page:
https://soundcloud.com/chris-schlue

Hope you like the song.

We Luv Chaos

Miracle Mile

Took a different approach to this one doing a little panning at the beginning with the synth, bass, and drums.  Being an electrician and hearing some of my co-workers talking about their crazy evenings lyrics just came to mind on my way home from work one evening always driving about an hour one way to get back and forth from work so gives me some time to think things through sometimes.  Anyhow hope you guys enjoy this one.

Electric Women

Come On Fellow

Lookin' at the sunset
Wishin' you'd come home
I've been feeling lonely

You were my sunrise
Now it's always gray
tryin' to hold on
But the cracks gave way

Don’t you know
I’m so alive
Don’t you know
You were my wild side
Don’t you know
I broke that night
But I’m here, still alright

I'm so alive
I'm so alive


I tell myself I'm healing
I still lose sleep
I try to leave the past
But it cuts too deep

I said that I was better
I still ask why
I keep falling backwards
In a place I can't deny

Don’t you know
I’m so alive
Don’t you know
You were my wild side
Don’t you know
I broke that night
But I’m here, still alright

I'm so alive
I'm so alive



So Alive - Remix

Genie

Crumb the Cat

The second track to be the same length over 9 minutes as a vocal track like this, after Foul-Mouthed Parrot was the first one that was super long.

This thing in my own assessment is strong in the early to middle but cringe at the end  because of Time constraints.  It would get re-takes of all the vocals for the last third at a later time (TBD!), like one of my "Alpha Remaster" type releases.  I juggle a 9-5 job and am not full-time musician and yeah it shows lol

Blagъ

Film At Eleven v2

Film At Eleven

Downtown

gentle (semi-acoustic) guitar instrumental

rockon2018

antoinette

I wrote this song when I was 17 years old, and recorded it 6 years later.

Copyright 1985
Remastered 2021

http://www.youtube.com/user/SnyderRon

Recorded in 8 hours on a 4-track recorder in September of 1984.

Ron Snyder - Beyond the Edge of Darkness (1984)

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Film At Eleven

Doug Stoothoff

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Neil Sharp

Aure-Lion

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