Xolyx - Ripples EP
Release Date - 26/03/2021

Xolyx - Abyss (clip)

Buy here:  https://illtruth.bandcamp.com

Complications is just one of the 10 cuts taken from Ill Truth's 'Clicky Sticky Dub Pack'.

You can get buy Complications and the other 9 tracks as part of the exclusive USB package now via the Ill Truth Bandcamp page. 

There are a limited amount of these packs left so be sure to get one before they are gone. When they are gone, they are gone.

Clicky Sticky Dub Pack

Complications [Clicky Sticky Dub Pack Exclusive]

Huge thanks to Salaryman for setting up a remix competition for this tune, we loved every minute of working on it !

Salaryman - Again (Griskk Remix) BUY = FREE DL

New dub everyday at 3:00pm (UTC)

Support Artist :

@objectivdnb
@illament_music

Objectiv & Illament - Fire Cracker

DPD010 - Dunk - Modulation EP Feat. Carasel

Dunk & Carasel - Modulation

OUT NOW EXCLUSIVE ON BEATPORT: https://www.beatport.com/release/spirit-molecule-ep/3408085

1.  Spirit Molecule
2. You Never Know
3. The Wobble
4. The Trip
5.  Lonely

Out now on Subtitles Music
https://soundcloud.com/subtitlesmusicuk

Hadley - Spirit Molecule EP

Swamped EP

Swamped

Download

Subtle Element - Swamped

Rude

Murphy's Law (Covert Garden Remix)

Trex - Murphy's Law (Covert Garden Remix)

Stores & Download - ffm.to/phoebe_simmons

Drop the Carnage

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

Free Download via Bandcamp (click "Buy") and enter 0 as price
https://relictmusic.bandcamp.com/track/mayhem


www.instagram.com/relict.music
www.facebook.com/relict.dnb

Mayhem

Relict - Mayhem (Free Download)

Link for demos below : @dreadofficial Est 1994

Dread Recordings have remained on the forefront since they began releasing music in the early 90s. Since then, both drum & bass and the imprint have moved from strength to strength, with Dread staying true to the sound which remains a pinnacle of the genre's roots

With Releases from

@ray-keith
@serum
@t-i
@bladerunner-dnb
@bennyldnb
@elshus
@jappadnb
@alcemistuk
@xavdnb
@fleckathens
@conradsubs