In Dorian Haiku (Alfred Publications) by Scott Watson, two centuries-old cultural artifacts - one Western (the Dorian mode) and one Eastern (Haiku poetry) - are fused together, resulting in an engaging and beautiful composition for intermediate band.

The piece begins with the ensemble in unison, chant-like, on a Dorian mode melody with three phrases: 5 notes, 7 notes, and 5 notes (the haiku). After some development, a contrasting section - another 5-7-5 Dorian haiku - follows; exotic percussion suggestive of Eastern music accompanies. After a brief percussion soli, the opening haiku returns fully-scored in a broad, gorgeous climax. Finally, fragments of the haiku sound as the piece winds to a peaceful, somber close.

A unique work, Dorian Haiku offers many wonderful opportunities for teaching both musical and cross-curricular concepts.

Please visit www.scottwatsonmusic.com to learn more, or www.jwpepper.com to purchase.

Dorian Haiku

" سأكتَفي بحظِّ الطيورِ ، وحريّةِ الريحِ .. "

Scott Watson has composed for concert, radio, and theater and received recognition for his work from ASCAP, the American Composers Forum, the American Music Center and others.

Watson's music for band is published primarily by Alfred Publications, for whom he an exclusive composer for the Challenger Series. Other music for concert band is published by Wingert-Jones Publications, TRN, C. L. Barnhouse, Hal Leonard, Concert Works Unlimited (a division of Shawnee Press, now distributed by Hal Leonard), and Jon Ross Music. His string/orchestra music is published by Wingert-Jones Publications Publications, and his chamber music is published by Trillenium Music Company.

About Watson's music, The Instrumentalist says "outstanding...with beautiful melodies and interesting harmonies" (Mark Hosler, 2004), Percussive Notes says "written with supreme craft" (Cort McClaren, 1993), the Allentown Morning Call says "Watson exhibited a great deal of skill in managing the resources of the orchestra...a very well-crafted piece...he will very likely become a force to be reckoned with" (Philip A. Metzger, 2000), and PMEA News says "Watson skillfully transforms his zest for life into his own brand of unique musical exuberance. His scoring for winds, brass, and percussion is excellent" (Kenneth Laudermilch, 1998). His music for band has several times been named to Bandworld Top 100 and Japan Band Clinic Yamaha Recommends 100 Pieces for Band listings. Recent projects include Youth/Student Concert performances of his Aesop's Fables by the Allentown Band, with dance choreographed by Repertory Dance Theater, as well as commissions by MusicAlliance Honor Band Camp (Cleveland, Ohio) made possible by a grant from the National Endowment for the Arts, Lehigh County (Pennsylvania) Bandmasters Association, Massachusetts Instrumental & Choral Conductors Association (Spring 2007, concert band and chorus); an American Composers Forum Continental Harmony project commission, Magic Valley, (2004, concert band); Figurations (for winds and percussion), commissioned by the West Chester University Wind Ensemble, Kenneth Laudermilch, Director; Concerto for Trumpet and Orchestra, for the Temple University Symphony Orchestra, Luis Biava conductor and Terell Stafford, trumpet soloist; and Hymn and Declaration, commissioned by the Lehigh Valley Chamber Orchestra, Donald Spieth, Director. Watson has been pleased and honored to serve as guest conductor and adjudicator at various band festivals as well.

Watson teaches instrumental and elective music in the Parkland School District (Allentown, PA), and serves as adjunct professor teaching music education/music technology courses for Villanova University, Cairn University, and Central Connecticut State University and Applied Composition for Valley Forge Christian College. His book, Using Technology to Unlock Musical Creativity, focuses on project-based, creative music learning facilitated by technology, and is published by Oxford University Press.

Dorian Haiku

Dr. Scott Watson