MIXED SIGNALS II represents the next chapter of Fax and Braulio Lam’s collaboration, which started with their first EP in 2020. Across four tracks, they navigate creative exploration, and wander among the textures, colors, and sizes that sound can possess. 
  
Much like its predecessor MIXED SIGNALS, the sequel EP delivers a meditative ambient swirl, dedicated to finding balance while still moving. And yet, if the first album was to be considered grounded and earthy, MIXED SIGNALS II is determined to challenge gravity—it creates spacious cinematic landscapes that stretch out and up.  

The four tracks are distinctive in their progression: The airy subtleties of the field recordings in ”Fragmented” take off and open up into an expanse of drone, with echoes of feedback further off in the distance. “Porta” twinkles in a dark sky; it wavers slightly in a liminal space of gradual transformation. In “Visions”, there is a hypnotic revelation, with an underlying heartbeat that gently draws one into its ascent. Finishing with the title track, “Mixed Signals II” is a docking; it rotates as it revolves, slowly considering what lies beyond its own orbit. 

This meditative soundtrack is like a hazy black and white image, captured by a telescope or transmitted by a satellite, hinting at what lies far beyond our own limits of perception. The arrangement of acoustic instruments and electric guitars layer with field recordings and synthesizers to create a hypnotic reflection on sound—how it reaches out in the space around it, how it rises, how it looks, and how it feels.  

MIXED SIGNALS II was recorded between Tijuana and Mexicali, in Mexico by musicians Braulio Lam and Ruben Tamayo (a.k.a. Fax). Together, the artists built upon their first collaboration to pass beyond the horizon of instrumental music.

Mixed Signals II

Fax + Braulio Lam —  Visions

~ LAAPS 024 ~ [SEQ.03 - LP24]

artist : Tomoyoshi Date
 album : 438Hz As It is, As you are  (「あるがまま、あなたのままに」)
duration : 27.19 mn (45 rpm) 36.27 mn (33 rpm)
 date : December 19th, 2022

edition :
-  vinyl : limited to 300 copies / gold LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : December 02nd, 2022 / official release : December 19th, 2022
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note: this project has been thought, created and recorded to be played in 33 rpm and 45 rpm.

All music composed by Tomoyoshi Date.
Recorded at Studio Familia.
Field recordings recorded in Izu, Shizuoka, Japan.

Mastered by Taylor Deupree(12K)
Artwork by Jürgen Heckel
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S 0 2 4

438Hz As It is, As you are (あるがまま、あなたのままに)

Tomoyoshi Date - 熱 netsu (45 rpm)

~ IIKKI 019 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Tereza Kozinc & Klavdij Sluban
album : Our Recently Acquired Knowledge (book: 07 AM)
duration : 35.56 mn
date : January 2023

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All music Ian Hawgood & Craig tattersall

Mastered by Ian Hawgood
Artwork by Tereza Kozinc & Klavdij Sluban
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / natural clear LP / hand numbered  / selective varnish / hand numbered
cd: limited to 200 cd (glass mastered) / hand numbered
book: limited to 700 copies hand numbered / embossed / hand stamped / Swiss binding

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pre-order : December 12th, 2022 / official release : January 19th, 2023

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Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://terezakozinc.com/
https://lemasterklass.com/klavdij-sluban/
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 1 9

Observatories - Our Recently Acquired Knowledge

~ LAAPS 026 ~ [SEQ.04 - LP26]

artist : Wil Bolton
 album : Like Floating Leaves
duration(s) : 40.37 mn (LP) 59.55 mn (CD)
 date : March 06th, 2023

edition :
-  vinyl : limited to 300 copies / natural clear LP / pantone / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : February 03rd, 2023 / official release : March 06th, 2023
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Written, recorded and mixed by Wil Bolton in East London, January - July 2022.
Environmental sounds recorded in Venice, Stockholm, New York and Tokyo, 2014-2021.

Mastered by Ian Hawgood
Artwork by Russell Burden
Design by Sprflxgrfzm

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Links :
https://laaps-records.com/
https://wilbolton.bandcamp.com/music
https://wilbolton.co.uk/

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℗ & © 2 0 2 3 - L A A P S - L A A P S 0 2 6

Wil Bolton - Like Floating Leaves

CD available from: IMPREC.com

“an intoxicating sauce of stark and tripped out ritual music... which conspires to keep listeners in a semi-permanent trance state” Julian Cope / Head Heritage

“a heady brew of deep listening music that is almost medieval in mood and wholly reverential in technique” Edwin Pouncey / Wire Magazine

“Razen push the drone potential of medieval instruments like hurdy gurdy as well as shawm and recorders... into realms of total sensory overload” David Keenan / Volcanic Tongue



Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa.

Razen - Poscards From Hereafter - CD - Release: 3.24.23

~ IIKKI 020 ~

music : Akhira Sano
photography : David Nissen
album : Shadow's Praise
durations : 37.40 mn (LP) / 43.31 mn (CD)
date : April 20th 2023

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All production by Akhira Sano

Mastered by Giuseppe Ielasi
Artwork by David Nissen
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / marble (crystal, silver and white) LP / hand numbered  / pantone
cd: limited to 200 CD / hand numbered / pantone
book: limited to 500 copies hand numbered / embossed / selective UV varnish / hand stamped 

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pre-order : March 03rd, 2023 / official release : April 20th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://linktr.ee/Akhira_Sano
https://www.davidnissenphoto.com/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 2 0

Akhira Sano - Nakazu

~ IIKKI 022 ~

music : Aiko Takahashi
artwork : Edouard Elias
album : It Could Have Been A Beautiful
duration(s) : 42.15 mn (LP) / 57.13 mn (CD)
date : November 13th 2023

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Music crafted by Aiko Takahashi with laptop and various music devices, analogue and otherwise.
Recorded in North East of Italy in March 2022.

Mastered by Taylor Deupree
Artwork by Edouard Elias
Design by Sprflxgrfzm

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edition :
• vinyl: limited to 300 copies / yellow transparent LP / hand numbered  / selective UV varnish / black inner
• cd: limited to 200 CD / hand numbered / selective UV varnish
• book: limited to 500 copies / hand numbered / embossed / selective UV varnish / hand stamped

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pre-order : October 06th, 2023 / official release : November 13th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/

It Could Have Been A Beautiful

Aiko Takahashi - It Could Have Been A Beautiful Evening

🌟 Download / Stream:
https://music.ambiqo.nl/maeveeverbrook/newlife

💫 Follow Maeve Everbrook:
https://open.spotify.com/artist/2R5M7dYcLav4kvlwDeI6hY?si=LndSJMysQheAcH7v-43akQ

✨ Follow Ambiqo Records:
https://bio.site/ambiqo.records

New Life

09. Maeve Everbrook - Renewal

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

"Echo Echo Echo" taken from the new Ouvala album...

Ouvala "Multiperspectivity" is now available for pre-order...

handstitched.bandcamp.com/album/multiperspectivity

Ouvala are Ian Hawgood and Tim Diagram, their first album "Psychology Of Colour" was released on Fluid Audio in 2016.

Ouvala "Multiperspectivity" is the most-recent handiwork and features nine collaborative pieces, thrown back and forth several times. It is a characteristic of sound, short stories and mystical adventures where both musical perspectives are projected to the listener.

All songs written, recorded & mixed by Ian Hawgood and Tim Diagram 2016-2018 on location in Japan, Poland and the UK.

Design and packaging, assembled by Handstitched* 
Limited to 70 copies. [HS27]. 
Copyright 2018 Handstitched*

Thanks for listening!

Ouvala - Echo Echo Echo

Greetings friends! Once again the earth has circled the sun, and the fall season is upon us! As the days shorten, and the leaves fall, we are pleased to bring you this most appropriately seasonal release from Italian based musician, Francis M. Gri, entitled “Decays”. At times sounding like the soundtrack to a moody, somber Tarkovsky film, Gri has captured the din of the clatter and clang of life as it grows, and then rises in an uplifting anthemic glory to all that man has made, and unmade. Darkly delicate…constantly decaying and yet reborn again…eternally…

Francis M. Gri, "Decays"... Subliminal Violence

edition project focused on some dialogues between some visuals artists and music artists which works with 3 publishings by year dispatched in 2 physical imprints: a disc (vinyl/cd) and a fine art book.

Observatories - Our Recently Acquired Knowledge

IIKKI

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