Name: A# live at Draaimolen Festival 2024 by DRAAIMOLEN in Mixes
Duration: 1 h 4 min 48 s
Description: "It was truly an amazing moment for us—playing a live improv set on home turf, surrounded by friends, at the festival we hold closest to our hearts. Taking center stage at the Chapel, we began with nothing but a single pad, letting the music unfold naturally, never knowing what would come next." - A#, 2024

Does anyone knows the soundcloud profile of A#? Couldn’t find it.

Mixes

my dj set from @sustain-release-nyc 2022. (@kia-sydney)
 1-3am saturday night before wata igarashi @ the grove (an absolute honour)

a very special time <3

ps. the recording came out in mono/ there was some issues with it so at times its a little rusty, but you get the gist ;) thanks to joe buchan for mastering/ helping out with it!

ani/live One: Kia @ Sustain Release Year 8

Recorded live at the Grove, Saturday 8-10PM, Sustain-Release Year Nine (2023). Thank you to Aurora & the Sustain-Release team for the trust, to everyone who shared this memory I'll never forget.

Aaron J at Sustain-Release, Year Nine

Recording of Batu B2B Donato Dozzy (the secret B2B) at Aura, Draaimolen Festival 2023, Day 1.

Batu B2B Donato Dozzy at Draaimolen Festival 2023

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @french_ii B2B @bastianbenjamin

RRFM • French II B2B Bastian Benjamin • 21-02-24

HERAKLIT 13 w/ Bastian Benjamin

Bastian Benjamin & French II - Wildeburg 2024

In late 2023 I was chatting with a musician friend about labels, and whether they're really all that necessary these days. As someone mainly focused on self-releasing my music through Bandcamp, I think for the most part the answer is no. One should focus on passionately creating things and being involved in their local music community. Over time, label or not, things will hopefully start to take care of themselves on their own. I did however mention that there was one label I thought was really cool, and would definitely be interested in working with: it was Nous'klaer Audio. Incredibly, the next day I received an email from Sjoerd Oberman, who runs Nous'klaer, inviting me to join for a release and performance at Draaimolen. Of course, I was delighted to be involved. This would be my first show in the EU. I spent about 3 months preparing a new set. Having grown rather bored of CDJs and DJ mixers, I opted to prepare a live set, in which I control 8 channels of audio tracks along with drum machines and FX. This setup gives me a lot of freedom to explore new arrangements of my catalog, and better command the dynamic energy on the dance floor, pushing and pulling things forwards to capture the mood of the crowd. To prepare for Draaimolen, I organized several shows across Japan (where I live), further refining the setup after each performance, and deciding what tracks would be the best fit for the 60 minute peak time set I was scheduled to perform. I was very nervous about how my set would be received, but it ended up working very well, and was the highlight of my year. From the very start, the positive reaction from the crowd put me at ease, and Draaimolen's focus on sound and stage design gave me peace of mind, knowing that every frequency was being perfectly reproduced on the floor. I'm so grateful for the opportunity Nous'klaer and Draaimolen provided me. Long live Nous'klaer and long live Draaimolen. Thank you Sjoerd and Milo and Kani and Hannah! 
- Erik Luebs

Erik Luebs live at Draaimolen Festival 2024

Bastian Benjamin - RadiÖND (Novembre 2024)

"It was truly an amazing moment for us—playing a live improv set on home turf, surrounded by friends, at the festival we hold closest to our hearts. Taking center stage at the Chapel, we began with nothing but a single pad, letting the music unfold naturally, never knowing what would come next." - A#, 2024

A# live at Draaimolen Festival 2024

The tunnel is a magical stage and im very grateful to have been asked to play the Saturday late afternoon set, before one of my biggest electronic-music inspirations, voices from the lake. I took the opportunity, considering the impeccable programming, open minded crowd, and perfect soundsystem to play a more slow building, delicate festival set - which felt very true to my real taste, and an homage to many of my deepest and longest standing inspirations. Thank you so much to the entire Draaimolen team for the trust.. and for the other worldly reality you have created in this very special festival. - Kia

Kia at Draaimolen Festival 2024

Kaleidoscopic psychedelia from one of Australia's finest.

While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound.

Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M.

This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve.

Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D.

As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent.
 
@kia-sydney @animalia-label  @cirruslabel

Read more at ra.co/podcast/973

RA.973 Kia

Room 303 ・三○三号室
https://instagram.com/room303radio

19:30-20:30 JST
2024/12/04

Aurora Halal
https://www.instagram.com/aurorahalal/
@itsallhalal

@ WPÜ HOTEL SHINJUKU
https://wpu-shinjuku.com

Aurora Halal

TDI POWER

FL0W

I SEE YOU (SUPER SLOWED)

Tilburg-based electronic music events organization and artist agency.

DRAAIMOLEN FESTIVAL 2025
September 5 & 6
MOB-Complex, Tilburg

Contact: info@bastianbenjamin.com

@nerve-collect @whos-susan

A# live at Draaimolen Festival 2024

DRAAIMOLEN

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