https://www.youtube.com/watch?v=h_AqBERL1jo&t=36s

向かい風吹くたび

夢現を通り越して

made in one day?? sleepy princess opening!

sleepy princess sleepover

special thanks：queue
https://x.com/queue_oO

崇拝

(reupload bc the older one had mixing issues + a really stupid mistake)

HEYYYYyyy another one, i have no idea how am i going to 1-up this next time, im scared :D

like last time, main sample is a MIDI sample from Kagi, modified a little bit (the lead is made from scratch tho!!!!)
twitter.com/KagiMusic/status/1849957661703537118

gaymer girls

princessfeeling

practice250510

[2]:_planet's fine, we're not

Worlds hidden behind doors of possession and dominance

Doors to heaven, doors to the underworld

@bynightingale
www.instagram.com/bynightingale

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

[2]:_planet's fine, we're not

droplot