Artist and composer, Valérie Vivancos aka Ocean Viva Silver sailed the Anglo-Saxon artistic and musical undercurrents (Liverpool, Manchester, London, San Francisco, NYC) for 11 years before settling in Paris. Her artistic practice revolves around composition, performance scores, situations and writing protocols that interweave life and fiction and trigger 'curious' experiences. She studied Fine Arts in London and San Francisco (Chelsea, SFAI), English and Sociology in Paris (Sorbonne) and was taught sound arts and electroacoustic composition by Hayley Newman, Laétitia Sonami, Christian Zanesi and Robert Hampson.

She is co-founder of projects focused on experimental music/sound and art including the duo OttoannA and the Double Entendre editions (With Rodolphe Alexis) and often collaborates with other artists (Limpe Fuchs, Jos Smolders, Carl Stone...). Based in Paris since 2002, she has been working with the GRM, Collectif MU, Fair_Play network and other sonic research organisations. She also writes and translates literary and theoretical texts (Pompidou Centre, Editions Mego, Ina-GRM, Robot Records, MU asso, Shelter Press ) and poetry.

She has run sound/art workshops in Brazil, invited people to sleep in an underground bunker in Denmark, performed spatialised music in a Planetarium, on a boat sailing the Danube, Improvised a performance with sounding objects in Hong Kong, created sounds for answering machines or cctvs, been commissioned for electroacoustic and radio art pieces.

Her work has been featured in international art centers (Palais de Tokyo, Gaîté Lyrique, Leroy Neiman Gallery, Overgaden gallery, ICA, Mudam, Parque das Ruinas, Black Box Theater HK, Musée Réatu...) ; music venues and festivals (Présences Électronique, Présences, Poitiers Planétarium, Futura, The Dark Outside, Nuit Blanche, Sonic Dreams, JRM...) as well as radios (France Culture, France Musique, Rte Lyric, Phaune, Radia Network, Kunstradio, Resonnance FM, Jet FM, Panik, RTBF, Tesla FM, TTnode...). She has received institutional awards, residencies and commissions (GRM, Radio France, France Musique, France Culture, Scam, Gulliver, RTBF, EMS).
https://database.shareimpro.eu/en/person/valerie-vivancos

The following audio recording is a collection of artifacts discovered by the Institute of Archaeology and Sound Studies in various villages of Belarus. These recordings are primarily fragments and snippets of musical compositions, little is known about them, with the exception of approximate time of their creation, which ranges from the 1930s to the mid-1970s. This opens the possibility for further research, exploration, and speculation. The nature of the authorship of this music remains unclear, it could be attributed to both rural inhabitants and semi-mythical entities inhabiting the natural environments around villages, acting as a link between humans, nature, and the past.

Гэты аўдыёзапіс з'яўляецца калекцыяй аўдыё артэфактаў знойдзеных Інстытутам Архналогіі і Штудыі Гуку ў розных вёсках Беларусі, гэтыя запісы ў асноўным толькі аскепкі і абрыўкі музычных кампазіцый пра якія мала што вядома, за выключэннем прыкладнага часу іх стварэння ад 1930х да сярэдзіны 1970х годоў. Гэтае тым не менш адкрывае магчымасць для далейшых даследаванняў, пошукаў і спекуляцый. Таксама застаецца не зусім яснай прырода аўтараў дадзенай музыкі, гэта могуць быць як вясковыя жыхары так і паўміфічныя істоты, якія насяляюць прыродныя асяроддзі вакол весак і з'яўляюцца звяном паміж чалавекам, прыродай і мінулым.

Shanyio explores the use of prepared traditional instruments, everyday objects and electronic sounds.

Q-O2 is a Brussels based workspace for experimental contemporary music and sound art. Q-O2 develops projects in collaboration with national and international artists and arts organizations, hosts artists in-residence, and holds performances and concerts. 
http://www.q-o2.be

Marco Yanes is a boundary-pushing artist who blends techno and organic minimal elements, crafting diverse soundscapes that transport listeners to new dimensions. With his music delving deep into emotions, Marco immerses both himself and his audience in a universe of sonic experiences.

Since 2017, Marco has emerged as a prominent figure in the Vietnamese music scene, evolving his unique sound to incorporate more techno elements and gaining recognition for his deep and emotional sets.

As the founder of HUM (Hanoi Underground Movement) and HUM Studios, Marco Yanes is passionately dedicated to cultivating the underground music scene in Vietnam and throughout Asia.

Electronic Musician, Percussionist, Guitarist and Composer. Modular Synth Enthusiast
http://rupertlally.bandcamp.com 
http://www.rupertandespen.com

HUM / Community Based in Hanoi, Vietnam, Since 2018.

https://hanoiundergroundmovement.com/
info@hanoiundergroundmovement.com

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

Dror Elimelech is following