Doodydoodoo

Textures Arc The Points is dedicated to my late teacher Mark Chambers, who was a great composer that often introspect about music. Thank you for introducing me to the world of “Spectra and Pixies” and the world of electronics

Textures Arc The Points was commissioned by the Debris Project; utilizing sound solely from their database.

Engulfed by the many points, as these materials conglomerate within the plane 
Matter as figurative and external

Conglomerates veil the arcs

Meandering through the flow, at times with extreme exaggeration Flow that is never the same
As flow is made up of impermanent elements

Cyclic material that occurs “once”; an ephemeral quality 
Often unfair

Endure with an inner rhythm of
Textures of a phantom-like movement
Veiled by the engulfment of the points

We endure through perception of, not form, but rather

Yielding the flow
And respond to the “through” material

Textures Arc The Points

Wu Wei is a piece of music inspired by the Daoist concept of effortless action. It was made by sending a sequence to the Behringer Neutron and Model D, while running the sounds through Echo devices feeding back into each other. There's a heavily processed field recording  of rain and thunder in the background to add texture and ambience.

Wu Wei

Teaser: https://www.youtube.com/watch?v=qFiCTVuRX40

EP écoute et download => https://dysflow.bandcamp.com/album/l-i-f-e

Spirit - L I F E

More about KORG Collection at: www.korg.com/korg_collection/

Music by MSXII Sound Design
https://www.msxaudio.com

KORG Collection 2 - Dust In My Racks

You can learn to play this piece. FREE scores and parts, among other materials, are available online: 50ftf.kronosquartet.org

Composed by Tod Machover
© 2019 Inner Sunset Publishing
℗ 2020 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded October 2019 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington, June 2020

Gammified

Tod Machover - Gammified

in-between an ounce of weed n everything else

Catholic Buddhist

ça fait longtemps

OST made for Ebontale, by Justcamh during the ludum dare 47
https://justcamh.itch.io/ebontale
https://ldjam.com/events/ludum-dare/47/ebontale

Grassy Grass

The sounds of Claravox Centennial performed by Gregoire Blanc.

Learn more about Claravox here: https://www.moogmusic.com/products/claravox-centennial

Learn more about Gregoire Blanc here: http://gregoireblanc.com/en/home/

It Was 100 Years Ago

sunday (prod. quendan and chromesnapped)

Hearbeat Remix from "He Seems Upset" with Father Sheed

Heartbeat - Father Sheed Remix

David Quang-Minh Nguyen is an audio engineer, sound designer/re-recording mixer, and composer of concert music. His current interests lie in composing acousmatic works that explore multi-channel loudspeaker expansion, various types of sound spatialization, and immersive audio.

Recognized nationally and internationally, David has had his works presented at the June in Buffalo New Music Festival, where he received individual master classes with Harvey Sollberger, Martin Bresnick, Roger Reynolds, and Brian Ferneyhough. He was an active participant in the Festival DME under the direction of Åke Parmerud, Musique & Recherches Académie d'été de composition électroacoustique under the direction of Annette Vande Gorne and João Pedro Oliveira, and the Sounds Around Me Festival under Thomas Gorbach. He was also selected by Master Artist Robert Normandeau for a residency at the Atlantic Center for the Arts.

His works have been presented at more than fifty national and international events, and he is a laureate or finalist in numerous competitions.  He has been published on ABLAZE Records' Electronic Masters Vol. 7 and received an honorable mention at the XII° Destellos Electroacoustic Competition 2019 for his work Misprints.  He also placed 2nd in the XIII° Destellos competition for Adumbrations, was a finalist for the PRIX CIME 2019, and won 2nd place for the ASCAP/SEAMUS Award for his work Weight Stranding. In 2021, his SEAMUS-commissioned piece Whale Song Stranding was selected for presentation on the SEAMUS 31 CD and received the Ars Electronica Forum Wallis selection.  David was awarded the Prix CIME 2023 Residency Award for Whale Song Stranding.  His work Texture Arc the Points won 1st place in the ULJUS Međunarodno Pijanističko Takmičenje Smederevo Competition and 2nd place in the prestigious Concours Biennal de Composition Acousmatique Métamorphoses.

David Q. Nguyen holds a BM from Old Dominion University, where he studied with Andrey R. Kasparov and Mark Chambers.  He also graduated at the top of his class from The Omega Studios School of Applied Recording Arts & Sciences with a focus on Audio Engineering in the Music Industry and Film/Television.  He has received his Master and a Doctor of Musical Arts degree at the University of Illinois Urbana-Champaign, where his primary teachers are Reynold Tharp, Erik Lund, Eli Fieldsteel, Sever Tipei, and Scott A. Wyatt.