Keep an eye out for me to be coming to a city near you! Let's rage!

Song writer/composer, producer, sound designer and remix artist from Norway.
Currently located in Vancouver, BC, Canada.
Zero or 100 is the attitude, 11 is the volume!

Xenomorph Productions is the name of my independent studio I work from primarily and to which I own. It is where I create music, do remixes, work on production or mastering of other peoples work, as well as my own and also where I conduct any graphic design or other creative subject from. Xenomorph Productions is known for the edgy sound and groove. Whether it is high energy EDM/Metal/Industrial or melodic downtempo Trip-Hop; Xenomorph Productions provides.
My music has been licensed to NASCAR, Disney, Americas Next Top Model, MTV Cribs, E-News, America’s Got Talent, Access Hollywood, Face Off, and more [check Licensing section]. I have done production work for Alphaville, KMFDM, as well as remixes for Rammstein, Juno Reactor, Nitzer Ebb, Alphaville, and many more [ check Remixes section ]
In terms of company and a bit of personal history my first release was in 1995 [ 4-track tape ] on a Norwegian Compilation CD. My musical journey started with the most basic equipment working my way from 100% analog up to today's digital setups. This allowed me to experience how things used to be created and recorded bringing that experience to the digital age. I have released music professionally since around the year 2000, giving me about 18 years of experience with music and the music industry.
I have written music in genres ranging from EDM/Industrial/Metal to Synth Pop/Trip-Hop and Orchestral.

You may have heard my work through Icon Of Coil, Komor Kommando, MELT, Zombie Girl and a few one of projects like Bruderschaft, Muscle And Hate [Nitzer Ebb Tribute] ++

My production and music has been placed in :

- Race To Witch Mountain
- NASCAR Promo videos
- America's Next Top Model
- Stylista
- Vampire Diaries
- Bravo A List Awards
- WCG Ultimate Gamer
- One Tree Hill
- Smallville
- E News
- Real World Road Rules, and more.

A write up from FIXT Music, USA :

"With roots grown from aggressive electronic artists such as Prodigy, Front 242, Nitzer Ebb, and Frontline Assembly, Sebastian Komor
experimented with a variety of techno/EBM projects in the mid-90s before forming Icon of Coil with vocalist Andy LaPlegua in Norway, in 1997. Icon of Coil was soon signed to Tatra Records, and within a few short years was known worldwide as one of the seminal acts in the new Futurepop genre. The mid 2000s saw Komor expand into additional genres such as aggrotech and industrial dance with new projects Komor Kommando and Zombie Girl, both on Belgian label Alfa Matrix. Meanwhile Komor amassed a gargantuan list of remix credits for world-class artists including Apoptygma Berzerk, Theater Of Tragedy, VNV Nation, KMFDM, Alphaville, Celldweller, Front Line Assembly, and Juno
Reactor.
In late '07, Sebastian came to the attention of FiXT Music. in 2010, FiXT released Komor's full-length Squarehead and Moonitor projects. Most recently Komor has put all of his focus on Melt, a full-band industrial metal machine now signed to Metropolis Records."


With his release “Dynamism” in 2009, Equitant has proven once again how to re-design and significantly alter his musical approach uniting a cold mix of electronic body music and darkened techno. The concept for “Dynamism” is an ever-changing activity, various theories or philosophical systems that explain the universe in terms of force or energy. This is a process or mechanism responsible for the development and motion of a system.  “Dynamism” is more or less where his 2008 EP “Mekanik” left off. Just as heavy and just as aggressive.

2008 saw a revivification of Equitant’s style and sound, with the “Mekanik” EP release on Black Montanas/Black Leather Records. This EP brought forth a new chapter in the sound structure and design of the music. The music took on a distinct and aggressive techno-EBM sound…like switching on a kind of techno-EBM engine.

Equitant’s antecedent sound started out as an ambient synthesizer project in 1993, then evolved to a cold mechanical direction of electronic music with traces of techno-electro elements in 1999. From 1993-2003 Equitant released a vast collection of demos issued on his label Black Montanas, including his first full length album “Zurich” in 2002. Followed by the “Kompressor” EP in 2003. In 2005 Equitant signed with the Dallas Texas based “Tarot Productions” label. The result was the simultaneous full length releases of “Zeit” (recorded in 2002) and “Konstruckteur” (recorded in 2004). Both albums fused a cold delivery of electro, and abstract techno, unveiling a futuristic simulation for all the masses. The follow-up to “Konstruckteur” was the long awaited “Hauptstadt” EP released in 2007 on Black Montanas. After a much-needed break musically, Equitant released the experimental “Technik” full length album on Black Montanas in early 2008. A release strictly influenced by the infamous “Detroit Electro” sound.

In July 2009 Equitant produced a track called “You Know What I Want” for Yasmin Gate’s debut release “YG” on David Carretta’s “Space Factory Records”, along with other collaborators: DJ Hell, Christian Prommer, Keith Le Rouge, Pillage, Douglas McCarthy, T.Raumschmiere, Ikki. Equitant also teamed up with Yasmin Gate for a full collaboration as “Equitant & Yasmin Gate” in 2009, releasing the illustrious “That’s All” EP and “That’s All The Remixes” on Black Montanas.

From 2003 to the present Equitant has constructed countless remixes for many renowned artists in the electro/techno/EBM scene. With worldwide underground electronic labels like: Space Factory, Black Montanas, Black Leather Records, M-tronic, Punch Records, Alfa Matrix, Advanced Synergy. Artist remixes include Jonathann Cast, Millimetric, Yasmin Gate & People Theatre, Adriano Canzian, Mt. Sims, Elite!, Reizstrom, Red Industrie, Kaball, Struck 9, Strange Connection, Grandchaos, Xander Harris, Adán & Ilse + many more.

Now, three years after the release of “Dynamism”, Equitant has returned in 2012 with his latest release “Body Vehement” (Black Montanas/Black Leather Records) featuring vocals by: Lea X, Yasmin Gate, Bastian & Illumine Concrete. And 2013's “Body Vehement Remixes” (Black Montanas) featuring remixes by: Canzian, Carretta & Workerpoor, Electrosexual, Equitant, Elite!, Alexander Robotnick, The Populists (aka Yan Wagner), People Theatre, Strange Connection + many more.  Equitant’s “Body Vehement” is a cold mix of techno, electro, EBM and disco. “Body Vehement” opens yet another new dimension to Equitant’s ever changing sound.

Over the past years Equitant has been a resident live act at the prominent "Klub Atomix" in San Antonio Texas. As well as other live performances in Texas, Mexico City and Bogota Colombia. The Italian producer Adriano Canzian has described Equitant's sound with three simple words, "Powerful, Sexy, Strong…simply amazing”.

Website: http://www.agurakelectro.com/
Label: http://www.ekproduct.com/

BOOKING - EUROPE/NORTH & SOUTH AMERICA:
equitant@prodigy.net

PRESS 

There is no weak track for me but for the highlight I choose the opening track "Body Vehement (Original Mix)" because as I said it is an emotional, intense and impassioned EBM track. I hear so many things in this album from Giorgio Moroder to DAF and Front 242 and recommend it thoroughly. 

- Brutal Resonance (Danya Malashenkov) 

Every time this artist surprises me with his fresh and minimal EBM vibes. "Body Vehement" is a new exploration of the body-tech fields and a new union with guest singers. Equitant strikes back stronger than before! 

- Sideline Magazine (Stephane Froidcoeur) 

Equitant's Body Vehement shows off his expertise: taking electronic music to it's raw basics, adding a personal touch of hard beats and bass, creating unique melodies and synth tracks with a strong punch, and then either letting them stay monotonic and hard, or adding a layer of atmosphere that not only makes you want to stomp around and dance, but also may let you dream away. This is what Equitant does best and what makes him stand out in the industrial, techno, EBM, Oldschool - EBM scene. 

- Eine Tasse Jager (Ramunas K Fishermang) 

Body Vehement would best be described as existing in the space between heavy synthesizer based ’80s EBM like early Frontline Assembly (think bass and synth on Corrosion era FLA) meets Terence Fixmer or David Carretta’s banging dark techno that sounds equally at home on a white smoke machined EBM night as it would in a intense techno set. 

- Mishka Bloglin (Mike Textbeak) 

The Mcd "Mekanik" released in 2008 was already a terrific piece of techno-body stuff, but the newest "Dynamism" is simply a must have! I got the impression when pushing on the play button of my cd-player that I switched on a kind of techno-EBM engine. 

- Sideline Magazine (Stephane Froidcoeur) 


Hipnautica, is the culmination of internal and external struggles, inner voices refined and what Sky calls devine passion since birth.  A musician and visionary, Sky, started Hipnautica in 2006 after a near death experience.  Sky was not new to Electronic music though, having been a founding member of the Austin Electronic music scene since 1986. 

At a very young age, Sky started using hardware synths, keyboards, and computers like the Atari STe, back in the late 80s and was already on the radio by the time he was 17.   In a town known for county and rockabilly it was a constant struggle to convince venues of what he believed would be coming and that the world would embrace computers, and technology in the future of music. From the first Casio he recognized the ghost within the machine. Today he loves to combine styles and marry both organic, acoustic and electronic elements to create his signature sound which is hypnotic and intoxicating to the soul. 

Sky writes, "Through organic synthesis, waveforms, and frequencies unattainable by traditional instruments new worlds could be explored internally, new pathways to higher levels of consciousness could be explored and magnified. "Real music" is music artists create from true inspiration, from the soul, and through discipline and experimentation we can refine that inspiration to present works that hopefully will inspire others.

“The evolution of electronic music is constant and it's been a part of my soul for over 20 years, I'm constantly excited to explore new ideas, to fuse genres, to cross merge sound, to synthesize new sounds that transport people to inner realms. When people ask me what kind of music I write, I used to try and define it, but over the last few years. My answer is simple and based on my own personal spiritual and artistic evolution, "I write music". You may love some of it, you may hate some of it, but ultimately I simply have to create and I hope some of what I do will inspire you.  Perhaps some of what I present will speak to you, either way, I simply have to create. It's my purpose, it's my reason, it's a part of my soul and I encourage people to explore this life, to travel inward and outward."

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