Very interesting change of pace from the tranquil and peaceful begining.  Fine work!

Amazing bass sound and performance! Love it!

Didn't see the ripping guitar coming! BOSS!!!

And2End

i wrote this Instrumental, a while ago, Music By: Norm Evans, i was going to put lyrics to it, but couldn't come up with any, if anyone wants to put lyrics to it, feel free to do so, your welcome to it, thanks,

weekend blues

Weekend Blues,  Gene Jumper,( Original  Instrumental ) Music By,Norm Evans

▶ https://distrokid.com/hyperfollow/chrisjunos/nemean-lion
▶ https://chrisjuno.bandcamp.com/album/480bc

Nemean Lion - Το Λιοντάρι Της Νεμέας

Apophenia

Bandcamp

Faceplant

This Place in my Thoughts

"2016.
Meldonium,
Never heard of it.
2020.
Melbourne,
First round defeat,
Love-two.
32,
Maria is done."

Melbourne 16/20 - From "MARIA"
Music composed by Thomas O'Higgins Horna
Produced at Kolima Forest Studios.

Poster photo retrieved from AP
Edited for a movie that most definitely exists.

Full EP available on:
bandcamp: https://thomasohigginshorna.bandcamp.com/album/maria
Spotify: https://open.spotify.com/intl-es/album/5DjtzKV7hKfVioknzfSdi6

This track is not to be used to train AI.

Melbourne 16/20

Full EP on bandcamp

This song was wrote a few years back in an acoustic form. 
Mike has transformed it into a beast with his mighty skill set, production skills and most of all his patience .
He really is too modest because he never blows his own trumpet and needs to take full credit for his graft. 
So I am telling you when you listen remember who made it happen.
Nat as added her amazing vocals and always gives a song a different slant, which I love.
Leave both these wonderful people to their own devices and they deliver beyond all expectations on these collaborations. 
It’s a song for all that simple sibling rivalry and for the musicians who have been in bands with their elder brothers  or sisters.
You have to either leave or your sibling as to leave because something always gives. 
Arguing, fighting and always competing for your creative edge to be heard.
I experienced this when I was younger with my older brother but it was the best thing for both of us to part ways musical. 
It allowed me to grow as a singer/ songwriter and gain my own identity. We both went on to establish the things we wanted to do. The experience I gained from constantly playing live with him was invaluable.
It always felt that when I left for a while  I was always playing to him in my head wanting him to just recognise how I had grown and doing my own thing but I don’t think he ever did. 
It was always me more than him and he probably never realised. We never let it put a wedge between us and always got on after and still do.
There are many that have never made up I would imagine and should because life is too short. 

For My Audience Of One 

V1
A creation from the same mother
(Playing rock stars with your elder brother) 
From the council estate to touring Europe 
(You tried to the USA and became a standing tourist )
When your private life takes to the stage
(And the in fighting gets a little harder to gauge)
When your milk chocolate
you  just eat yourself
(And  little old you as been left out to melt)

Chorus 
Everything  is done 
For an audience of one 
And that audience is you 
And sadly it’s true x2)

V2
(And now you don’t even
 talk at all no not anymore )
Just word salad rants and Twitter x squawk
(Your just letting go from your blind panic) 
I’m Living a better life feeling super Organic

Chorus 

Middle 8 

(He left you in the blue hour
the glorious sunset turned sour
Waiting for your new sunrise
To blind those blue 
……Adriatic eyes)

Chorus…….

Outro
Everything is done 
For my audience of one

For My Audience Of One ~ Fox, Brownie & Daniels

Made in #Ableton (August 2024)

This track is dedicated to my grandfather.
He also made music, like organ, accordion, harmonica etc.

https://hega.bandcamp.com/album/grandfather-ii

Grandfather (II)

Mist Covers The Mountains

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

This Place in my Thoughts

Drick

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