From the Mouth of the Sun return to film music with the original score for the documentary short “A Broken House” (directed by Jimmy Goldblum) about Syrian architect and artist Mohamad Hafez.

Dag Rosenqvist and Aaron Martin evoke the feeling of a person attempting to recapture a home that no longer exists with their core instruments of piano, cello, pump organ, bowed banjo, and others. This release features the complete film score along with additional tracks only available on the soundtrack.

released December 24, 2021

Music by Dag Rosenqvist and Aaron Martin
Mastered by Matthew Collings
Layout & design by Ryan Keane (Lost Tribe Sound)

A Broken House

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The Memories That I Have

Wept Out Of Existence

One Of Those Nights

Bring Me Home

I sometimes publish album reviews that somehow turn into special premieres. I also exclusively feature some tracks that somehow turn into album reviews. In either case, it’s irrelevant to bucket this into some special column and make it more about the music, which is the point behind this whole endeavour which I’ve been on for over fifteen years now (damn). So today I am happy to share with you a beautiful rework of a beautiful piece from two beautiful artists. What else do we need more to say? “For Now We See Darkly” is an original track by Frances Shelley, from her album, Songs Of Possibility which I have featured in my Best of 2021 list, Music For Being Together Alone. Exploring loss and its transformation into acceptance and even hope, the original is a muted modern classical piece, featuring Shelley on the piano with reverberated echoed treatments of industrial nature, combining the gentle with the rough for a spanning soundscape. For his rework, London-based composer Adrian Leung focused on the textural ambience of the piece, adding bass, arpeggiated synths, and glitchy elements for a cinematic arc that carries the piano melody into another territory, reimagined through the lens of Drexler and his sonic world. It’s a flattering account of the tale which started with the sounds of Frances Shelley and ended in the space of Drexler’s touch, and my only wish [as usual] is to hear this rework for a prolonged time.

For Now We See Darkly

TRACK PREMIERE : Frances Shelley - For Now We See Darkly (Drexler Rework)

at last

First track fron the self titled new age music album, Cadunia.
Get a free download here: https://newagemusicplanet.com/free-download
℗ Aeon Records 2025



Cadunia

Free Download

Dawn
Release Date: 07-16-2018
© 2018 Keith Richie

Dawn
An Original ‘N’otion Picture Soundtrack by Keith Richie
Inspired by the novel Dawn by Octavia E. Butler

Dawn is a sweeping cinematic score based on the first book of the Lilith’s Brood trilogy by the legendary Octavia E. Butler. This album serves as my musical interpretation of her profound and haunting tale—one of loss, survival, and evolution.

The story follows Lilith Iyapo, who once lived peacefully with her family in the Andes Mountains—until a devastating nuclear war obliterated humanity. Centuries later, Lilith awakens aboard a mysterious alien vessel, under the watch of the Oankali—an advanced species driven by an instinct to heal and evolve through genetic merging. As the last remnants of humanity are studied and prepared for a second chance at life, not all agree with the terms of this new beginning.

With themes of love, sadness, hope, and conflict, the music in Dawn is meant to transport the listener—whether or not they’re familiar with the book. You’ll feel the quiet sorrow of a ruined Earth… the awe and unease of first contact… the strange, electric connection between Lilith and the Oankali being Nikanj… and the tension of a species on the brink of transformation.

This album is a journey through emotional and otherworldly landscapes, where humanity’s survival depends not on strength, but on change.

Dawn is a tribute to one of science fiction’s most powerful stories, and I’m honored to present it in musical form.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/dawnBC  

Let me share what you feel

Track taken from the upcoming album 'The Topologies of Blue'...

Bill Seaman - Piano, Piano Libraries, Sample Compositions, Samples, Abstracted Percussion, Non-location Recordings, Electric Guitar Abstractions 
Wei Ping Lin – Violin Solos 
David Rothenberg - Clarinet, Bass Clarinet, Contralto Clarinet Solos
Sid Richardson – Upright Bass Libraries
Tim Bjorklund – Electric Guitar Libraries
Volkmar Klein, Sound Engineer for initial violin recording

...

Produced by Bill Seaman
Mastered by James Plotkin 
Cover design by Ian Hazeldine 
Overall design by Daniel Crossley

...

Special Thanks to all of the musicians + John Supko, Craig Tattersall, Volkmar Klein, Maura Walsh-Seaman, Dan Crossley & James Plotkin.

...

www.fluidaudio.bigcartel.com/mailing-list

The Topologies of Blue

Bill Seaman - Isolated Reflections / Dark Slippages / Falling Inward / A Collection Of Repercussions

For our next release, we are pleased to present Luis Miehlich, an artist based in Heidelberg, South Germany. Luis has contributed compilation pieces to labels such as Eilean and Dronarivm as well as an EP on Kage Recordings and most prominently, his debut album Silences on Archives. Whilst he is relatively young when compared with many of his Ambient peers, Luis has been performing music since the age of five thanks to a musical household and over recent years has drawn influence from composers Jean-Michel Jarre, Steve Reich and Béla Bartók as well as Ambient labels such as Hibernate, Home Normal and Archives.

In 'Timecuts' we have the follow-up record to 'Silences' which builds upon some unused/rediscovered material from between 2013 and 2015. These were heavily processed and then expanded upon with additional compositions and instrument sounds. The reworking of past material became a concept of sorts, as matching the old with the new became an important part of the process. Luis decided to extend a wider invitation to adapt these works to other artists, with a brief to reinterpret rather than simply remix. Erder and SineRider were logical participants, after both having featured in the 'Silences' album. Then our own Glåsbird as well as Gallery Six joined to complete the line-up.

Timecuts clocks in generously at just over an hour, starting with Luis' seven pieces. Everything from bells, drones, static, guitar, piano and radio static becomes a woven fabric to this beautfiully varied album which is a tapestry of short dreams. The invited artists were given the stems from the original works rather than Luis' own recreations, to help give further room for experimentation. The remixes add an extra dimension, which becomes every bit as crucial a part of a record steeped around themes of adaptation.

Timecuts

wlr066 Luis Miehlich - Timecuts

Aberration

Dutch independent label focused on contemporary ambient / modern classical music.