Performance sonora de Lind Vieira realizada na abertura da exposição " Tecer o Mundo" do artista Gustavo Sakamoto, na galeria de arte contemporânea Matéria Plástica, em 29/03/2025 Brasília - DF.  
--
Um experimento/baguncinha passando pela musica ambient, harsh noise, loops e generative sounds. Com duração de 28:36 min, a partir da síntese sonora, o artista Lind Vieira constrói ao vivo uma cena sonora com camadas, através do VCVrack tocado com a controladora Arturia Beatstep. 

Cover art by: Lindelirium / Lind Vieira
--
https://www.instagram.com/lindelirium/
https://www.instagram.com/gus_sakamoto/

Lind Vieira - Performance Sonora live na expo "Tecer o Mundo" de Gustavo Sakamoto.

A Series Of Mangled Loops 3 19 25

In the passion of the doggie
I told him to spread his cheeks
long arms reached mine. 
Machete wielding
cinnamon bun bandit notorious
caught mid snack. 

killed while scuba diving
Atlanta bagpiper Lost
music and silence
His son who vanished, 
four years gone without a trace
found dead the same day.

Police chief in office, 
defecates, viagra, weed.
doesn't get fired. 
A Bigfoot sighting
A woman's life changed better
lawsuit now pending. 

A conclusion reached, 
ideology unknown 
possibilities linger.
Maybe conscripted
low profile head low eyes down
all things are but plugs 

smacking his big boy 
electromagnetic waves
signal familiar. 
The thickening of thighs
anime girls have them more 
recession the cause. 

Burgers one dollar
Must me made of shark dick
ladybug pussy.
Deodorant gel 
a barometer makeshift
high pressure oozing.

Email urgently
Stop throwing foreskin 
in sharps container
A tiny insect 
the loudest creature on earth
penis music rules



A Series Of Mangled Loops 3 19 25

4-7-25 (halcyon)

Blurstem’s 'Remnants and Whispers' is an album of memory-of echoes and fragments, of moments gathered and reshaped, of the past carried gently into the present. Released on Fluid Audio, renowned for its exquisitely crafted physical editions, this collection of soundscapes and textures is imbued with nostalgia, intimacy, and the quiet weight of time.

The album weaves together the delicate and the vast, the small and the sweeping. Tiny, almost imperceptible guitar plucks flicker like candlelight amidst expansive ambient washes. The sonic palette moves seamlessly between lo-fi warmth and pristine clarity, embracing the imperfections of cassette recording and the wobbly, warbled charm of home videos from a lost era. Each track breathes with a human touch-organic instruments processed and reimagined, from tremolo strings pitched and resampled on “Tethered” to layers of sound that feel like old photographs brought to life.

At its heart, 'Remnants and Whispers' explores the idea of remnants-what we carry with us through life, the fragments of friendships, memories, and fleeting moments that shape who we are. Much like the album’s sonic construction-built from past sketches, ideas, and textures revived and given new form-the music mirrors the way we collect and reinterpret our own experiences over time.

This ethos extends beyond the music itself into its physical presentation, with Fluid Audio’s deluxe edition incorporating 1920s sheet music and book fragments as old as the 1890s-historical relics that feel like the perfect visual counterpart to the album’s themes of memory, loss, and renewal. The tactile nature of these artifacts deepens the listening experience, making 'Remnants and Whispers' not just an album, but a tangible connection to the past.

Mastered on Bartels’ late ’60s analog tape machine, the album’s final touch further enhances its warmth and character, adding an unmistakable depth and timeless quality to its sonic palette.

A meditation on change, nostalgia, and the beauty of imperfection, Remnants and Whispers is an invitation to pause, reflect, and listen-not just to the music, but to the quiet echoes of our own stories.

Music: Blurstem
Mastering: Bartels
Design: Crossley

www.fluidaudio.co.uk
www.blurstem.bandcamp.com

Blurstem - Along the Rails

Original Music and Sound Design by Avi Amon for Danger & Opportunity, by Ken Urban. Winner of a Special Drama Desk Award. Starring Juan Castano, Julia Chan, and Ryan Spahn. Directed by Jack Serio at the East Village Basement, April 1-25, 2025.

Sound Design and Original Music: Avi Amon
Scenic Design: Frank J. Oliva
Lighting Design: Stacey Derosier
Costume Design: Avery Reed
Stage Management: Zach Brecheen
Produced by: Jacob Stuckelman, Andrew Patino, Matt Krauss, & Kyle Rogers

https://www.dangerandopportunity.com/

(c) 2025 Avi Amon - www.aviamon.com

But Now It Isn't

It says ‘very easy’ on the pattern
and it’s a total lie. 
I did lose half the instructions 
they went in the fire by accident.

I find them uncomfortable, 
but I really want to be the kind of person
who wears a thong every day.

Why is Wi-Fi called Wi-Fi
when it doesn't actually stand for anything?

I don't buy them very often,
too low rise 
or too narrow in the crotch.
I'd had my eye on these for awhile
and got a couple pair last week on sale.

Today I read a headline,
"Woman saved from rapist 
by gay rapist who raped the rapist" 
Some one had to investigate this,
and someone else had to report on it.
I've never loved my own job more. 

For me, the crotch is wide enough,
wider than a lot of their other styles. 
It has a cotton panel sewn in the gusset.

It's not uncommon for me to complain
about the world's many three letter acronyms.
I got a text today from an old friend,
"WTF is an acronym?"


I Like Panties More Then Poutine 3 30 25

'Petrichor' is the third studio album from long-time collaborators James Osland and Andrew Heath, and serves as a natural continuation of their creative partnership following the release of Elysian Fields (2024), also on the esteemed Fluid Audio label.

The two artists were initially brought together by a shared admiration for each other’s work within the ambient music community. Andrew Heath is an established figure in the genre, with numerous albums and EPs released on respected imprints such as Disco Gecko, Whitelabrecs, Rusted Tone Recordings, Elm Records, and White Paddy Mountain. James Osland, meanwhile, is both an accomplished artist and the founder of Elm Records, a boutique label known for its thoughtful curation. His personal discography includes releases on Unknown Tone Records, Whitelabrecs, Flaming Pines, and Dewtone Recordings, among others. Osland’s practice explores the intersection of sound, memory, and place, working across both sonic and visual mediums.

Petrichor began to take shape during an exchange of ideas between the two artists in the late winter and early spring of 2024. As Andrew shared loops and sonic sketches, James found himself listening from his studio, watching the unrelenting English rain from the window. These moments of stillness-quiet reflections on the shifting of seasons-informed the mood and direction of the album.

What emerged is a collection of slowly evolving compositions, revealing gentle melodies, nuanced textures, and soft drones-much like the tender unfolding of early spring leaves. The album carefully weaves together field recordings, organic textures, and synthesis to create immersive soundscapes that capture the subtle beauty and contemplative atmosphere of seasonal change.

James Osland & Andrew Heath - Outside The Light Was Starting To Wane

5-2-25 v2 (from ashes)

Recorded live upon the culmination of the Taurus Full Moon {Venus Night / Nov. 15, 2024} during Tarantella XVII in Portland, OR. Post production completed under the influence of the Scorpio Full Moon {Moon Day / May 12, 2025}, and released the following morning {Mars Day / May 13, 2025}. The hour-spanning occurrence in its entirety was entitled UnHour. 
Eternal gratitude to Sean Millican of Tarantella for the invite, Zac Proqxis for availing the space early and running sound all night, as well as all the other beautiful performers who made their own offerings in what amounted to a truly magical event: Terror Apart. Hemadaxis. Soriah.

Poison Ring - Adornments

heavily inspired by tracks like s8v1 [brooklyn]
i haven't been making or experimenting with music for a bit now and after owning a 4track tape recorder for like a month now, i've finally made something that i somewhat like (you can hear me fuck up the volume of the bass a handful of times). 
the only thing i've been doing on fl is make something new, immediately grow tired and hopeless of it, then close fl, or open unfinished projects that i have heard a million times before, and not do anything except fuck with the mixing a bit. I know what im going through isn't as bad as like what happened to porter robinson, but its still irritating as music means a lot to me

image is from the wikipedia page for etah, greenland

dronethingtake1

5-18-25 (memory of a color)

This album is the culmination of an ongoing exploration of musical and sonic concepts, including mutation, evolution over time, generative patterns, sampling and re-sampling. Several tracks from the album have been performed, presented, and utilized in various formats, such as concerts,
performances, or installations-either in their entirety or specific sections.

The six tracks represent the distilled essence of a creative process that commenced in 2020, characterized by continual iteration, variation, and the transformation of formless clusters of melodies, harmonies, or mere textures into somewhat finished compositions.

Each musical piece has been a companion to me for an unusually extended period (something it rarely happens in my process). Much like features in a landscape, these tracks have shaped a geography of memories, places, and fleeting moments over an exceptionally prolonged time in my life (with some, like Bancal, tracing back to 2014). Consequently, the personal and emotional weight they carry is significant and necessitates being acknowledged to make room for the new and unexpected.

In Valencian, "una geografia temporal" translates to “a temporary geography."

Edu Comelles - Mola


On a lazy day
In a gravity well
On the planetary plane
I can't tell what's up or down
The ground is over my head
The sky's beneath my feet
Spinning round and round
So very free
So very confused
So lost
So heavy

And it won't be too lengthy a span of time  
Until all avenues to the celestial skies are barred  
The myriad of objects, once propelled to the heavens,  
Return in chaotic descent  
And in their fiery downfall,  
They reduce us to embers on the scorched earth

A few errant fragments
Each as small as a fleck of paint
Move as fast as a speeding bullet
At a hundred times the rate
This creates more fragments
With each collision
A self-propagating disaster
This cascade
This syndrome
This chain reaction

And it won't be long
Until there's no way to the sky
The things we launch up there
Come falling down
And burn us to the ground


Kessler X XY

Tament is an exploration of sound as both memory and possibility-an attempt to blur the boundary between the concrete and the imagined, the heard and the felt. This album is born out of an ongoing curiosity: what kind of dialogue can exist between the raw, unfiltered audio of the everyday and the abstract sonic worlds we construct through synthesis and production?

At its core, Tament weaves together field recordings, modular synthesizers, and software-generated textures. The ambient recordings are drawn directly from the soundscapes that surround me: the footsteps echoing through familiar streets, fragments of passing conversations, distant traffic, the subtle rhythms of urban life. These are the sounds that often fade into the background, yet they form the soundtrack of my existence. By capturing them, manipulating them, and placing them in new contexts, I aimed to reframe the ordinary-to open a space where the habitual becomes mysterious, and the familiar is rendered strange.

This project is not about documentation or representation. Rather, it’s about translation. I wanted to create an alternate version of the spaces I move through-a kind of dream logic of place, where reality is stretched and reassembled into something more ambiguous, immersive, and open-ended. In doing so, Tament becomes a liminal zone, a place between places.

Just as important as the sound itself was the intention behind its structure-or rather, the lack of imposed structure. I deliberately avoided giving the tracks a fixed narrative or emotional direction. There are no clear themes or guiding concepts here. The music offers a frame, not a story. It is a space left intentionally undefined, allowing each listener to encounter it without expectation, to inhabit it on their own terms. In that sense, Tament is less an album and more a set of sonic invitations.

It is about listening closely, noticing what usually slips past us, and discovering new meaning in repetition, texture, and silence - Glinca

Music, production, and mixing by Tazio Iacobacci
Mastering by Sebastiano D’Amico at Zen Arcade
Track 8 - 'Horocele', features Francesco Canè on modular synthesiser
Design by Daniel Crossley

Glinca - Alized

synth sketch tracing a summer eve, the edge of a forest pond

the pond at night

Performance sonora realizada na abertura da exposição de diplomação "Sentido Figurado" na galeria Espaço Piloto, em 18/07/2025, UnB, Brasília - DF.
--
Gravação da performance, na qual, artista Lind Vieira constrói um caminho por camadas sonoras e modulações ao vivo.

www.instagram.com/lindelirium/

Recorded with VCV Recorder in VCV rack.
Equip used: 
Behringer Xenyx q502usb Mixer
Teenage Engineering PO-35 Speak
Korg Monotron Delay
VCV rack 2
Arturia Beatstep controller
Walkman + Cassette tape

Cover art: recorte de fotografia de Vinícius Faraco 
https://www.instagram.com/viniciusfaracofl/
--
A exposição Sentido Figurado, de 20/07 a 29/08 de 2025, apresenta obras de artistas formandos do curso de Artes Visuais da Universidade de Brasília - UnB. Contando com trabalhos de Pintura, Fotografia, Video, Gravura, Escultura e Instalação. 
Expografia por Dalton Camargos, Montagem por Bruca Teixeira, Coodernação por Andrea Campos de Sá.
Mais infos em: https://www.instagram.com/p/DMPAadZtTf7/


Sound Art live performance at "Sentido Figurado" expo 18/07/25 - By Lind Vieira

nervoussystems

Bambino: One shop destroyed. Three heads split like overripe melons. One man wounded and one castrated. All in two hours. Just two hours I left you alone. Two hours.
Trinity: Well, you asked me to give you a hand.

dumbshit by https://soundcloud.com/sigtor

nyc-based composer & sound designer. i do other stuff, too.

email: 
aviamonmusic@gmail.com

Poison Ring is an experience rooted in sound, but also works to stimulate other aspects of the human sensorium. The sound produced and presented live is exclusively comprised of tapes (cassettes and stereo-8s) and vinyl records, all hand-refined into loops.Iconography and choreography, alongside the use of specific aromatics, serve to potentiate the overall effect of live Occurrences. The magical worldview which informs and inspires the individual behind this endeavor is primarily of an Hermetic nature, specifically concerning traditional planetary attributes and correspondences. 

To receive updates and cryptic wordings, email poisonring{AT}gmail{DOT}com

Other audio examples available for download:
http://poisonring.bandcamp.com/

For outdated visual examples, visit the YouTube archive: http://www.youtube.com/PoisonRingArchive

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

New tracks tagged #tape loop