HULUBALANG - BUNYI BUNYI TUMBAL

Bernardino Femminielli - La vie, Gigi! Double Single out now on digital via Drowned By Locals and on very limited 7” vinyl via *Duuu éditions
https://drownedbylocals.bandcamp.com/album/la-vie-gigi

الوجه الأول — لا ڤي، جيجي! (٤:٣١)
دون جدوى، يحاول عشيق جينا المجنون حثّها على البغاء في عربدة جماعية. أوه! سي لا ڤي، جيجي!

الوجه الثاني — دي لا بوش اه لا كولاس (٤:٠٥)
رجل أرمل يتذكر زوجته المتوفاة في كَفَنها ويتأمل حياته المُدمّرة

…

Side A  —  La vie, Gigi!  (4:31) 
Gina’s lover / madman tries to unsuccessfully pimp her into an orgy. Ohh! C’est la vie Gigi! 

Side B  —  De la bouche à la culasse  (4:05)
A widower remembers his dead wife in her coffin and reflects on his damaged life.

…

Face A  —  La vie, Gigi!  (4:31) 
L’amant fou de Gina tente sans succès de la vendre dans une orgie. Ohh! C'est la vie Gigi! 

Face B  —  De la bouche à la culasse  (4:05)
Un veuf se souvient de sa femme décédée dans son cercueil et réfléchit à sa vie brisée.

…

Lato A  —  La vie, Gigi!  (4:31) 
L’amante pazzo di Gina cerca senza successo di trascinarla in un’orgia. Ohh! C'est la vie Gigi! 

Lato B  —  De la bouche à la culasse  (4:05)
Un vedovo ricorda la moglie morta nella bara e riflette sulla sua vita danneggiata.

…

Lado A  —  La vie, Gigi!  (4:31) 
El amante loco de Gina intenta, sin éxito, llevarla a una orgía. ¡Oh! ¡C'est la vie Gigi!

Lado B  —  De la bouche à la culasse  (4:05)
Un viudo recuerda a su esposa muerta en su ataúd y reflexiona sobre su vida dañada.

…

credits:
A— La vie, Gigi !

Written, composed and arranged by Bernardino Femminelli and Adrien Belkout
Saxophone: Léon Phal
Drums: Mr. Flash
Mixing: Dominic Vanchesteing
(Studio Panique, Gray Valley)

B— De La bouche à la culasse

Written and composed by Julien Gasc
Arrangements: Adrien Belkout
Words: Bernardino Femminielli
Mixing: Bénédicte Schmitt
(Labomatic Studios, Paris)

Mentions:
Mastering: Jesse Osborne-Lanthier
(Éditions Appærent, Montréal)
Graphics: Thea Govorchin
Photo: No Text Azienda

*Duuu éditions 7” vinyl
Co-production: *Duuu — Bunni Europe — Corps Double
editions.duuuradio.fr/La-vie-Gigi

Thanks to Artem Mashutin, *Duuu, Dominic and Jesse.

Link to the clip La vie, Gigi !
www.youtube.com/watch?v=wFiTkXwis0c

DBL23DL

Bernardino Femminielli - La vie, Gigi!

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.
 
In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.
 
The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…
 
Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.
 
The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds will go to Gaza (UNRWA)

releases April 4, 2024

Produced by Saint Abdullah & Eomac
Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth
Mastered by Rashad Becker
Art by Ian Bruner

DBL24DL

Saint Abdullah & Eomac - Light meteors crashing around you will not confuse you

CHEB TERRO VS DJ DIE SOON

CHEB TERRO VS DJ DIE SOON - NIKA7

CHEB TERRO VS DJ DIE SOON - KALB 3ARBI VS CARNAL

CHEB TERRO VS DJ DIE SOON - WE DESTROY THE FAMILY

CHEB TERRO VS DJ DIE SOON - PINE

Drowned By Locals proudly presents CHEB TERRO VS DJ DIE SOON; a work that was finished one day before Terro’s tragic passing.

"سلام مالعالم الثالث"
- شب تيرو من تراك أبطال الديجيتال 

“Greetings from the third world”
- Cheb Terro from ABTAL AL DIGITAL (new single streaming now)

In commemoration of the too-soon departed Rayen Hermassi, Cheb Terro vs DJ Die Soon is planned to release on March 25th, 2022, the day of Rayen’s passing.

Music and cover art by Daisuke Imamura
Vocals and lyrics by Rayen Hermassi
Mastered by Rashad Becker

Up for pre-order now; Cheb Terro vs DJ Die Soon on limited edition vinyl and digital; UNDERPLANET tees featuring the cover art design, and a bundle of both!

https://drownedbylocals.bandcamp.com/album/cheb-terro-vs-dj-die-soon

CHEB TERRO VS DJ DIE SOON - ABTAL AL DIGITAL

UNDERPLANET (new single streaming now)
https://drownedbylocals.bandcamp.com/track/underplanet

In commemoration of the too-soon departed Rayen Hermassi, Cheb Terro vs DJ Die Soon is planned to release on March 25th, 2022, the day of Rayen’s passing.

Music and cover art by Daisuke Imamura
Vocals and lyrics by Rayen Hermassi
Mastered by Rashad Becker

Video Premiere
https://youtu.be/9ARPXJL5Jv4
Video by Utku Önal
Typography by Bora Baskan

Up for pre-order now; Cheb Terro vs DJ Die Soon on limited edition vinyl and digital; UNDERPLANET tees featuring the cover art design, and a bundle of both.
https://drownedbylocals.bandcamp.com/

CHEB TERRO VS DJ DIE SOON - UNDERPLANET

Rai Futura is a two track collaboration featuring Terro’s unapologetically menacing narratives against Taymour’s phonk raï instrumentals, completed two weeks before Terro passed away in 2021. Rai Futura 2000 and Taj Mar7abé were the first tracks to be recorded as part of a longer EP originally meant for release in the summer of 2021.

A Drowned By Locals Release
in collaboration with BLTNM

All proceeds from this release will go to Rayen Hermassi’s family
credits
released September 2, 2022

Vocals and lyrics by Rayen Hermassi
Produced by Taymour
Mastered by Heba Kadry
Artwork by Kareem Lotfy

DBL11DL

Cheb Terro & Taymour - Taj Mar7abé

Cheb Terro & Taymour - Rai Futura 2000

By melting about 500 cuts from TV and radio archives, found footage, commercials, forgotten songs, movies, pop trends, internet culture, and other sources of sound that whisper or shout in listeners’ ears, “Melting” engages with the romanticized consumerist vision of the past as portrayed by big corporations, capitalist entities, and authoritarian regimes.

Melting was submitted as part of Rami Abadir's master’s thesis in “Digital Media” at the University of Arts Bremen. For more info check the website designed by Iulia Radu: abadir-melting.netlify.app/

ABADIR (Rami Abadir) is a music producer, sound designer, DJ and music critic born in Cairo, Egypt and based in Berlin, Germany.

Produced by Rami Abadir
Mastered by Rashad Becker
Artwork by Don Elektro

Special thanks to Amira Elmasry

Drowned By Locals 2023
DBL17CT

MELTING

ABADIR - sideA

In 2022 during the great plaque, work began compiling ‘Weld’ a 17 track chef-d'œuvre featuring 16 brand new MC and collaborators, a worldwide vocalist arsenal celebrating Kinlaw’s scope as a producer and a bedrock for multilingual messaging.

“Global noise-rap punktronics from a global guest cast of MCs and vocalists from Bristol to Togo, Uganda to Palestine - steeped in the mystery and folklore of a small town in Dorset, England. Weld is the defining statement of the Kinlaw universe“

Weld was assembled with 30 dubs, chats at the pub and a few emails. Some artist like Operation Egodeath, Robin Stewart (of Giant Swan infame), Dali de Saint Paul, Kelan, D Ham are confirmed members of the shadowy Avon Terror Corps shadowy, Ceramics alumni or Bristol underground friends like Birthmark or Danny Nedelko (of Heavy Lungs / IDLES infamy). At its core Weld is a celebration of this strong local scene - in Kinlaw’s world, local is global - through internet or psychic projection, we are all one. The link-up with Jordan’s premiere avant garde outlet Drowned By Locals is an important expression of this no-borders attitude - with them providing a jumping point to a wealth of vocal talent from the Middle East and beyond. 

Opening with Abdel Ja7eem Hafeth wrenching cover of Johnny Thunders -Society Makes me sad, sung in arabic. After the dust settles, things begin as they intend to go on with the belter Zazuka featuring Ugandan MC, Activist and Nyege Nyege hero Ecko Bazz. Effected Signaller features Togolese No Corner / Rwdfwd vocalist Yao Bobby. In the second part of WELD, Tunisian Toxic Club soldiers Flow Tha Key and Dryveins bring their respective mellow and doom performances in Kinchasa and Too Many Signals; followed later by Palestinian MC MrF13’s Strategically Demorphed, staving off total collapse in an isolated vault which is falling apart; a Sisyphean journey to madness. In ملوك الشغب , Kafr El Dauwar singer, composer and songwriter Ibrahim X brings the mixtape’s energy to an unexpected turn with his famous full blown Egyptian wedding aesthetics, only to be grounded towards the end by Elvin Brandhi’s Speech Plasticity.

Accompanying the album are a collection of cards, the origins, motive & gameplay is still unknown. Story has it they were originally discovered in the flooded basement of Castlemeadesque, Barclays House in Poole, Dorset. Described by one google user as “Mirroring Corfe Castle in Modern Brutalist style.” and also home to peregrine falcons.  The offices were abandoned two years ago, and the cards, in 3 sets of five, were recovered by one of the bank employees. Masterley restored for Weld by Winchester Picture Corps.

WELD

Kinlaw - Too Many Signals ft Dryveins

Kinlaw - Earthwork ft Robin Stewart

BUNYI BUNYI TUMBAL

HULUBALANG - Cerca

Kasimyn's solo album under his new project HULUBALANG - BUNYI BUNYI TUMBAL—Up for pre-order now on digital and 12” vinyl, releasing June 26, 2023

Browsing the Indonesian war archives from various sources for years, which marked the commencement of the project, HULUBALANG’s BUNYI BUNYI TUMBAL is a personal ‘letting go’ of a long lineage of anger; a tribute to some small village whose ritualistic dance one night was disrupted by external forces, causing the tune to become broken; a dance that was dragged out, wonky between innocence and pain.

Aditya Surya Taruna (aka Kasimyn) is one half of the Indonesian electronic duo Gabbar Modus Operandi known for their acclaimed records PUXXXIMAXXX and HOXXXYA (out via Yes No Wave and SVBKVLT, respectively) and overwhelming live experiences. In 2022, Kasimyn contributed with beats on Björk's latest album, Fossora. After joining Björk on her Cornucopia tour in Japan last week, Kasimyn is announcing his solo album on Drowned by Locals under his new project HULUBALANG.

HULUBALANG - Sayat

HULUBALANG - Piso

HULUBALANG - Malasa

HULUBALANG - Kemaut

Alive in the living room - على قيد الحياة في غرفة القعدة a 27-min sound mass on CD and handwritten hymnbook by Richie Culver.
 
https://drownedbylocals.bandcamp.com/album/alive-in-the-living-room

"With Alive in the living room I wanted to present a sonic landscape that unfolds into three parts that make up aspects of sleep paralysis,
Something I have lived with all of my adult life.
Instead of fighting against it.
Fall deeper into it.
I could never speak or shout for help in moments of paralysis during sleep so I decided to put no vocals onto this body of work.
Letting the improvised music dictate the space that would be the bleak terrain of dead dreams.
After making the music I decided to write a short poem to describe what sleep paralysis is to me.
Pulling off my fingernails, being ridiculed and scabs that won’t heal are a common thread into where my subconscious takes me in my moments of dead sleep.
Facing my obscure fears head-on and waking up to a nothingness that is the sofa in my mother’s living room.
Questioning what just happened?
Who am I?
What am I?"
—Richie Culver
 
"Though the actual act of art-making is not torturous or tedious for Culver, the everyday can be. Life is for agonizing; art is the instantaneous expulsion of the thoughts and urges that emerge from it.
 
Alive in the Living Room is exemplary of that ethos. The Hull-born, mostly London-based artist created the 27-minute “sound mass” in one take, but it was born from a whole adulthood of suffering from sleep paralysis. The piece is a near-immediate response to Culver asking himself, What if I just succumbed to it?”
—Megan Hullander, Document Journal
 
"While this extended soundscape doesn’t feature vocals, it is accompanied by a handwritten hymn book, where close-up photographs of possibly tortured fingernails are accompanied by phrases in both English and Arabic. “Am I really this selfish”, asks Culver, opening a line of self-interrogation and cryptic disaffection which continues throughout its beautiful black and white pages.”
—Spenser Tomson, The Wire
 
Printed and bound in Jordan
Produced by Richie Culver
Mastered by @rashadbecker
 
Special thanks to:
Maan Abu Taleb
Hamada Shahrour
Sawsan Assaf
Yazan El Zubi

Alive in the living room -  على قيد الحياة في غرفة القعدة

Richie Culver - Alive in the living room - على قيد الحياة في غرفة القعدة

https://drownedbylocals.bandcamp.com/album/alive-in-the-living-room-the-remixes

"Alive In The Living Room - The Remixes" constitutes the second phase of the release "Alive in the Living Room - على قيد الحياة في غرفة القعدة" by Richie Culver. In contrast to the original piece, where vocals were intentionally absent, simulating a state of sleep paralysis, and the lyrics confined solely to the written page, they find their voice in this rendition. Additionally, the sound mass comes to life in two distinct remixes crafted by Pessimist and bod [包家巷].

Pessimist, hailing from Bristol, is a prominent artist known for one of the most recognisable sounds in electronic music. Drawing inspiration from the darker side of sound, Pessimist' body-numbing rhythm and wicked percussion are underpinned with a physical and cerebral swing. Pessimist's self-titled debut album on Blackest Ever Black showcased his non-conformist vision, earning acclaim and essentially creating a new genre of d’n’b situated within this noir.

bod [包家巷] is an audiovisual artist from Tucson that is currently based in Berlin. Their work has detailed habitation against annihilating solipsism in search of emotional connections beyond discourses of trauma/memory. Their current, self-released works face the same topics and challenges via the maintenance and critical evaluation of self in an ever more individualistic and atomized environment.

Alive in the living room (bod [包家巷] Remix)

DJ Gawad, the self-proclaimed “best producer in the Middle East”, is anonymous for reasons of honor and religion. Leading up to his debut album ‘DJ GAWAD Presents: Volume 1’ on Drowned By Locals, DJG selects verbally dexterous Jordanian rapper Shbash as a collaborator for his first single KOMSTER. Reporting on hide-and-seek street-life narratives, KOMSTER is now up on Bandcamp and streaming on all platforms—https://drownedbylocals.bandcamp.com/track/komster

SHBASH is a Palestinian-Jordanian rapper, producer and committed nightcrawler of the city of Amman, from which he draws inspiration, crafting a signature rap style as a hyperbolic form of social commentary.

Produced by DJ Gawad
Vocals and Lyrics by Shbash
Mastered by Rupert Clervaux
Artwork by 67pcg

DBL22DL
released September 29, 2023

KOMSTER

DJ GAWAD & SHBASH - KOMSTER

Bernardino Femminielli - La vie, Gigi! Double Single out now on digital via Drowned By Locals and on very limited 7” vinyl via *Duuu éditions
drownedbylocals.bandcamp.com/album/la-vie-gigi

الوجه الأول — لا ڤي، جيجي! (٤:٣١)
دون جدوى، يحاول عشيق جينا المجنون حثّها على البغاء في عربدة جماعية. أوه! سي لا ڤي، جيجي!

الوجه الثاني — دي لا بوش اه لا كولاس (٤:٠٥)
رجل أرمل يتذكر زوجته المتوفاة في كَفَنها ويتأمل حياته المُدمّرة

…

Side A  —  La vie, Gigi!  (4:31) 
Gina’s lover / madman tries to unsuccessfully pimp her into an orgy. Ohh! C’est la vie Gigi!

Side B  —  De la bouche à la culasse  (4:05)
A widower remembers his dead wife in her coffin and reflects on his damaged life.

…

Face A  —  La vie, Gigi!  (4:31) 
L’amant fou de Gina tente sans succès de la vendre dans une orgie. Ohh! C'est la vie Gigi!

Face B  —  De la bouche à la culasse  (4:05)
Un veuf se souvient de sa femme décédée dans son cercueil et réfléchit à sa vie brisée.

…

Lato A  —  La vie, Gigi!  (4:31) 
L’amante pazzo di Gina cerca senza successo di trascinarla in un’orgia. Ohh! C'est la vie Gigi!

Lato B  —  De la bouche à la culasse  (4:05)
Un vedovo ricorda la moglie morta nella bara e riflette sulla sua vita danneggiata.

…

Lado A  —  La vie, Gigi!  (4:31) 
El amante loco de Gina intenta, sin éxito, llevarla a una orgía. ¡Oh! ¡C'est la vie Gigi!

Lado B  —  De la bouche à la culasse  (4:05)
Un viudo recuerda a su esposa muerta en su ataúd y reflexiona sobre su vida dañada.

…

credits:
A— La vie, Gigi !

Written, composed and arranged by Bernardino Femminelli and Adrien Belkout
Saxophone: Léon Phal
Drums: Mr. Flash
Mixing: Dominic Vanchesteing
(Studio Panique, Gray Valley)

B— De La bouche à la culasse

Written and composed by Julien Gasc
Arrangements: Adrien Belkout
Words: Bernardino Femminielli
Mixing: Bénédicte Schmitt
(Labomatic Studios, Paris)

Mentions:
Mastering: Jesse Osborne-Lanthier
(Éditions Appærent, Montréal)
Graphics: Thea Govorchin
Photo: No Text Azienda

*Duuu éditions 7” vinyl
Co-production: *Duuu — Bunni Europe — Corps Double
editions.duuuradio.fr/La-vie-Gigi

Thanks to Artem Mashutin, *Duuu, Dominic and Jesse.

Link to the clip La vie, Gigi !
www.youtube.com/watch?v=wFiTkXwis0c

DBL23DL

Released by:
Drowned By Locals
Single release date:
6 October 2023

De la bouche à la culasse

La vie, Gigi!

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds UNRWA

Produced by Saint Abdullah & Eomac Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth Mastered by Rashad Becker Art by Ian Bruner

DBL24DL

Light meteors crashing around you will not confuse you

Saint Abdullah & Eomac - Death keeps the candle lit feat. Cinna Peyghamy

Saint Abdullah & Eomac - Jealous of your defense industry

Saint Abdullah & Eomac - What kind of neighbor are you

Saint Abdullah & Eomac - Bespoke torture

Saint Abdullah & Eomac - Rocknrallah feat. Abdel Ja7eem Hafeth

Saint Abdullah & Eomac - The people who initiate a new world

Saint Abdullah & Eomac - Cement skin

Saint Abdullah & Eomac - End of life smugness of the martyr

Saint Abdullah & Eomac - Bitch, I am Islam feat. Aria Rostami

Saint Abdullah & Eomac - Overexposure will kill a pornstar

Saint Abdullah & Eomac - Old enough to log in

Saint Abdullah & Eomac - Good morning machete feat. Cinna Peyghamy

Shame rock and lounge punk, dedicated to the joint birthdays of the butterfly woman and the human oyster @mmaayyss and @laith-is

Production Mashhour Shuqairat
Vocals Baritone Hussein
Words Kamel El Shinnawi
Whores of Babel are Miles Opland and Laith Demashqieh.
DBL∂DL

All proceeds will go to the Prince Ali Club for the Deaf and Mute in memory of Farid Al-Atrash.

It's my birthday and I'll die if I want to

Whores of Babel - It's my birthday and I'll die if I want to feat. Baritone Hussein

Tar is a new collaborative project between artist @bloodofaza from London, UK, and @falseprpht from Virginia, US. Tar's one goal is: create good music. The sounds are there, the words are "clear". It is what it is.

This debut EP is just the beginning of a trilogy, featuring contributions from @28082 @ghoztmakesmuzik @alparrmusic @ashrardj Shitney Queers, and Bug.

__ __

Blood of Aza is a Surrey-based artist, producer and DJ. Her sound ranges from soothing MIDI lullaby magic and speaker-blowing club edits, to hell-raising ambient soundscapes.

Warren Jones, also known as False Prpht, is a multimedia, international artist, one half of Prison Religion and founder of the Black Ether collective.

__ __

Production: Blood of Aza
Co-production: S280F
Lyrics & vocals: False Prpht
Remixes: Alparr, Ghozt, Ashrar
Featured Artists: S280F, Bug, Shitney Queers
Mixing & Mastering: Reba Fey @swanmeat
Artwork: False Prpht

TAR - Song 3 (ft S280F)

الصَوْت الخام غَيْر المُعالج للبَرَابِرَة قُطّاع الطُرُق والمُهَمَّشين والمُتَشَرِّدين والهَمَج، إلّا أن قُلُوبُهُم رَقِيقَة

𝙑𝙤𝙞𝙘𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙢𝙖𝙧𝙜𝙞𝙣𝙖𝙡𝙞𝙯𝙚𝙙 𝙗𝙧𝙪𝙩𝙚𝙨, 𝙢𝙞𝙨𝙛𝙞𝙩𝙨, 𝙨𝙖𝙫𝙖𝙜𝙚𝙨, 𝙗𝙪𝙩 𝙩𝙝𝙚 𝙙𝙚𝙡𝙞𝙘𝙖𝙩𝙚 𝙖𝙩 𝙝𝙚𝙖𝙧𝙩

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