on the go

Sean Johnston (ALFOS) closing out the Old Gramophone Stage Houghton Festival 2022

SEAN JOHNSTON ALFOS HOUGHTON 22

Ahead of their fabric headline show this Friday 17th May, the Stockholm based studio, trio & label Studio Barnhus share a mix of their notoriously party-starter, eclectic selections.

Tickets: https://ra.co/events/1889721

036 - Studio Barnhus - fabric podcast

Alex Kassian is a perfect DJ to have at the Sunrise Session with us as he knows howe to bridge the club and the blissed out. A fine set with Djum Djum sounding super good and an 'E2-E4' ending... You can follow Alex HERE on Instagram for more on what he is up to. Tidy.

TP530 Alex Kassian (Love International Sunrise Sessions)

For Viscera 130, Yu Su joins the series with a live recording taken from our party on the 14th December at the one and only Love Inn.

"Kaifeng-born, now London-based Yu Su is a musician, DJ, sound artist and occasional chef. As one of the most prominent Chinese artists with a highly unique voice working across the globe in the last 5 years, her output covers all the ground you’d expect and more. Her multiple critically acclaimed records on UK’s Technicolor (Ninja Tune), Netherlands’s Music from Memory and China’s own Bie Records has seen her nominated for Canada’s Polaris Prize. She has co-produced music with John Carroll Kirby, Duval Timothy and is known for remix works for Parquet Courts, King Gizzard and The Lizard Wizard, and many more. As a DJ, she is unpredictable, idiosyncratic; just “casually having the dance floor transfixed” have put her on the spotlights at clubs and festivals internationally like Dekmantel, Glastonbury, Boiler Room, iii Points, Nuits Sonores, Rainbow Disco Club, Phonox and so on. She has also recently been featured on the cover of Mixmag magazine, marking the first Chinese cover star. She has composed for feature films and fashion brands like Sacai, Jimmy Choo and London/Shanghai based SAMUEL GUÌ YANG."

Enjoy!

@yu_su

Yu Su | 130

Episode 4 of the Sixth Sense mix series brought to you by Peach. This episode by London based legend Wes Baggaley (@wes-baggaley). little blurb, interview, tracklist >>>>>>>>>>thisissixthsense.com<<<<<<<<<<

Sixth Sense 004 - Wes Baggaley

Midland is a quiet and reserved character but one that always makes a big impact. Despite only being active for a few years, he is already someone who resides in the upper echelons of the global house and techno scene. This is evidenced by the fact that as a DJ he plays only the most revered places, and when he does so he manages to reach far and wide, calling upon many different electronic sounds without ever falling prey to modern trends. It is the same when producing on labels like Aus and his own Graded, where his records are functional but fun affairs with corrugated drums, rugged bass and physical grooves that never fail to arrest a dance floor’s attention. This mix he has served up for us is another fine example of that. 

Starting off in an abstract world of atmospheric sound and smeared chords, it’s not long before Midland establishes a groove that then grows in stature for the next hour. Atop the always physical drums are all manner of cosmic melodies, soul fuelled pads and spryly percussive patterns. Touching on house that ranges from dark and mysterious to more sun kissed and playful, this journey feels much long than it is because of how much Midland manages to so masterfully pack in. 

Dekmantel Podcast 022 - Midland

"all good things come to an end but the memories live on."

this is the live recording of my set at the final edition of @velvetfestival in june 2025. I loved this intimate festival on the beautiful island of krk, croatia. playing freely, house, disco, gospel with a heart warming message.

suze ijó @ velvet fest 2025

Jennifer Loveless steps up to the Phonica mix with a charged hour of sculpted house — poised between deep groove and melodic resonance. 
Born in Toronto and musically forged in Melbourne, she relocated to Australia in 2012 and quickly became a central figure in the country's underground electronic scene. Now based in Berlin, her fluid DJ style — steeped in queer dancefloor energy and late-night catharsis — has lit up some of the world’s most respected booths, from Panorama Bar and De School to Body Movements, Maricas/Mxricas, and Boiler Room’s Discwoman showcase in Sydney.
As a producer, her discography speaks in rhythms both personal and expansive. The debut Hard/Soft (Pure Space, 2020) blended meditative percussion and fragmented spoken word; 1.5m (Planet Euphorique) offered a pandemic-era pulse of emotional urgency. In 2021, the Water EP (Butter Sessions) landed with immersive, club-primed textures and was hailed by Resident Advisor as “career-defining.” Its 2022 follow-up Around the World expanded that sound with driving drums and psychedelic tones — its standout tracks appearing in DJ sets by Jayda G, D. Tiffany, and more.
Loveless’s mix here flows like her best sets: deep, intuitive, and full of movement. Sensual grooves fold into one another — not showy, just sharp. A warm, high-fidelity hour from a DJ who knows how to guide the floor from dusk to afterglow. We had a brief chat with Jennifer about the mix and what she has coming up:

Phonica Mix Series 133: Jennifer Loveless

Noise Cathedral 852 Hz [Dark Nature Concept]

This week's RA podcast is a rare DJ set from electronic gents Underworld.

RA.080 Underworld

This week’s podcast is a trip through the record collection of JD Twitch, one half of Glasgow institution Optimo.

RA.087 JD Twitch (Optimo)

TRACKLIST & DOWNLOAD:  http://truantsblog.com/2015/truancy-volume-132-endian/

Soundcloud: @endianmusic

With end of year lists slowly starting to trickle out, there's one track in particular we find that's absent from some of the bigger sites, despite having what could be considered a decent summer. Championed by both Joy Orbison and Scuba in each of their respected Essential mixes, snippets of new untitled Endian teased the notion that a follow up to his Electric Minds and NonPlus releases would be forthcoming in the near future. Having debuted on the Radio 1 airwaves in July 2014, it wasn't till early May 2015 that the track got a name and a confirmed release date on London based label Secretsundaze. Titled 'Finish Me' the track, would go on to become one of our favourite summer anthems (as mentioned here) and acquire a near-omnipresent status in clubs and at festivals up and down the country over the summer period, while still remaining in some way an underground sleeper-hit. We'd like to think the nod to his roots, and other revered alias, struck a chord or possibly two with all the jungle enthusiasts out there, as well as appealing to the house and techno crowd. While the A side explored more club-friendly territory with its melodic aspects and billowing breakdown, the B side's "Dusty" and "Sub Tropics" provided a much more rooted warehouse affair; taking his technical skill and experience as Commix and and channeling it into the confines of 130BPM. His use of subtle melodies and pads, reminiscent of 90s jungle/drum and bass LPs have made for well received tracks like "Birdhouse" and "Two Chords Deep", the latter being one of his early attempts at using a proper hardware setup to explore his techno and house productions, and arguably still one of his best tracks.

Truancy Volume 132: Endian

The second installment of our @redlightradio show!
Feel free to send over material that you think fits the sound.

Infinite Pleasure on Red Light Radio - 27/3/2019

Shanti Celeste - Essential Mix 2018-12-08

Third show for @redlightradio  Bit more uptempo this time around!
whoop whoop!

Infinite Pleasure on Red Light Radio 13/6/2019

@vynehall

Last May, we invited Leon Vynehall to play a rare 'open to close' set at Honey Soundsystem. There are not many selectors that we can trust to not only DEBUT themselves at a HSS party but also take on a room entirely to themselves. His set exceed our expectations and the recording ACTUALLY came out.

Honey fans know we don't release many live-recordings, but when we do they often have a life of their own (see Jennifer Cardini at Burning Man, Silent Servant at Holy Cow, Black Madonna at Deviants, Doc Sleep at the 9 Year Anniversary) 

You can check out the past live-sets here: https://soundcloud.com/honeysoundsystem/sets/recorded-live-at-honey

This set has been on repeat since that May 26th night and after some serious cajoling, Vynehall agreed to release the first couple of hours. Vynehall does not really release live mixes so we know how special this is and thank him for letting us go with it.

The set went on for another 3.5 hours but included some material Vynehall can't have out in the world yet. So... here is an exceptionally good 3.5 hours at one of our traditional Sunday night, holiday weekend, Honey Soundsystem parties in San Francisco.

Honey Soundsystem Potcast

Leon Vynehall @ Honey Soundsystem SF [5-26-2019] (first half of all night set)

·▄▄▄▄   ▄▄▄·. dpleated
██▪ ██ ▐█ ▄█  queer √ creatine √
▐█· ▐█▌ ██▀· l,i,q,u,i,d,i,t,y,
██. ██ ▐█▪·• gender euphoria
▀▀▀▀▀• .▀  citizen of Floptropica

Leon Vynehall @ Honey Soundsystem SF [5-26-2019] (first half of all night set)

˙º˚[•} p∫ £ ª†e∂˚º˙

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