Repost Exchange link
repostexchange.com/users/doug-stoothoff

DistroKid Slaps forum page
slaps.com/dougstoothoff

itch.io profile page:
https://exedexes1.itch.io/


Douglas P Stoothoff main site:
https://exedexes1.com/
https://exedexes1.godaddysites.com/

Youtube subscribe:
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag?sub_confirmation=1
https://www.youtube.com/channel/UCL0BaYj4gcMibSa0gVS8WeQ?sub_confirmation=1

itch.io profile link:
https://exedexes1.itch.io/

Feature.fm overall Artist Bio link:
https://ffm.bio/douglas-p-stoothoff

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB
https://open.spotify.com/artist/4aN8I7Zl7HuhQQC0txGPYC

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

Good Classical I Found 5

Song From A Secret Garden

Laputa - Castle in the Sky

Fuga a tres voces para violín, viola y violonchelo

The Second Waltz - Dmitry Dmitrievich Shostakovich
Hohner CX-12 purple harmonica.

The Second Waltz

Marco Siri

Seq08Gg Fantasy of Christmas  -  Fantasia di Natale

Piano

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. Arcas (1832-82)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Bolero J. Arcas - I. M. Regazzo (2024) HD

Homemade record without edit. - ( WAV48/24 STEREO HIFI )

Composer : J. K. Mertz (1806-56)
Interpreter : I. M. Regazzo

Si consiglia l'utilizzo di cuffie o una buona amplificazione.
Per un ascolto ottimale si raccomanda l'utilizzo del pc e una buona amplificazione stereo.
Per un migliore ascolto dal cellulare su Soundcloud si consiglia di scaricare l'app.

The use of headphones or good amplification is recommended.
For optimal listening, the use of a pc and a stereo amplification is recommended.
For better listening from your mobile phone on Soundcloud we recommend downloading the app.

Andantino dal Notturno N° 2 Op. 4 J. K. Mertz - I. M. Regazzo (2024) HD

¡Victoria! - VICTORY song with Spanish lyrics, performed by feature artist 
Watch on YouTube: youtube.com/watch?v=0XTYoYxCUMI
Beatriz Villar with orchestra. Arrangement and lyrics by Shannon Burchett.
inspired by Nessun Dorma by Giacomo Puccini, 1858-1924
Performance: Beatriz Villar in Madrid, Spain
Producer: Will Carmack
Graphics artist: Dilshan Sulakkhana
Audio recording: Fifty50 Studios
© Copyright 2025, Nirvana Records.

Victory with piano accompaniment, video: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: shttps://stereostickman.com/music/beatriz-villar-victory/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/
Reaction video: https://www.youtube.com/watch?v=T_aV4VW9CJs
www.instagram.com/beatrizvillar

¡VICTORIA!
En camino,
En camino,
Entre sombras y valles,
Pero en la luz,
Cristo es nuestra paz.
No hay sombra, no hay mal,
Si hay fe.
Cree en Jesucristo y sabrás,
La vida eterna no se irá, no, no.
Por el amor de Dios,
Deja ser, oh, deja ser.
El amor que Dios ha puesto en mí,
Sobre el mal y el dolor.
Hoy se acaba el temor,
Con gozo iremos sin cesar. Con fe.
Por un día mejor,
En camino,
A su gloria,
Su victoria.
¡Victoria!
¡Victoria!

VICTORY!
On the way,
On the way,
Between shadows and valleys,
But in the light,
Christ is our peace.
There's no shadow, there's no evil,
If there is faith.
Believe in Jesus Christ and you will know,
Eternal life will not go away, no, no.
For God's sake
Let it be, oh, let it be.
The love that God has put in me,
On Evil and Pain.
Today the fear ends,
With joy we will go without ceasing.
With faith.
For a better day,
On the way
To his glory,
His victory.
Victory!
Victory!

Victory

Victory - Spanish

¡Victoria! Victory - Spanish, Nessun Dorma

Auf dem Weg, VICTORY song with German lyrics performed by feature artist Jonathan Hartzendorf with orchestra. Arrangement and lyrics by Shannon Burchett.
Inspired by Nessun Dorma by Giacomo Puccini, 1858-1924
Performance: Jonathan Hartzendorf in Vienna, Austria
Producer: Will Carmack
Graphics artist: Dilshan Sulakkhana
Audio recording: Fifty50 Studios
© Copyright 2025, Nirvana Records.

VIDEO: Victory with piano accompaniment: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: https://stereostickman.com/music/beatriz-villar-victory/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/
Mentioned in magazine article on Puccini tribute: https://ventsmagazine.com/2024/12/23/shannon-burchetts-victory-finale-a-modern-tribute-to-puccinis-timeless-masterpiece/
www.instagram.com/beatrizvillar

Auf dem Weg, Auf dem Weg
Durch Täler und Schatten
Doch am neuen Tag
Jesus ist das Licht
Kein Dunkel der Nacht
Mit neuer Kraft
Glaube an Jesus und du weißt
Unendlichkeit er dir verheißt, ja ja
Für die Lieb die Gott schenkt
Lass los oh lass los
Die Liebe Gottes die uns führt durch die Nacht
Und den Schmerz
Für unsern Tag, der kommen mag
Du starbst für uns, für uns allein
Uns allein, uns allein!

VICTORY!
On the way, on the way.
Through valleys and shadows
But on the new day
Jesus is the light, no darkness of the night,
With new power
Believe in Jesus and you know
That Jesus promised eternity for you, yes, yes
For the love that God gives
Let go oh let go
The love of God that guides us through the night and pain
For our day that will come
You died for us, for us alone
For us alone, for us alone.

Victory - German, Deutsch

Victory - Auf dem Weg, German, Nessun Dorma

انتصار aintisar - VICTORY song in Arabic performed by feature artist ZAIN  زين  with piano accompaniment. Arrangement and lyrics by Shannon Burchett.
Inspired by Nessun Dorma by Giacomo Puccini, 1858-1924, theme of Victory over death and despair.
Pianist: Marcus Gonda
Graphics artist: Dilshan Sulakkhana
© Copyright 2025, Nirvana Records.

Video: Victory in English with piano accompaniment: youtu.be/71oAZE4Fm3I
Magazine article about the Victory song history: stereostickman.com/music/beatriz-villar-victory-finale/
Magazine review of Victory song: dailymusicspin.com/shannon-burchett-victory/

انتصار!

انتصار!
طريقنا،
في طريقنا،
عبر الوديان والظلال،
ولكن في اليوم الجديد
يسوع هو نورنا.
لا ظلام ولا ليل.
بأمل جديد،
آمنوا بالمسيح واعلموا،
ان الحياة الأبدية لن تموت أبداً،
لا. 
من أجل الله الذي يعطيني 
آمنوا، أوه، آمنوا.
بحب الله التي نشاركه
عبر اليأس والموت.
من هذه اللحظة من الزمن،
سنستمر بفرح إلى الأبد 
ليوم أكثر إشراقًا،
في طريقنا،
إلى مجد السماء،
انتصار المسيح.
انتصار!
انتصار!
_______________________
Victory!

On the way,
On the way,
Between shadows and valleys,
But in the new day,
Christ is our light.
Neither dark nor evil,
In hope.
Believe in Jesus and you will see
Eternity will not die, no, no.
For the love of God,
Let it be so, oh let it be so.
The love of God that guides us
Beyond anguish and death
Today the fear vanishes,
With joy we will go to infinity.
For one more day,
On the way,
To His glory,
To victory.
Victory!
Victory!

Victory - Arabic انتصار aintisar

Victory - ZAIN Arabic انتصار Aintisar piano

Roaming in a Wood is a song for a quartet comprising two violins, a cello, and a flute. The theme, which glides from the strings to the flute, invokes a feeling of continuous bewilderment in an unknown realm.

Buy the song

Roaming in a wood

The Whispering Horizon

Nun komm der Heiden Heiland (Bach)

Like a Bouquet

Image by Ri_Ya
https://pixabay.com/de/users/ri_ya-12911237/

Thanks for sharing this beautiful picture !

Kanon in D Dur

Push

Chance’s Embrace

A foundation is thus formed at the nucleus,
With hopes of one day becoming something famous.
Chances are notes of opportunities,
Which require vocals for notoriety.

Sing me a sound so perfectly in tune,
That I may embrace this chance of fortune.
For they say she knocks momentarily—
One encounter is enough to know I’ve been treated fairly

By the giver of opportunities,
For we are in sync, entwined in unity,
And as vocals do notes, he complements me.

Chance’s Embrace

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

DREAM

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Good Classical I Found 5

Doug Stoothoff