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Everyone playing at TGB 2025 who isn't on the main playlist here who I could find on Soundcloud: https://soundcloud.com/dustin-zahn/sets/tgb-25-headliners

The Great Beyond Beyond 2025

With this mix for the Ever Afters 2023 campout, I wanted to help set the stage (literally) for the lineup that Envelope booked for the Yurt. This took three forms: lesbian soundsystem music to establish dancing in that room as a norm (prog); dark and percussive and carnal tracks to open the gates for wider tempos and sonic palettes (dnb); and experimentally-focused pieces to acknowledge the history of the Yurt as a site of primarily ambient casting (experimental ambient). It works best I think if you imagine yourself in the depths of the California midlands, huddled under swerving UFO lights as the hours from 3-5am careen by 🖤

Track list

#	Artist - 					Track Title					[Year]
1	Adam Pits - 				Cosmic Confession			[2022]
2	Cass - 					Kenjin (Cass Mix)				[2003]
3	Sleepfreaks -				Distant Mellow				[2001]
4	Bipath - 					Paranoize (Flip-Path)			[2001]
5	Tata Box Inhibitors - 		Plasmids (Placid Mix)			[1994]
6	Roza Terenzi & D. Tiffany -	Gravity Bongo				[2022]
7	Subtone Trio -				Load (Chab Remix)			[2001]
8	DJ Nukem - 				Secrets (Deep Mix)			[2002]
9	Chab -					Get My Love (Moogwai Mix)	[2000]
10	Spray -					Ratenplan					[2022]
11	Leama -					Melodica (Humate Mix)		[2002]
12	Thing - 					Raw Space Work				[2015]
13	Gesloten Cirkel -			Submit-X					[2014]
14	Andy Toth - 				Subspace					[2022]
15	Maara - 					Rude, Crude & Out Of Control	[2022]
16	Max Watts -				Queue & Throw It				[2020]
17	Spray - 					Puk Codes					[2022]
18	Roza Terenzi & D. Tiffany - 	Lil’ Drummer Boi				[2022]	
19	Clarity - 					Kaitain						[2014]
20	Homemade Weapons -		Lamia (feat. Torn)				[2019]
21	Torn - 						The Fear						[2022]
22	Clarity - 					Inclination					[2014]
23	WDDS - 					Slow Burner					[2022]
24	Homemade Weapons - 		Third Rail					[2016]
25	Venom -                                  Torn Fury                                        [1997]
26	Syzygy - 					Luminous (4AM Mix)			[2021]
27	Skream - 	  			Ain’t It Cold?					[2005]
28	Holloway - 					Dust 2 Dust					[2023]
29	Overmono - 				iii’s Front						[2018]
30	Second Woman - 			700358Bc5					[2016]
31	Second Woman - 			/							[2017]
32	Rhyw - 					Aversion Two					[2017]
33	Torn - 						Disolcations					[2022]
34	Orbital - 					Halcyon (On and on)			[1993]

Faited @ Ever Afters 2023

Priori is a Canadian musician, mixing engineer and DJ known for his immaculate productions spanning a broad sonic spectrum. Priori has two critically acclaimed albums released on his own NAFF imprint with a third releasing later this month, in addition to outstanding releases on Midgar, Animalia and more. 

MNMT 418 is a mix of gentle, moody deep dubs, warm melodies and melancholy ambiance. Perfect start to the week ✨

Follow:

https://soundcloud.com/priori-ties
https://prioricamp.bandcamp.com/
https://www.facebook.com/pri0ri
https://linktr.ee/pri0ri

MNMT 418 : Priori

Live hardware set with BCubed, Mutual Identities and Only Forever at the Red Sea in Mpls, MN.

Autokinetic - Live at Enigma

@ Future Classic (RIP) 03.23.2013

Recording of Jasmín's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

Jasmín at Dekmantel Ten

While traversing a realm of appearances many truths are heard and not seen. An audio representation of a moment in time captured and preserved - a sonic photograph. This recording is one such artifact, one that for me illustrates a fine line bordering cosmos and chaos. Something that can not be duplicated during a controlled studio session which is absent of collective effervescence. So far from a quiet game of solitaire, but more a test of faith where reckless abandon embraces instantaneous risk. The evening was a spiritual conversation that embraced us all through the magical forces of music set beneath a canopy of trees, sprouting from the grounds of an enchanted forest. Evidence of the artist’s hand and thought process is unforgivingly present while creating a range of possibilities for spontaneous storytelling surrounded by an atmosphere of ecstatic energy. This memory will live with me forever.

- Justin Aulis Long

Justin Aulis Long at Draaimolen Festival 2024

BASSment JAMS S01E02 ft. AИTITHESIS 
_______________________________________________________
Under his solo alias, AИTITHESIS, Jack Denney (1/3rd of Ternion Sound) continues his explorations into dark percussive dance music, textural ambient spaces, and various nodes along the Hardcore Continuum.  The project threads a line through the eras of early 90s Jungle, Hardcore, and Gabber; through the 2000s Techstep, Neurofunk, Dark Garage, and Dubstep; and into today’s near genre-less explosion of new synthesis technologies and advancements in timbre and groove focused musics.  This darker side of dance music encapsulates the feelings of dread, malaise, awe, amazement, anxiety, and wonder associated with existing in postmodernity.  All of this is packaged in tightly packed DJ performances meant to offer a place of catharsis, bonding, and expression through dance for the listeners.

This program’s mission is to create a space for artists to tell their story. The BASSment has been a place for so many artists to feel free to play music they may not normally get to play out. During the interview segment the guest artist will get to talk about where they have come from, things they are working on and where they would like to see themselves going in the future. There will also be a Q & A segment led by questions submitted by listeners and followers of the channel. 
______________________________________________________
FIND MORE FROM AИTITHESIS HERE:
Instagram:  @jack.ternion
Soundcloud: https://soundcloud.com/antithesis612
Twitch: Twitch.tv/antithesis_audio

S01E02 Ft. AИTITHESIS

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

The Sustain-Release co-founder steps up to the Phonica mix just ahead of the acclaimed festival’s 11th year. 
New York has an iconic history when it comes to club music, and over the years has seen many great names emerge from its underground scene. In modern times, Aurora Halal is undoubtedly one of those names. 
Aurora has become a staple at forward-thinking institutions like Berghain, De School, and her home base, Nowadays, where she holds a residency. Alongside her international touring, she’s carved out her own vital space through the long-running Mutual Dreaming parties and Sustain-Release, the DIY-rooted festival she co-founded, which continues to push boundaries as it enters its second decade.
Her Phonica mix offers a vivid snapshot of her deep, intuitive approach to DJing—captured live at Mansions, a cozy NYC wine bar turned house party haven. Known for her genre-fluid sets that blend hypnotic techno, house, acid and experimental textures this is the perfect calling card to showcase why she can hold it down with a range of greats like DJ Nobu, Vladimir Ivkovic and more.
We had a chat about the mix with Aurora as well as touching off Sustain and some of her favorite moments at the festival.

Phonica Mix Series 134: Aurora Halal

Love Letters Closing Set @ Mansions - June 2025

for the love of dub

https://www.instagram.com/richardakingbehin
https://www.instagram.com/deep_creep
https://www.instagram.com/__pi_pi_pi_____



pi pi pi with deep creep b2b Richard Akingbehin @ The Lot Radio 09-18-2025

Haruka x Craig Gonzalez opened the Dance Room at I.T. presents The Bunker, May 26, 2025, Day 3 of Return to the Source, at Tangent, Detroit.

Craig Gonzalez – @craig-gonzalez:

It's one thing to hop on the decks with someone during peak time at a party in a packed room like the first time Haruka and I played together in NYC but it's another to open a party during the last leg of RTTS weekend. So we started talking about the set a couple of months beforehand, but nothing really prepares you until you're in the middle of RTTS weekend itself. We were texting and chatting about the setup and direction throughout the weekend and eventually landed on keeping things a little funky and fun.  Playing with someone with a similar approach to DJing and also range really made the set feel so effortless for me and I feel that cohesion and the fun we had translated quite well to those that were in attendance.


Haruka – @haruka_ptc:

2023, Good Room (Brooklyn)
We were both booked to play a Bunker party that night and with an hour left before our room was about to shut down, I asked Craig to jump on for an unplanned B2B.  Craig had already set the room up with a deep, super-diverse selection and then vibe in our room was so good, I will never forgot it. So when IT asked us to do it again we got hyped.

RTTS, Detroit
Our slot opened the last day of the three-day marathon, and other parties were running in the daytime too, so it felt like one long 72-hour session. Craig also played Movement. It was my first time in Detroit, so I wandered around, popped into a bunch of events, but spent every night back at Tangent Gallery with Craig—talking, listening to other artists, and getting a real feel for the room. That helped us lock in the vibe and refine the ideas we’d been tossing around for months.

The set
Two words kept coming up: funky and fun (maybe sexy too). I played only a few recent tracks but most were older finds with some electro slipped in naturally. In hindsight the whole thing was a back-and-forth between electro and deep, psychedelic techno, with extra flavours layered on top.




IT Podcast

IT.podcast.s14e06: Haruka x Craig Gonzalez

An hour of deep cuts by Kia ahead of her set at Abrupt Festival.

Abrupt Festival w/ Kia @ Kiosk Radio 10.10.2025

Kyoto's Angels (Short play)

Buy on bandcamp

Red Richards - Kyoto's Angels (Short play)

https://subliminarecords.bandcamp.com/album/sub035-v-a-infinite-feedback

@luiz_vasconcelosdj1601
@radiosubliminar

Premiere : Vasc - System Shock (SUB035)

Real life space sloth who was named after a water filter

Carefully curated. Grown from the forest floor. Rooted in music, art and independence.

DRAAIMOLEN FESTIVAL 2026
September 4 & 5
MOB-Complex, Tilburg

Justin Aulis Long at Draaimolen Festival 2024

DRAAIMOLEN

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