ビート組んだりDJしたりしてます。

ビート提供作品：あるぱちかぶと「◎≠(マールカイキ)」（「シバシノ別レ」）
DOTAMA「音楽ワルキューレ」初回特典CD（「ビートと野菜の作り方」）
やけのはら「ディス・ナイト・イズ・スティル・ヤング」（「NIGHT&NIGHT&YOU」）


Note: Filastine is still creating music, art and ideas, but has escaped from the commercial music industry. This account is now an archive. Bio below-
Grey Filastine is a multimedia artist dedicated to undermining borders. His music collides electronic beat production with dense layers of voice, concréte sounds, and strings. Pitchfork says it “sounds less like `world’ music and more like music from another world.” Another world is exactly what he aims to create, using sound, video, and dance to express a radically different vision of the possible. 
Filastine’s higher education is limited to driving a taxi in the United States, where he also founded the Infernal Noise Brigade marching band to live score the 1999 revolt against the WTO in Seattle. In 2006 DJ/Rupture released Filastine’s premiere album, Burn It!, which relocated him to Barcelona and launched a decade of releases and tours. His latest AV effort, Abandon, is a video series profiling dances of emancipation, filmed in locations from coal mines in Borneo to office cubicles in America.
Filastine is foremost a performing artist, where sound, image, and ideas are embodied. He is constantly on tour, appearing at festivals like Sonar (ES), Sydney Festival (AU), Downtown Cairo Arts (EG), Decibel (US), Foreign Affairs (DE) and Mutek Tokyo (JP). But Filastine’s work sometimes doesn’t fit any stage or category, his off-piste interventions include an official mixtape for The Act of Killing documentary, a Sound Swarm at the Paris Climate Summit, or a concert in the Calais Jungle migrant camp.
“the prototype of globalized urban sound” -Prefix Mag
“the soundtrack to a rising heat humidity index” -Spin
“Deftly collaged cuts melding throbbing bass synths and ricocheting 808s with concréte sounds and live instruments” -The Wire
“a hybrid electronic sound that could be described as worldbeat for the dubstep generation – and the result is a lot better than it sounds” -MTV Iggy
“Filled with both jagged edges and moments of sad sweetness...sure to win fans across multiple scenes”-XLR8R
“visceral, disorienting exotica” -The Stranger
“live stage show couples virtuoso live drumming and electronic grooves with a visual spectacle that holds crowds spellbound” -San Francisco Bay Guardian
“Makes Skrillex sound as conventional as Taylor Swift” -Evansville Courier
“An uncompromising, unfettered alternative soundtrack to Life On Earth” -Discontent

People's Potential Unlimited (PPU) is a very special record label in DC known for discovering and reissuing some of the weirdest and best ultra-rare boogie, funk, and other dance music from the 70s, 80s, 90s as well as a new generation of beat-makers who draw inspiration from these strange worlds of sound.

Started by music fiend Andrew Morgan and operated out of his basement, PPU’s is a world that re-imagines funk as outsider art and cosmic-boogie as a modern variant of folk music. What would it be like if your school janitor made rap music in the broom closet or if someone in middle management still nursed a dream of being the next El Debarge? The label’s roster includes Robbie M., Dwight Sykes, Evans Pyramid, George Franklin Smallwood, Uku Kuut—names found on demo tapes abandoned to time, or else unearthed online. But PPU also pushes the present into the future. Newest members of the PPU family include DC favorite sons Beautiful Swimmers,  Dreamcastmoe, King Pari, PPU VHS Video mulcher Luke Wyatt, LA beathead Benedek, Vancouver space cadets Pender Street Steppers and Miami sound machine Mickey de Grand IV. There's a palpable scent of both mustiness and freshness to be found in all of PPU's grooves though, the smell of funk from a parallel dimension.

KURANAKA a.k.a 1945 (Zettai-Mu, JP)
★ Linktree --- https://linktr.ee/zettaimu
★ Zettai-Mu --- http://www.zettai-mu.net
★ Facebook --- https://www.facebook.com/zettaimu.jp
★ Twitter(@zettai_mu) --- http://twitter.com/zettai_mu
★ Instagram(@zettaimu) --- https://www.instagram.com/zettaimu
★ Outlook Festival Japan --- http://outlookfestival.jp
★ International Dub Gathering Jahpan --- http://www.zettai-mu.net/idg
★ A Taste of Sonar OSAKA --- http://www.zettai-mu.net/sonar-osaka
★ Exodus Island --- http://www.zettai-mu.net/exo
★ Sound Cloud -- https://soundcloud.com/kuranaka1945
★ youtube...
IRIE SUNDAY MANILA - 1945 aka KURANAKA
https://www.youtube.com/watch?v=_rSpn-zIvI8

@alteredsoulexperiment

On HOLD
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www.alteredsoulexperiment.com

Still Music is based in Chicago, IL, and is the brainchild of Jerome Derradji. Now in its seventh year, Still Music has been instrumental in the worldwide proliferation of some of America’s freshest underground dance music. From raw disco to beautiful, refined techno, and stopping at every tempo and mood between and beyond, Still Music and its sublabels Past Due and Love For Music have found room to include artists both established and new, releasing what can only be described as GOOD music. 

This is the natural way of working for Mr. Derradji, who moved to the US in 2000 and cut his teeth working with various record shops and electronic music distributors in Chicago. He decided to launch Still Music in 2004, with the inaugural release featuring Amp Fiddler from Detroit remixing Patchworks from France. With this template set, Still Music went on to release music from veteran dance producers such as Rick Wilhite and Gerald Mitchell, while also stretching out into other genres on Randolph’s “Lonely Eden” album and Seun Kuti’s political afrobeat on “Think Africa”. Still also dropped the In The Dark compilation, showcasing the then-emerging Detroit house sound and featuring the production debut of Keith Worthy, which was touted as Groove Magazine’s #1 release the month it came out. These credentials have earned Still Music “Label of the Month” status in XLR8R magazine and on leading dance music site Resident Advisor. 

Not satisfied with Still Music’s impressive breadth and depth, Jerome also launched two highly successful sublabels to compliment the main label. Past Due records is the place for long-forgotten independent disco and funk gems to be unearthed, reissued, and remixed by modern producers, bringing artists like DIT and Greyship Daviz into the spotlight they (wrongfully!) never achieved the first time around. Love For Music (also known as Stilove4music) is the label dedicated to more underground sounds, from disco edits to lo-fi house and techno madness.

STUCK IN THE CLOUDS
Sampa The Great, A Zambian Poet and singer-songwriter who expresses through music and poetry.

mgmt@sampathegreat.com
BOOKINGS
Australia: james@nicheproductions.com.au
Europe: kazia@echolocationtalent.com
North America: brian@highroadtouring.com

Wondercore Island is a Melbourne based management, events company and record label responsible for handling the careers of acts like Hiatus Kaiyote, Oscar Key Sung, Jaala, Vulture St Tape Gang, Groeni, Noah Slee, Lossless, as well as running stages and events for Melbourne International Jazz Festival, Strawberry Fields Festival, Red Bull Music Academy, Boiler Room and Melbourne Fashion Week. 
Always looking for a good time and new ways to promote and develop emerging artists.

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

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