Hey everyone!

This is my first 8bit EP.
I didn't even want to make it, lol.

A year ago while working on a soundtrack for the SHUT-EYE project (indie adventure survival horror game) a thought of adding some chiptunes to the project occurred to me

"A couple of chiptunes would come in handy " I thought.

And then i ended up in a chiptune hell, producing one after another. It felt easy. It felt good. Well most certainly it felt right. (n0t)

Since then I'm an 8biit addicted. It was only a matter of time for me to make a EP (full album coming ahead I guess).

Listen and enjoy. You can also find our more music (8bit, neoclassical and much more!) online at vk.com/d8bpublic and vk.com/dcpublic.


Cheers!

TURBO LEVEL

READY?

https://www.instagram.com/runguitarman/
https://runguitarman.bandcamp.com/

Sal is a Chicago-born illustrator, concept designer, musician, and voice artist with over 18 years of professional experience. His work spans film, games, theater, and print, thriving in the spaces where visual and audio storytelling intersect. From storyboards and concept art to music production and voice performance, Sal approaches every project as an opportunity to build worlds that feel alive and immersive.
Alongside his creative practice, Sal spent more than a decade balancing creative and technical roles in software and advertising before shifting into full-time freelance work. There, he collaborated across industries and mediums, including AAA game development, while honing a dual background that allows him to bridge disciplines, align teams, and keep projects true to their narrative and tonal core.
 Across his span of tools and skill sets, Sal's strengths lie in creative problem solving, spotting and making opportunities which emphasize the narratives of whatever he happens to be working on. He thrives most when collaborating with others to bring artistic visions to life. He also works as a creative consultant and mentor.
Outside the studio, Sal can be found behind a mic or mixing board, jamming with longtime collaborators and bending the lines between music, theater, and film. Just as often, he’s digging into high strangeness, folklore, psychology, and the weird corners of culture and reality all of which he weaves back into his craft and storytelling.

Hey everyone!
Chiptune/8bit/fakebit/electronic and game OSTs from Moscow and St. Petersburg, Russia.

READY?

Draggs Connor