I always enjoy listening to your work, fresh, funny and brilliant!

Friends-Musicians-etc

Featuring the amazing violin work of Joylin!

Long Time Gone

Akenaton

sounds

Blake Alive, (Blank Knowledge )

Ambient electronic live improvisation. Music for poetry performance.

Giovedì Notte

R-Château

…¡ah! El odre ajado suda ahora. Uranio osificado unido al glaciar izquierdo que atina… y la eñe que coge todas las uvas y el yuyo oteado del jueves erótico que ágil imita… va a nadar beodo la odisea hacia la hostil fabula cultural que aplica para su oficio.

El lazo del teuton Ca(by) en el gabinete, etapa de apa(ri)ción con la maquina lyep.

…uo pouc iza quitando en la jangada la usina del mannuna, eficaz imitación seguida de voto… y yo dejo al ocio evadírseles la lotería que funda los pabellones de umbríos gladiadores… tu hoz cayó del iceberg inabarcable auxiliada por el búho y la urpilla del exigente loquero.



L A  O d (i) s e A

D i ó g e n e s  T a c u a r a

(CC BY-NC-ND 4.0)

creativecommons.org/licenses/by-nc-nd/4.0/deed.es_ES

La Odisea

Thru The Winter Triangle

Birth Pangs of a New Time

A man?s experiences with women, beginning with his mother, create misery for everyone.
    


Joe Frank: Sunken Ship

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Theme from "La Strada" (The Road) 
(d. Federico Fellini, 1954) composed by Nino Rota
arr. and performed by Gary Lucas 
on his 1942 Gibson J-45
recorded on his iPhone 5/27/18

photo of Giulietta Masina taken from the film

Theme from Fellini's "La Strada"--Gary Lucas solo acoustic

two headed hat

Theme by Nino Rota from Federico Fellini's "I Vitelloni"(The Calves) 1953
arranged and performed by Gary Lucas on his 1942 Gibson J-45
recorded on his iPhone 6/2/18

two headed hat

douglasmseidel

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Tony+Morris

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