We’re pleased to welcome back Toronto, Canada’s anthéne in the form of this collaborative album with UK cellist and composer Simon McCorry. Between them, they have released solo recordings on labels such as Home Normal, Archives, Past Inside The Present, Naviar and Fallen Moon. They’ve also both released on Polar Seas, a label helmed by Brad Deschamps, the man behind anthéne.

Both artists are comfortable collaborators, having worked alongside the likes of Ian Hawgood, Andrew Tasselmyer and Andrew Heath. It was in 2020 when their remote recording sessions translated into The Equation Of Time, combining and processing Brad’s guitar and Simon’s cello into a collage of droning textures. A concept sprang from their work together, during the unfolding pandemic and its resulting lockdowns, where time itself seemed to stand still, go backwards and go forwards, all at once. Add to this the the sheer geographical distance and time zones separating these artists, the often-explored artistic muse of time and space became the central theme.

The title ‘The Equation Of Time’ relates to the differences between the day of the earliest sun rise, the day of the latest sunset, the longest day. Each of these days are different, noted by the ancient Greeks and the Persians before them. The enormity of time and the ability for humans to occupy the same space as multiple predecessors is particularly fascinating when faced with something ancient, such as a cave painting, a forest or the ruins of a fallen civilisation. The track titles are aptly borrowed from parts of T.S. Eliot’s 4 Quartets, which also deals with the contemplation of time. You can surmise from these poems that ideally, one would focus only on the present, in order to make the most of each turn of the clock; the past cannot be altered and the future is unknown. Our memory can subconsciously serve us back our own recollection of past times, which can result in nostalgia, melancholy or both. Our minds can also influence our perception of the future, with feelings of either fear, excitement or both.

The Equation Of Time grapples at these themes and ideas without the intention of ever truly being able to define time. A wash of faded memories, unknowns and current thoughts stir into one-another; ambient music itself always seems so able to reflect and evoke a sense of wonder, at things far bigger than we can ever comprehend. 

Releases May 22, 2021

Written and Produced by Brad Deschamps and Simon McCorry
Mastered by Ian Hawgood
Artwork by Tom Tebby
Packaging design by Tom Tebby

The Equation Of Time

wlr093 anthéne & simon mccorry - the equation of time

a feast

MIXED SIGNALS II represents the next chapter of Fax and Braulio Lam’s collaboration, which started with their first EP in 2020. Across four tracks, they navigate creative exploration, and wander among the textures, colors, and sizes that sound can possess. 
  
Much like its predecessor MIXED SIGNALS, the sequel EP delivers a meditative ambient swirl, dedicated to finding balance while still moving. And yet, if the first album was to be considered grounded and earthy, MIXED SIGNALS II is determined to challenge gravity—it creates spacious cinematic landscapes that stretch out and up.  

The four tracks are distinctive in their progression: The airy subtleties of the field recordings in ”Fragmented” take off and open up into an expanse of drone, with echoes of feedback further off in the distance. “Porta” twinkles in a dark sky; it wavers slightly in a liminal space of gradual transformation. In “Visions”, there is a hypnotic revelation, with an underlying heartbeat that gently draws one into its ascent. Finishing with the title track, “Mixed Signals II” is a docking; it rotates as it revolves, slowly considering what lies beyond its own orbit. 

This meditative soundtrack is like a hazy black and white image, captured by a telescope or transmitted by a satellite, hinting at what lies far beyond our own limits of perception. The arrangement of acoustic instruments and electric guitars layer with field recordings and synthesizers to create a hypnotic reflection on sound—how it reaches out in the space around it, how it rises, how it looks, and how it feels.  

MIXED SIGNALS II was recorded between Tijuana and Mexicali, in Mexico by musicians Braulio Lam and Ruben Tamayo (a.k.a. Fax). Together, the artists built upon their first collaboration to pass beyond the horizon of instrumental music.

Mixed Signals II

Fax + Braulio Lam —  Visions

Air, in both its stillness and its movements, is what compels INVASIVA, the latest release by multidisciplinary artist Dorian Wood.

In early 2022, Dorian set out to investigate the root of her anxiety—and how her breathing is both affected by, and complicit to, her mental state—during an artist's residency at Loghaven in Knoxville, Tennessee. Upon touring the campus, she learned of the Whittle House, an abandoned cabin on the grounds that had not been inhabited for many years, set apart by the other nearby, fully-restored cabins. In encountering this site, Dorian connected with the idea of isolation as a catalyst for disrepair. She came to understand how separation could trigger a fear of losing self-awareness and the inability to escape. 
 
INVASIVA is a document of the artist meandering physically and mentally between two forms of confinement: "mandated" and "self-imposed". Like an abandoned house, the composition is filled with a stillness that seems both uninhabited and anticipatory. Gradual shifts in tone build an atmosphere of meditation, and droning notes are sustained like a deeply held breath. And yet, despite the fear of quiet isolation which permeates the piece, INVASIVA swells with slow respiration, revels in the wind, and echoes with gentle reminders of outside life. 
 
The work is one that emulates a contemplative state which is constant threat—and perseveres.  Comprised of the recorded stillness within the Whittle House, and sounds captured in the office lobby of Dorian's breathing specialist in Los Angeles, INVASIVA is a quiet, ethereal triumph over suffocating loneliness. It is a piece that is filled with inhalation, anticipation, reflection,  exhalation, release—it is filled with air.

Invasiva

Dorian Wood - Invasiva (excerpt)

A beautifully ethereal track from the Antonina Car album, Immersed Sensibilities.

Immersed Sensibilities

Antonina Car, Immersed Sensibilities, "Fluttery Critters"

~ IIKKI 019 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Tereza Kozinc & Klavdij Sluban
album : Our Recently Acquired Knowledge (book: 07 AM)
duration : 35.56 mn
date : January 2023

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All music Ian Hawgood & Craig tattersall

Mastered by Ian Hawgood
Artwork by Tereza Kozinc & Klavdij Sluban
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / natural clear LP / hand numbered  / selective varnish / hand numbered
cd: limited to 200 cd (glass mastered) / hand numbered
book: limited to 700 copies hand numbered / embossed / hand stamped / Swiss binding

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pre-order : December 12th, 2022 / official release : January 19th, 2023

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Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://terezakozinc.com/
https://lemasterklass.com/klavdij-sluban/
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 1 9

Observatories - Our Recently Acquired Knowledge

Must've Been The Wind

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

"L’album è una ricerca volta alla comprensione del linguaggio degli ambienti e degli oggetti che ci circondano e dei quali probabilmente conosciamo solo la facciata esterna."

Carlo Giustini "Manifestazioni" will be out on 28/9/2018 on Cassette, 7" Vinyl Dubplate and Digital.

“A manifestation is an object that clearly shows or embodies something abstract or theoretical” 

These are five untamed field recordings captured between the desolate streets of suburban Treviso in late June 2018. 
Five explorations of the secret language whispered by its houses and by the slow and mysterious movements of its inhabitants exhausted by the summer heat. 

Matter owns a hidden language, a dusty and ancient one. 
Sound is matter. 

Matter is a tactile manifestation of something that is higher, or at least something that lives hidden among the cracks of our everyday life. 

Something vast, which is capable of moving matter and space. 
Something speaking in codes. 

The movements captured in this work are sometimes brusque, sometimes more tired and dragged. 

These are five declarations of love towards a more real world of truth, a world that is hidden but that somehow manifests itself continuously through the familiar sound of objects and everyday life. 

All five recordings are first single takes, recorded on worn out tape rolls found here and there. 

All recordings captured with a rusty Phillips portable tape recorder and a contact mic.

Buy Cassette/Vinyl

extract. Carlo Giustini - Il Vicino (Si Muove) | "Manifestazioni" Album | Lᴏɴᴛᴀɴᴏ Series

Pre-order available now. Release date: Jan 31, 2020

To celebrate the 30th anniversary of Deep Listening, we offer you the definitive double LP combining the classic, complete original 1989 release with selected tracks from the Deep Listening Band’s 1991 album The Readymade Boomerang.

This elegant double LP is packaged in a gatefold sleeve with original and updated recollections from the performers, the recording engineer and a mesostic from John Cage, to which these recordings are inextricably linked.

Recorded in a cistern, this double LP reverberates with brilliant sonic clarity and masterfully improvised performances combining live electronics, vocals, trombone and accordion. Deep Listening is a classic in the fields of improvisation, minimalism, ambient/drone and modern classical.

Listen with attentiveness, listen while lying down, listen with headphones - as recording engineer Al Swanson entices the listener to become a virtual performer in selecting the many different ways to perceive these phenomenal tracks. Whatever you do, listen deeply.

Oliveros - Dempster - Panaiotis "Deep Listening" 2LP - 30th Anniversary & First time on vinyl!

http://elliotbergman.bandcamp.com

Peace Bells is a glimpse into the multi-layered world of artist and musician Elliot Bergman. The cassette, reissued by Leaving Records, was recorded over a weekend at the Felix Art Fair in Los Angeles, in the booth of Shane Campbell Gallery. Over the course of several days, Bergman gave durational performances utilizing his collection of self-made instruments, which he looped and layered into the music you have on this tape. For the past 15 years, Bergman has been building amplified variations on the African Mbira, which he refers to as Metal Tongues. He has also been making Peace Bells, from melted guns and bullet casings. Using this rich collection of instruments as source material, he builds looping and layered soundscapes that evoke comparisons to Moondog, Reich, Bertoia, Eno and Konono No. 1. These rhythmic and otherworldly textures range from minimal and meditative to driving and danceable.

LTD CASSETTE

Elliot Bergman - On The Table

Dragon’s Eye Recordings is a digital imprint based in Los Angeles and curated by artist and composer Yann Novak. Emphasizing the elevation of marginalized voices in experimental music, our catalog represents a range of sounds, processes, identities, and practices. Since 2005, we’ve published over 100 works of sound art and experimental music with a focus on ambient, field recording, drone, electroacoustic, and acousmatic music. As an independent label, we work to build community for our artists and listeners searching for somewhere to belong.

Fax + Braulio Lam — Visions

Dragons Eye Recordings

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