Booking inquiries : :  

peter@fmly.agency

Scandinavian producer and DJ based in Amsterdam

For bookings contact: Riccardo@meanwhile.nl

Producer and owner of the record labels Delaphine, Dahlia, and Co-owner of Oscillat Music.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Bookings : booking@chevry-agency.com
Mastering / Mix request : rutilancelab@gmail.com
Bandcamp : https://djsteaw.bandcamp.com/
Owner of Rutilance recordings, Steaward and House puff records 
https://www.facebook.com/DjSteaw

purchase tracks : https://garrettdavid.bandcamp.com/
booking: booking@interwave.live
@global-swing
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aka Bell Boys, Mystical Institute, Shrubs

Secretsundaze DJ bookings: 
marc@poem.agency

Spirit of Sundaze Ensemble bookings:
lauren@earth-agency.com 

Secretsundaze is the trademark of forward-thinking, underground house music. As an artist and brand – spanning parties and festivals, a record label, a studio, an NTS residency and a live band project – it’s been operating for over 20 years and embodies the spirit and community of London’s club culture. But it’s never been one to sit still or rest on its laurels; leave that to the nostalgia crew because Secretsundaze always keeps it moving. 

Take this year, 2024, as an example. Right now Secretsundaze is stepping out as an artist proposition in its own right, helmed by producer/DJ/curator James Priestley who’s currently packing a stack of club tracks that will drop across the year and establish the project as a hit factory for DJs and dancers searching for a fresh take on house music that draws on breakbeat energy and trancey euphoria. Priestley is known to take the roof off as a DJ and now he’s adding to his arsenal with sought-after solo productions of his own under the Secretsundaze name. 

As a tastemaker, Secretsundaze sits at the cutting-edge, bringing new heads into the fold and always looking to champion new talent. His NTS residency, which has seen MoMa Ready, Paquita Gordon and Alex Kassian guest recently, is a reflection of the project’s current dancefloor obsessions. The meticulous curation of the Secretsundaze presents parties and Multi Multi festival, renowned for featuring talents such as Ash Lauryn and Carista long before they gained widespread recognition and uniting visionary artists like Toumba, Tash LC and NIKS under a single roof, serves as a compelling testament to Secretsundaze’s commitment in celebrating new artists.

Now for some history: 2022 saw the launch of Spirit Of Sundaze Ensemble, a full live band project that reimagines anthems beloved of those in the know, recording and performing cult bangers like Photek’s ‘Mine To Give’ and Joyce Sims’ ‘Come Into My Life’. The band has already graced the stages of the Queen Elizabeth Hall (Southbank Centre) and the ICA as well as Beat Hotel and Kala festivals, with a debut LP set for release later this year.

This duality of cutting-edge and classic is what makes Secretsundaze so special. Priestley originally cut his teeth as a d’n’b DJ and a promoter of not-so-legal warehouse parties before becoming an annual resident at the legendary Robert Johnson and landing gigs at Panorama Bar and Queen at Smart Bar, which is the kind of gigography that many selectors would happily settle for. But Priestley’s love of underground club culture has propelled him even further and Secretsundaze is now two decades deep, a pillar of London culture that has poured blood, sweat and tears into the city’s music community. 

Secretsundaze begins 2024 as a solo venture with Priestley at the helm, navigating an ever-expanding musical universe that unearths and re-engages with different styles, genres and music scene via parties, live shows, productions, radio and even a new record label.

Booking: BW@t-s-agency.com
NA/SA: alo@prismaartists.com

https://linktr.ee/cinthie_dj

Follow my SPOTIFY PLAYLIST (Updated Weekly) : https://spoti.fi/2RHGKu3 

Berlin based DJ, Producer, Music Lover, Record Collector, Label Owner and Record Store Owner.


Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin .

Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence.

Initially Cinthie made her mark with Diego Krause, Ed Herbst and stevn.aint.leavn as the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels. Most recently she launched her 803 Crystalgrooves imprint to critical acclaim, a platform which has become a huge focus for her own productions for the foreseeable future as well as the imprint's sub-label Collective Cuts, which as the name suggests, welcomes music from affiliates and friends of the artist. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint where her debut album comes in 2020. Cinthie’s unfaltering drive and dedication to all things House continues into another decade...

Connecting club culture to the wider world, on screen and irl through parties, film and video.

"Mixes are time capsules of sound.  Each capturing a moment in time that will not be repeated the same way.  Each mix is meant to transport the listener in their own time machine to their own destination.  These are soundtracks for daily living..."

Pelin Kaya is following