Sehr schöne Klanglandschaft und Kurzweilig! Sauber!!!

Lasse Winkler (https://soundcloud.com/lassewinkler) United We Rise Podcast Nr. 092

🗯🗯 Verwendest du neue Technologie oder bist du eher klassisch unterwegs? 🗯🗯

Ich bin da eher klassisch unterwegs. Ich brauche richtige Regler und Fader ohne Mehrfachbelegung oder so etwas. Daher arbeite ich auch hauptsächlich mit Vintage-Synths.

🗯🗯 Was ist dein Lieblings-Club oder Festival und warum? 🗯🗯

Ich denke das Moyn Moyn Festival. Es hat die perfekte Größe und eine gute Mischung an Leuten. Mein Lieblingsclub ist der Südpol in Hamburg. Es ist ein Ort guter Erinnerungen und auch hier stimmt die Größe.


🗯🗯 Wie waren die Vorbereitung für den Mix? Woher kamen die Inspirationen? 🗯🗯

Mit meinem Acud-Projekt fahre ich ja einen ganz bestimmten Sound. Unter meinem bürgerlichen Namen habe ich einen ganz anderen Ansatz und ich habe Songs zusammengemischt die ich einfach sehr gerne mag. Es ist also keine Set um danach in den Club zu gehen, sondern eher eine Reise, durch ganz verschiedene Produktionsweisen der elektronischen Beatmusik.



✘ Lasse Winkler (Kiesel / Keller - Berlin) 
SC - https://soundcloud.com/lassewinkler
Insta - https://www.instagram.com/lasse.winkler/
FB - https://www.facebook.com/lassewinklermusik

✘ United We Stream (Berlin / Global)
FB - https://www.facebook.com/unitedwestream/
WB - https://unitedwestream.berlin/
INSTA - https://www.instagram.com/unitedwestream/

United We Rise

Free download

Lasse Winkler presents United We Rise Nr. 092

Four-dimensional space. "Temporal body"—Linga Sharîra.
The form of a human body from birth to death. Incommensurability of three-dimensional and four-dimensional bodies.

Newton's fluents

The unreality of constant quantities in our world. The right and left hands in three-dimensional and in four dimensional space.

Difference between three-dimensional and four-dimensional space. 
Not two different spaces but different methods of receptivity of one and the same world

The Only Way Out is Through

Liveset recorded at Masada in Milan, the February 4, 2024
At Low on Sunday, organized by ODD

Opening to @schnuppo and @doctor-juggler

I hadn't done a live set since last summer. In recent months I have dedicated myself mainly to production and returning to live the first need was to better define the sound. I would have liked to prepare a lighter setup, but I always realize that using two samplers allows me to better manage my intentions above the machines. What has changed from last year are the connections between the machines and a final compressor, and I have added some new tracks.

Live@Masada - feb4'24

Curated by amc, New Seeds showcases new electronica across the genre from ambient and chill-out through to synth and vaporwave with a sprinkling of complimentary influences and classic tracks.

@amc_sounds

8:00 – 10:00pm
Monthly on the fourth Monday.

www.blooplondon.com
www.facebook.com/blooplondon
www.youtube.com/blooplondon
www.mixcloud.com/blooplondon
www.twitch.tv/blooplondon
@blooplondon

New Seeds w/ amc - 25.03.24

<3 vibing in a spontaneous flow through some groovy (pitched down) midtempo tunes

HappyMixDay / Laura #05

Following 2020’s 'Point Vacancies', the debut EP from Jamie Paton and Mike Bourne’s collaborative act Metal, the duo return with a trio of dubwise remixes from Mr Paton himself as well as a peak-time stormer from fellow Bristol artist, Hodge. The latter immediately sets the record ablaze with a driving thump, duo of grainy hi-hats and a chalky clap. He layers an anthemic three-chord pad progression, building octaves, peppering in arpeggiated bleeps and articulate lead melodies, then tops it off with a few modular elements that retain the character of the original, before climaxing in true rave fashion. Proper. The following three mixes by Metal’s own Jamie Paton make apparent his sonic obsession — the type of infinite tweaking that sees some artists/producers to the edge of madness, or at the very least satisfies some dragon-chasing addiction. There’s a successive deconstruction from 'Remix' to 'Dubwise' to 'Dubwise II', most notably a reduction of rhythm and drum machinery, but also in general tonality. The melody remains central but is gradually obscured, taking on a less and less recognizable form, and by the end we’re left with a skeleton of the track, quips and cranks, an assembly line of aluminum sheeting punctuated by demented nuts and bolts. As with the previous EP, the sparsity of elements illustrates just how far one can twist aesthetics, proving that self-imposed limitations can often propel an artist’s process and land them somewhere unfamiliar, somewhere foreign, somewhere enchanted.

[ESP088B] Point Vacancies [Remixed]

Buy from ESP

B1 - Dislocation Climb (Jamie Paton Dubwise) - SNIPPET

Originally from Belfast, Northern Ireland, Kate Pending is an enigmatic artist whose lifelong love for electronic music and synthesizers has shaped her unique sound. Immersed in the vibrant underground scene, Kate has meticulously honed her craft, mastering the art of music production with Ableton Live. 

On May 3rd, 2024, Kate released her debut full-length album, "Pigmented Reality," a 12-track record that showcases her artistic versatility, craftsmanship and ability to create intricate and emotive soundscapes. The album blends various genres, including breakbeat, deep house, techno, drum n bass and downtempo, all infused with an electropop slant.  Her sound is characterized by a fusion of ethereal and gritty elements, melodic sequences, and rhythmic complexities. 

The album's palette can be likened to an eclectic blend of influences, from ethereal vibes similar to Elder Island and Little Dragon to deeper electronic tones like Christian Löffler and Jacob Groening. There are many parallels that can be drawn with Kate's sound, which in essence speaks to the level of electronic sophistication the package offers. Whilst some tracks bring an element of edgy, synth-driven energy, others take a more progressive or laid-back route creating a fusion of genres that Kate Pending navigates with finesse. 

Kate has collaborated with notable producers and remixers, including Berlin-based Iron Curtis and VOID LOOP ( ), who contributed remixes to her debut album. Additionally, she released the song “White Rabbit feat. Grimes AI” with the artist Grimes’s team, where an AI vocal generator was used to augment the lyrics to create a Grimes-like sound. This track showcases her interest in the evolving landscape of music technology while maintaining the human touch in her creations. 

Kate’s innovative approach to music production and her debut album have garnered attention in the electronic music community.  Currently residing in Berlin, Kate continues to produce music, contributing to the vibrant electronic music scene in the city. She is dedicated to pushing the boundaries of electronic music and exploring new creative possibilities. 

Follow @katepending, peeps!

Pigmented Reality

Kate Pending

SXDNS414 // Kate Pending

asoon

Recorded live at  A-Synth Festival ST. Gallen. 
Booking: driftmachinemusic@gmail.com

Live At A-Synth Festival  Sept. 2015

Artist and painter with 20 years of experience from the city of Karlsruhe, Germany.

Follow guest:
https://soundcloud.com/chkkba

facebook

Serenades Podcast #111 - chöko aba

Berlin-based duo comprised of Andreas Gerth & Florian Zimmer

Live At A-Synth Festival Sept. 2015

Driftmachine

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