12-26-24 Neue

Tenative Uprising

Base

Cast of characters:

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums, acoustic guitar, song and vocal melody composition

Joseph Shenton -- @joseph-shenton -- lyrics

Gaz Brownie — @user-755327533 — Gaz — vocals, vocal harmonies, and lyrics

one man verity show – @one-man-verity-show – Scotty – electric guitar intro

TexMex Shaman–@texmex-shaman –Stephen– Les Paul Custom electric guitar, mix, pro
duction, and mastering

Llanpsych–@llanpsych –Tez– Epiphone Les Paul electric guitar

Tea R. Sea @tea_are_sea -- Terry – low synthesizer

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Fender Precision bass and high synthesizer


This song began a few months ago as an idea Ken had to make the quintessential Gen X song. He structured the chords, beat to appeal to anyone of a certain age group, of which most of the folks in the band are a part. He even played wrote it on his acoustic guitar and came up with the vocal melody, which Gaz put a shine on for the final version. Once he had the form of the song down, he tapped the incredibly talented Joseph Shenton to write the lyrics. Gaz not only superbly sung four part harmonies for this, but the came up with the lyrics for the break parts, too. 

  When he first envisioned it, Ken thought it would be fun to invite as many musicians as we could onto it. However, for whatever reason, it stalled out and sat untouched for a couple months, with just Stephen's foundational guitar, Scotty's thrilling guitar intro, Terry's lush, low end synth, and Josh's bass to hold it down. Then, Ken had the great idea to invite Gaz to sing it for us. His awesome vocal track inspired us to heat up the kiln again, and put some real effort into bringing it to life. On that note, Josh redid his bass part to match Ken's rocking drums, as well as added the high, melodic synth you hear throughout. Tez came in last with the fiery guitar fills and solo, which you can hear throughout, as well. 

  Once it was all in the bag, we tapped Stephen to produce and mix it, which he did in his always pro manner. 

  This is the first collab Eclectic Collective has done with Gaz, but we all hope it won't be the last. He is one of the finest singers on the Cloud, and we're honored that he would sprinkle his magic on this song with us. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by Joseph Stenton:
Where were you on those days gone by
Were you out by the tracks where the lone train whistle cries
Or kicking up rocks on those dusty roads of dirt
Or skating on streets paved with gold
Or wrestling upon the grass beneath endless sky

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
Were you tugging at the stars too
In an attempt to release their light
Bonded by hours
To a brotherhood we believed would never die

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
From within this dull petrification of time
Comes a crystalline memory
Of those long lost moments, now born free 
Of come what might, come what might be

On days gone bye
On days gone by
To be back there again
For all its lows and for all its highs 

Where were you on those days gone by
With a tape in the walkman
Playing the soundtrack of passing time
To these moments of our lives
That once burned bright but never died

On days gone bye
On days gone by
To be back there again
For all its lows and for all its high

Generation X - Gaz Brownie/Tea R Sea/Joseph Shenton/One Man Verity Show/Eclectic Collective

NEURAL  NETWORK  1  -   2025

Sausewind means something like singing wind in german

noxpox - Sausewind! ☻

Electroacoustic Music/Musique Concrète, 2025

https://ifarmusiqueconcretecompilation.bandcamp.com/album/conjunctives

I created Hörstück Number 9 in May 2025 especially for the Institute For Alien Research's call for proposals.
The piece uses a wide range of noises and sounds from different contexts. The use of flute melodies creates a musical impression.

The composition was released by the Istitute For Alien Research (ifarlabel) in a compilation entitled Conjunctives on Bandcamp. All fifteen compositions are Musique Concrète works with a duration of 4:33 minutes.

________________________
Hörstück Nummer 9 habe ich im Mai 2025 speziell für die Ausschreibung des "Institute For Alien Research" komponiert.
Das Stück verwendet eine breite Palette von Geräuschen und Klängen aus verschiedenen Kontexten. Durch den Einsatz von Flötenmelodien entsteht ein musikalischer Eindruck.

Die Komposition wurde vom Istitute For Alien Research (ifarlabel) in einer Sammlung mit dem Titel Conjunctives auf Bandcamp veröffentlicht. Alle fünfzehn Kompositionen sind Musique Concrète Werke mit einer Dauer von 4:33 Minuten.


Conjunctives

Hörstück Number 9

Hörstück Number 9

NUN SAGE ICH ES DOCH

sonic structures and silent stretches
https://soundcloud.com/sonic-textures/tracks
sound in ear: well's glycerine, complementing nitro 

Words of Jo Richter
movie in mind: the wages of fear en.wikipedia.org/wiki/The_Wages_of_Fear
conspiracy theory in mind: kincaid and the grand canyon youtu.be/ZCYMAs4cqRU?feature=shared
poem composed: y compactor / copyright jo richter
method: sang, chanted overtone, read and fiddled around with settings in Samplitude
image: H.Skeneby 

clouds disperse
sing crumbling cosmology
canons and canyons
hieroglyph grottoes
american lotos
hyperdispersion invasion
springtime reshoots
the wages, the wages of fear

y compactor

The Inner Light

A track from the draft version of the Raining Spiderling album Hell Canto. The whole work in progress can be heard here: soundcloud.com/nikolaigalen/sets/hell-canto.

The dome

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

NEURAL NETWORK 1 - 2025

Dror Elimelech