By aligning their unwavering dedication to the do-it-yourself work ethic with a unique new sound, singer/bass player Leo Rodriquez, drummer Ashley Pintor, and lead guitar player Collin Pintor have helped to redefine the landscape of the Coachella Valley's indie-rock music scene. The backbone of their work? Stylistically eclectic songs—suggesting a range of influences from early Black Keys, Led Zepplin, and Foo Fighters. 

The Rebel Noise came into existence after a risky but well worth it move to the Coachella Valley, CA in 2011. With this move, The Rebel Noise has made a name for themselves here in the Desert and plan to keep growing.

all rights reserved.

Producer. DJ. Coffee Drinker. Cat Person.

I've been drumming for a number of years, and been working lately to expand my sonic horizons :-)  So far so good, these are my productions, they'll vary from Straight Electronic to Fully Acoustic, and a mix in between.  I love working with ethnic sounds and percussion, love edgy basslines and glitchy chaos.  Expect both western and eastern influences, creativity, metal percussion, unique synthesized sounds and more...  Hope you enjoy, please follow me and share the music if you like it.  :-)

DJ Mes

Guesthouse Music // Oakland, Ca

Bay-Area bred DJ Mes (Jason Sutton) rarely slows his groove. Since the 2004 inception of his Oakland-based label, Guesthouse Music, Mes has produced a prolific catalog of bass-heavy tracks that have scorched dance floors amid the ebb and flow of electronic music. As a DJ, his sets have inspired; as a producer, his montage of disco-dredged beats meld bump with rhythm and bass to create hot buzz in front of and beyond the speakers. In 2011, Traxsource honored Mes with the top spot on a list of 100 best house tracks of 2011 following the release of the bumpy Chicago-sound behind “Fools Gold” (Cajual Recordings). 

Mes’ career dates back to the mid-1990s, when the future producer took early influence from the likes DJ Dan (Funky Techno Tribe) and Tony Hewitt (Tango Recordings). Some two decades later, it would be DJ Dan who would join the talent ranks of Guesthouse Music, Mes’ genre-defying imprint that earned him notoriety beyond numerous festival appearances, club residencies, and as co-founder of Daddy’s Records (1996). Unlike previous endeavors, Guesthouse bloomed as a personal and creative project inspired by the underground house community that embraced the sound in the U.S. and overseas. While Mes continued releasing tracks on acclaimed labels such as Nettwerk, Black Cherry, Magnetic, and Flapjack, it was his own Guesthouse Music that set the pace, releasing 150 EPs—including 40 vinyl releases—since its inception. 

Mes’ ear for talent led to the unveiling of some of the most successful names in underground house, including breakout artists of 2011, J Paul Getto, who scaled the charts of Traxsource with “Need More Music” and “Paris Fried Chicken” Boundary-bending producers, such as Gramphonedzie, and classic acts, such as Cosy Creatures and The Sound Republic, exploded onto the scene under Mes’ own A&R moxie. Even while he introduced new DJs and producers to audiences, he continued creating his own body of boompty sounds.

 While Mes looks ahead for talent, he creatively nods to sounds that inspired him to slide behind the decks more than 16 years ago. In 2011, Mes followed up his seminal “Fools Gold” release (Cajual Recordings) with a second EP, “Town Business.” “Love Affair,” a rework of First Choice’s classic “Love Thang,” climbed the underground charts alongside a remix of Two Ton’s Of Fun classic, “I Got the Feeling.” Even while maintaining a regular touring schedule throughout the U.S. and Europe, Mes continues partnering with the some of the scene’s most lauded producers, such as DJ Sneak and his own greatest influence, DJ Dan. 

In December 2011, Mes and Guesthouse created another piece of house music history by releasing their 100th track, “3000” (J Paul Getto). For Mes, it marks the beginning of another phase of underground house evolution. 

Adds Mes: “I’m always working to sign new or undiscovered music and talent to the label, and maybe even throw a curve ball to startle people with a new, unexpected style or sound. It’s what it’s all about.”

Please email management@gangwarily.art to book Smasheltooth for parties and events.


OTHER MIXES FOR DOWNLOAD NOT AVAILABLE ON SOUNDCLOUD:
Silent Frisco on WestCliff, Santa Cruz: http://www.mediafire.com/listen/b1081bgd3ofxnog/Silent_Frisco_Smasheltooth.mp3
Year of the Smasheltooth Tiger: http://www.mediafire.com/?8bzz2neqi4n2afh
Too Hard for the Fucking Raindance: http://www.mediafire.com/?glfuj53ze80vj94
Too Hard for the Fucking Radio: http://www.mediafire.com/?8e2hbif9wq5ek11

Smasheltooth Sightings:
Please visit www.smasheltooth.com for event info

There once was a dreamy-eyed lass and only punk rock and hardcore could make her shake her ass. One day she was walking around the block when she heard a boombox play hip hop. She started dancing and yelling YAAAAY but fell over and landed in a pile of dancehall-reggae. Reggae covered her eyes and face when she meandered into a basement playing drum and bass. This music made her dance and shake her back until she thought she'd have a heart attack. Then an unknown mysteriously deep bass sound led her into a secret room where dubstep was abound. Deciding she'd already fallen in love with enough musics in this one day, she finally went home and had dreams of getting thizz faced and riding the whip with Mac Dre. 

Going stoopid doo-doo dumb on the stage with the likes of Too Short, E-40, Mistah F.A.B., Rappin 4 Tay, Girl Talk, Freestyle Fellowship, and more, Smasheltooth intends to integrate inner-city raps with privileged producer slaps and spread musical butter over rumps across the globe in the name of Furl! Yadadaholla?

The Silence at sea is OUT NOW:
https://lnk.to/SilenceatSea

DreNaylor is following