so very nice! I look forward to more-thank you..

Slow Down . In The Now | Album 'SO FAR'

Peril

The first track taken from my new album 'A Weather internal'.

A Weather Internal

River Slows

'River Slows Pt.1' - A Weather Internal - [Fluid Audio, 2023]

Tears Of Earth by @gardamusicofficial

Mastered by Andrea Porcu
Cover artwork by Å Asher-Yates and Velvet Black Pixel "Jenna Murphy"
2023 © Atlantea Records

Tears Of Earth

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Garda - Tears Of Earth

In the realm of ambient music, the panorama of sound is vast and uncharted. Logic Moon's latest EP, "Lux," ventures into this expanse, navigating through its depths with precision and grace.

"Lux" is not just an EP—it's a sonic tapestry that stitches together the modernity of contemporary ambient electronic sounds with the sophistication of neoclassical subtleties. Each track unfurls like an auditory landscape, painting scenarios that feel both intimately familiar and intriguingly alien.

One could liken parts of this collection to a space opera, with crescendos that seem to echo the vastness of galaxies and quiet moments that mirror the intimacy of a single star twinkling in the night sky. It's a deep, rhythmic breath, reminiscent of film scores, yet uniquely Logic Moon's own. This is the breath that courses through the heart of modern ambient, blending genres and redefining the boundaries of auditory art.

The ethereal blend in "Lux" captures fleeting moments of brilliance, shadows, and everything in between. It's an invitation to the listener to embark on a journey of introspection, wonder, and transcendence. With every listen, a new layer reveals itself, beckoning you deeper into its intricate intricacies.

bandcamp

Krakkelplaat

@karenvogt’s remix of the Tokyo EP song, from Site Nonsite's Remixed album — music from the Japan series reworked by 99LETTERS, Justin Von Strasburg, Karen Vogt, Lardkid, Paul Cousins, Pushkins Prefers, Veryan and Xylander.

Remixed

Creative Life Store (Karen Vogt's High as a Kite Mix)

In the fall of last year, I was asked to participate in Bigo & Twigetti's fifth volume of the Perceptions compilation series, which explores various approaches to piano music. Complimenting the sound of the solo piano, these compositions also utilise nominal processing, sound effects, synthesis, and binaural recording techniques, all aiming to create an immersive listening experience while still showcasing my beloved instrument. As the clock ticked away and the deadline approached, I realised I hadn't found time to compose my contribution. For a few weeks, I've experienced a gnawing feeling of self-imposed pressure, mixed with anxiety and procrastination, that looped on itself and left me fatigued. I'm sure plenty of composers who are reading these words, especially those working on a deadline (like film soundtracks), know what I'm talking about. This, in itself, gave me a taste of this process at work. I learned that I simply cannot try and force things or make them appear. For me, music, as Victor Hugo once said, "expresses that which cannot be put into words and that which cannot remain silent…" I needed to have something special to say...

As the end of the year approached, I found myself in that "usual space" of December, where the dark and the cold seemed to mix with my mood, and I recount the days and the moments of passing. There's always reflection on what I've achieved, and of course, I look back at my favourite albums of the year. Somewhere around this time, I arrive at the acceptance of failure, preparing to message the label and withdraw from the project. I think I'm too busy with "all other stuff". Perhaps I'll start over as the new year turns. Perhaps I'll become a bit more organised or not commit myself to the deadlines. In the very last days of the year, I find myself investing time in consoling my friend whose mother has passed away. As always, besides the grief for another, we find ourselves reflecting on our own mortality... and the meaning of it all... As the clock strikes midnight, I am deep asleep. But the morning comes, as it does every morning. And we're at it again, starting fresh and anew. The windows open, and we breathe in and out. Maybe this time, it will be slightly different. Maybe this time we have learned... On the morning of January 1st, I find myself sitting at the piano and playing this simple melody. I hope that you'll hear what I'm saying in music...

Perceptions Vol​​​.​​​5

Morning, January 1st

Mike Lazarev - Morning, January 1st

"Fragments Of Love" is a new EP by Polaroid Notes, which is being released on the occasion of this year's Piano Day on March 28. The five tracks are sketchy, improvised and minimalist in sound, but played with all the love that is in 88 keys.

Tracklist:
1. Fragments Of Love / 2. Castles In The Air / 3. Beside You / 4. Rusted / 5. A Momentary Lapse Of Peace

Recorded im March 2024
Written and produced by Polaroid Notes

Download @ https://polaroidnotes.bandcamp.com/album/fragments-of-love

Release Date: March 28, 2024
Büro für Erdrotation Spin 038

Bandcamp

Polaroid Notes - Fragments Of Love EP (Piano Day 2024)

Just some more Electro aka Elektro... :)
Probably you've already noticed that the open hat seems to be a little glitchy on SC.

Event Horizon

"Music For Modular Synthesizers" is a collection of generative performances by sound artist Tony James Morton from the UK. The work explores probably with human control. Constructed over a period of six months, each piece was created in a single sitting and deconstruction afterwards. Due to this, and the probabilistic nature, these works will never be recreated.

Tracklist:
1. Swell / 2. Points / 3. Windows / 4. Bloom / 5. Folds

Tony James Morton is a musician, composer and sound artist whose work focuses on real-time systems aesthetics. These systems created have rules and structures, but within the confines of these boundaries there is enough room for improvisation, chance and probability. This allows for a different interpretation each time, creating unique experiences of sound.

​​”As an artist I am fascinated in how we interface and improvise with sound. It’s in this case that I enjoy creating my own unique interfaces (or instruments) using both hardware and software. My work focuses on creating, what I like to call, audio/visual systems. These systems have rules, but within those created boundaries is enough room for users to improvise and move around the program how they feel. I like the idea of a piece of work never being interpreted the exact same way twice and these systems allow me this freedom to do so.”

His work has been displayed and performed at; OXO Tower Bargehouse (London, UK), IKLECTIK (London, UK), BEAST FEaST (Birmingham, UK) and Studio 47 (Amsterdam, Netherlands). He is a featured composer on the Steam Greenlight computer game “Exception,” and is credited for soundtrack mixing in the independent short film “The King,” by Frederic Casella.

Download @ https://droneworksinternational.bandcamp.com/album/tony-james-morton-music-for-modular-synthesizers

Release Date: 21st Nov 2020
Drone Works International DWI 28

Tony James Morton - Snippets of Music For Modular Synthesizers (DWI 28)

Drone Works International

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