West Witterings Beach on a beautiful summer's day, East Sussex UK.
Day 313 of 365 random acts of Dougie Evans

West Wittering Beach, 8th July 2013, East Sussex (UK)

April 1st will see Peter Broderick’s classic Erased Tapes debut Music For Falling From Trees reissued on vinyl and CD.

Through relentless touring and multiple album recordings, Portland-based Peter Broderick has established himself as a contemporary composer, known for his innate gift as a musical medium to picking up any instrument, turning his musings into poignant songs.  The scope of Peter’s work is vast – his recordings and original score work currently feature in dance arrangements, art installations, films and documentaries. He collaborated with many like-minded contemporaries such as Nils Frahm and Greg Haines, and featured on Clint Mansell’s Last Night soundtrack. Peter’s signature emotional depth cuts through any instrument to create stirring, personal music that is full of artistic detail. Currently an artist in residence at Sirius Arts Centre in Cobh, Ireland, 2016 has much in store for Peter.

2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres. 

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe. 

IN HIS OWN WORDS: “In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers. 

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano. 

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work. 

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

'Painfully young and unnervingly talented' 
– The Economist’s Intelligent Life

Buy CD/LP/DL

Peter Broderick – Part 4: The Dream

You can PRE-ORDER this release on Ltd. Vinyl or Digital Download via Erased Tapes:
http://erasedtapes.com/store/index/ERATP039

And the CD edition from our Japanese friends at Cote Labo:
http://www.cotelabo.com/discography.html



Nils Oliver Frahm + Peter Ray Broderick = Oliveray.

Being musical companions and label mates for years, it was just a matter of time until modern contemporaries Peter Broderick and Nils Frahm would start their first standalone project together.

Oliveray was born in their shared home city of Berlin and will see its debut release Wonders – a nice little collection of eight musical pieces – available on Vinyl/Digital via Erased Tapes and on CD via Japanese friends Cote Labo from December 12th, 2011.


Say hello to Oliveray!
Blog post by Peter Broderick:

I am super excited to announce the debut release from a project very dear to me!
Oliveray consists of me, Peter Ray Broderick, and one of my greatest friends in the world, the incredible musician / producer Nils Oliver Frahm. We’ve been collaborating in many ways these past couple years and traveling a lot together. Now finally we have arrived with our first truly 50/50 collaboration effort entitled Wonders.
It all started when I was asked to create a cover version for my great friends Efterklang. I asked Nils if he’d like to work with me on the project. So one day we got together in his studio and ran through the song (Harmonics) a couple times and then laid it down to tape in the most relaxed way possible – me playing the guitar and singing and him on the piano… We were both really happy and inspired with how easy and fun this process was. We thought you could hear and feel that relaxed atmosphere in the song.
So when our Japanese friends Cote Labo asked us to prepare some kind of release for our Japan tour, me and Nils set aside a couple days to record some music in a similar manner. Without much preconception we just set up the mics and started recording, with an aim to create a short album of half instrumentals, half vocal-based songs. We ran through a few fresh musical ideas that each of us had, improvising along with each other, sometimes just improvising entirely. And before we new it we had a nice little collection of eight intimate pieces of music.
The first official output of what will hopefully be a lifelong collaboration, Wonders feels really special to me. Here comes Oliveray!


TRACK LISTING: 01. Growing Waterwings 02. The Book She Wrote And In The Time 03. Piano In The Pond! 04. Harmonics 05. Hiding Hydiration 06. You Don't Love 07. Just Resign 08. Dreamer


OFFICIAL WEBSITES:   
      
PETERBRODERICK.NET
NILSFRAHM.DE
ERASEDTAPES.COM     

Wonders

Oliveray - Harmonics

(en)
The recording was made in Litovelske Pomoravi on February 26, 2012.
The river Morava is sorrowfully humming in the distance and you can hear a cooperating blue tit at the beginning.
About geocaching: mystery cache Quercus robur: http://coord.info/GC4BV8G

(cz)
Nahrávka vznikla v Litovelském Pomoraví 26.2.2012 
V dálce teskně hučí řeka Morava a na začátku lze zaslechnout spolupracující sýkorku.
Ohledvá geokešingu: mystery keš Quercus robur: http://coord.info/GC4BV8G

G&F - Quercus robur - February

WREN (Troglodytes troglodytes) SINGING & OTHER BIRDS AT DAWN, AS SPRING BEGINS!

2X dpa 4060 MICROPHONES STUCK IN MY FAVOURITE MAGIC APPLE, IVY DREADLOCK TREE.

RECORDED 12th MARCH 2012 NORFOLK, UK.

START OF SPRING, WREN SINGING IN A APPLE / IVY DREADLOCK TREE

ÓLAFUR ARNALDS & NILS FRAHM - a2 (Max Cooper Remix) 

DOWNLOAD it exclusively from XLR8R: http://www.xlr8r.com/mp3/2012/04/stare-max-cooper-remix

ORDER the Ltd. Edition 10" Vinyl/Download from our store and receive the remix with it:
http://www.erasedtapes.com/store/index/ERATP042

'A starry-eyed house experience that fits seamlessly into a soulful, deep-felt dancefloor dynamic. Swells of low end surge into a crisp, percussive breakdown that never seems to shift too abruptly, leaving Arnalds' & Frahm's original melody work to come humming through the compressed kick in a blissful wave of moonlit elegance' – XLR8R

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.

LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1  4. a2 (Max Cooper Remix)* digital bonus track

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

a2 (Max Cooper Remix)

Ólafur Arnalds & Nils Frahm - a2 (Max Cooper Remix)

ARTIST: Daphni
TITLE: JIAOLONG
CAT#: JIAOLONG005


Tracklisting:
1. Yes, I Know
2. Cos-Ber-Zam - Ne Noya (Daphni Mix) 
3. Ye Ye 
4. Light
5. Pairs
6. Ahora
7. Jiao
8. Springs
9. Long 

All tracks written and produced by Dan Snaith except Track 2 which appears courtesy of Analog Africa (www.analogafrica.com).
Artwork by Jane Eastlight

Release dates:

UK/EU/Australia - October 8th on JIAOLONG RECORDS  - digital, CD, and 2x LP
US/Canada - October 16 (physical) + Octobber 9th (digital) - MERGE/JIAOLONG  
Japan - October 3nd - Hostess/JIAOLONG  digital + CD

03 Ye Ye

At present, this mix is only downloadable from XLR8R's site at http://www.xlr8r.com/podcast/2012/09/max-coopers-decibel-mix [which we assume you're all reading anyhow, as it's excellent.]

01 Abyss "Birdsong (Flowers and Sea Creatures Remix)" (Buzzin' Fly)
02 Halls "Roses For The Dead (Max Cooper Remix)" (No Pain in Pop)
03 Jimmy Edgar "Black Neon Dancefloor" (Items & Things)
04 Vaetxh "List of Lists" (Tigerbeat6)
05 Ambivalent "Rumors" (Minus)
06 Agoria "Panta Rei (Max Cooper Remix)" (Infine)
07 Max Cooper feat. Braids "Automaton (Ghosting Season Remix)" (FIELDS)
08 Elef "Tales of 88 (Huxley Remix)" (Murmur)
09 Nils Frahm "For (Max Cooper Remix)" (Erased Tapes)
10 Ólafur Arnalds "Poland" (Erased Tapes)
11 Vaetxh "Unfolding Mechanism" (Detroit Underground)
12 Dan Cat "Winterslow (Max Cooper Remix)" (Playtime)
13 Pleasurekraft "Corpse Reviver No 2" (Brandnewvibe)
14 Nils Frahm "Peter (Max Cooper Remix)" (Erased Tapes)
15 The Slow Revolt "Dark Matter (Max Cooper Remix)" (Pavilion)

My approach for this mix was defined by the fact that I had to do it while travelling for my Americas tour. So I picked out a selection of my favourite tracks before leaving, and was constrained to use only these. The difficulty was that I had chosen a load of different genres, so it turned into a puzzle of how to fit them all together into some sort of coherent flow. It was a good way to work in the end as it encouraged me to make edits of lots of the tracks, and also lead to some nice unexpected combinations.

[Note from Max HQ:  the original of Max feat BRAIDS - Automaton - track 6 can be heard on Max's app:  http://bit.ly/QHzLL5]

For more Max Cooper mixes/free downloads:
soundcloud.com/max-cooper/sets/max-cooper-free-downloads

And music videos here:
www.youtube.com/user/maxbcooper

And for up to date info on all the goings on, you can join the mailing list on my site if you like:
http://maxcooper.net/

Max Cooper DJ Set - XLR8R/Decibel Festival Mix (DL link in description)

Mediterranean Hypnosis

http://www.xlr8r.com/mp3/2012/12/so-bad-synkro-dub-mix

Free Download for https://soundcloud.com/xlr8r

Taken from Robots Don't Sleep's self-titled EP out 13th January on Four Music, featuring my Vocal Mix of 'So Bad' 

XLR8R

Robots Don't Sleep - So Bad (Synkro Dub Mix)

I went pretty minimal on this one, no hi-hats, and pretty much no drums actually, just a kick and much later into the track a snare comes in.....There was something about the simple repetitive 2 note melody hits and chords I landed on that just seemed to work without needing anything much else, well hopefully it works for other people too and not just me. It's been going down really well in the clubs at least, it seems to make people clap for some reason, maybe because it's so simple and kick focused rhythmically, it's got a bit of a marching stomp feel.

I stripped out most of the parts from the original, and focused on the great pads and vocal sweeps, which seemed to lead to the melodic idea somehow. It was one of those remixes which flowed nice and easily, not too much conscious thought required, I just let it flow out.

I made an edit of an old video to fit the track too, full details about that on the youtube link:

http://youtu.be/pXdoDtQlvDE

Buy on Beatport

Nick Warren - Devil's Elbow - Max Cooper Remix (out now)

Music, improvisations, found sounds, and guitar tracks