Insane moment warphole wormhole brain melt

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Kiosk & The Lot Radio proudly present their three-day broadcast at Horst Festival’s Moon Ra stage, showcasing New York’s and Brussels’ vibrant communities at one of Europe’s leading festivals. 

Listen back to this year's closing set by none less than DJ Fart in the Club.

www.kioskradio.com
www.thelotradio.com 
www.horstartsandmusic.com

DJ Fart in the Club | Kiosk x The Lot Radio x Horst Festival 2024

naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

Here's my set from an unforgettable morning at the Chunyou Festival 2025 in Chengdu. I had the honor of playing from 5:15 to 7:15 AM as the sun came up. I hope you enjoy!


Tracklist

Natan H - Horizon
Anna Kost - Arpeggio
Kohra - A Bird Above the Clouds
Oddkut - Internal Rift
CARRE - Soft Fascination (Priori's Mechanical Dub)
djfix	- Leo
Pureblast -  Psycho (Roza Terenzi Remix)
Sam Goku - b-nova
Vince Watson - Starchild
Renceau - Are We Dreaming
Otus/Nadī' - Salt
Egotot - Real Kids
Deljoi - Wind Tunnel
Agonis - Carbonine
Vortex - Beauty Drums
PTA/Ambivalent/Physical Therapy - Cheap Soda
Dro San - Chora Chora
Stefan Goldmann - Marbles (Version)
Sub Basics - Response
Mark Ambrose - Sunrising
Braille - Suntime (QRTR Remix)
Utada Hikaru - Devil Inside (The Scum Frog Vocal Mix)
Yaleesa Hall - Depths of Chemical Oblivion
Holloway - Static Shock (Hodge Remix)
Impérieux - Objectify
Rennie Foster	 - Ankoku
JANNE HARDT - FATA MORGANA
Ruby May Moon/Emanuel - River
SPECIAL REQUEST - TOO COLD
maquis son sistèm	- 21" Speakers


photo - Kirill Sokolov

Knopha at Chunyou Festival '25

2025年6月17日 21:00-22:00 JST 

Moopie 
https://instagram.com/moopiedaily

#leftfield #electronic #electro

ムーピーはメルボルンを拠点に活動するアーティストで、ジャンルを超えた幅広いリリースで知られるレーベル、ア・カラフル・ストームを運営している。

Moopie is a Melbourne-based artist and runs the label A Colorful Storm known for its vast remit of genre-spanning releases.

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

Moopie｜2025年6月17日｜#leftfield #electronic #electro

Hessle Audio with Pearson Sound feat. Richard Akingbehin (Live from Open Ground) - 21 July 2025

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

“A recording from pe:rsona in France, one of the most memorable sets of the summer for me!! 

I felt a connection to this crowd in particular and that’s not something that happens often. A lot of this is down to the people behind this festival, the pe:rsona/Positive Education crew are very intentional with what they do, they champion and support a lot of artists who aren’t necessarily ‘big names’. I think this cultivates a crowd that trusts in their curation, they’ve fostered this really special energy. 

I played on Friday night between two live sets, Christian Coiffure and Renslink. They are two incredible acts to be sandwiched in-between which inspired the set to evolve the way it did. 

Big big love to the crew and to everyone who danced with me ❤️”
- @emma-jane-g

Photo: Raphael Chene & Carla Lubrano Di Sbaraglione
Mastering: Devoye Folkes

subglow/Live 6: EMA @ pe:rsona '25

[SUR006 | 2025]
Rubnoise – “About Us / Aliens Hack Your Mind”
Original Electronic Music / Electro Release.
Made in Ibiza, Spain.
Label: SomosUno Records.
Format: Digital.
BPM: 129 / 132.
Digital mix by Toni Moreno.
Analog master at Gimeno Studio.


Rubnoise  - Aliens Hack Your Mind

DJ FREE DOWNLOAD &  DJ GOKU EN SU PRIMER EDIT JUNTOS. 
COLAB IN THIS NEW PROJECT CALLED STAR 4

STAR 4 - BREAKBOTS (KRAFTWERK TRIBUTE MIX)

It's here.

Listen to Ben UFO's amazing cover mix now. It's a beauty.

Tracklist here: http://mixmag.net/feature/the-cover-mix-ben-ufo

More exclusive music

The Cover Mix: Ben UFO

Interview + Download: http://truantsblog.com/2018/truancy-volume-212-martyn/

Soundcloud: @3024world 

Back in 2011 we caught up with Martyn as he prepared to release his sophomore album Ghost People on Brainfeeder - conversing away on the obstacle of second album syndrome, his first foray into performing his music live and his early collaborations. Seven years later and an album on Ninja Tune in between, his fourth LP titled Void lands on Berlin's flagship label Ostgut Ton on the 22nd of June. Questioning everything he has done musically in the past, and everything he still wants to do, the album has been described as being written as a means of catharsis, recently being released from the hospital after some unexpected health issues. Turning to Max Roach's 1979 ensemble percussion album M’Boom, however, was the spark in reassessing the elements that drove him to make music in first place.

In his own words: "That was the first record I listened to in my studio after coming out of the hospital. It's a project where Roach works with a slew of top notch percussionists and drummers and rotates them for every composition. Playing this record was such a surreal experience, the first music I consciously listened to after my recovery. I could hear so much space in the music, something I had never noticed before; almost like a 3D experience, with the most striking aspect being the emptiness between the players."

In the space of eight months Martyn would write his fourth album, creating an almost semi-descendant of his first LP Great Lengths sound-wise, yet forging new paths forward in genre. At nine tracks, with no collaborations or vocalists, the music is described as being stripped down its essentials, as Martyn looks to recontextualize his music with elements of Nyabinghi, drum ‘n‘ bass, and gqom. His Truancy Volume, which he calls an 'inspiration mixtape' to compliment Voids, is a collection of music, new and old that he's listened to over the past year. With Digital Mystikz alongside Shed and Objekt alongside Appleblim, Martyn roams through an almost biographical tale of selections, with his love for jazz shining through with the inclusion of London jazz collective Sons Of Kemet. We also caught up with Martyn for the second time on Truants to talk about Voids, how his ideas form, playing live at Panorama Bar and how radio has become more accessible than ever.

http://truantsblog.com

Truancy Volume 212: Martyn

Deep smoked-out grooves from the Bristol upstart.

Download and Tracklisting: 

https://www.xlr8r.com/podcasts/2018/05/podcast-540-pessimist/

@pessimist
@blackest-ever-black

XLR8R Podcast

Download & Tracklist

XLR8R Podcast 540: Pessimist

@agrippauk

Full tracklist here: https://fbiradio.com/945fm/programs/body-promise/2018-05-22/

BPDJ102 / Agrippa

Interview + Download:  http://truantsblog.com/2018/truancy-volume-216-hops

Soundcloud: @hops

If you've ever made it to a Version party, usually held in Tresor's sister club Ohm in Berlin, you'll be well aware of Hops' impeccable taste for percussive, bass heavy club sounds with an undeniable swagger. The former reggae buyer at Hard Wax, where he worked for 7 years, has long been honing his craft in Berlin's clubs and is now one of the most reliable proponents of dub inspired dance music. Hops now heads up the Version clubnight with his friend Orson, who is also responsible for running the label of the same name and continues to put out strong releases from the likes of Agrippa and Yak. The night has become a go-to for many, from Berlin and far beyond, seeking the intersection of dubstep, techno, grime and dub that Hops brings to the floor. As fans ourselves at Truants, we thought he would be perfect to tap up for a Truancy Volume, and he sure didn't disappoint.

Truancy Volume 216: Hops

Honey Soundsystem Potcast

HNYPOT 291: CCL's Ode to the Queer Steppas

It's impossible to talk about the sound of DjRUM without using the word cinematic. Whatever he does, it has a feeling of grand importance, widescreen elegance and moving emotion that elevates it way above a dance floor soundtrack. Throughout the course of his career, the UK artist has drawn on downtempo, blurred the lines between drum & bass and dubstep and always imbued his music with spoken words snippets, piano and chamber instruments. His Portrait With Firewood album was a real high-water mark in 2018, and last year his latest outing on R&S once again managed to draw on every aspect of electronic music and come up with something all his own. 

His mix for us this week is a perfect ethereal rave that finds plenty of beauty in the sparse rhythms he draws on from the worlds of garage, techno and drum & bass. There is a delicacy and elegance throughout, even when the beats hit hard and fast as they do at the overdriven and manic mid point. The amen breaks come thick and fast after that, but eventually melt away to propulsive ambient soundscapes that suspend you in time and space. Blissful.

Dekmantel Podcast

Dekmantel Podcast 267 - Djrum

·▄▄▄▄   ▄▄▄·. dpleated
██▪ ██ ▐█ ▄█  queer √ creatine √
▐█· ▐█▌ ██▀· l,i,q,u,i,d,i,t,y,
██. ██ ▐█▪·• gender euphoria
▀▀▀▀▀• .▀  citizen of Floptropica

HNYPOT 291: CCL's Ode to the Queer Steppas

˙º˚[•} p∫ £ ª†e∂˚º˙

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