BUNYI BUNYI TUMBAL

HULUBALANG - Piso

𝐵𝒮𝐿𝒫𝟢𝟢𝟨 / 𝒞𝑀𝑅𝟢𝟢𝟨 - 𝒥𝒮 𝒟𝑜𝓃𝓃𝓎 - 𝐵𝓃𝒩 [𝒞𝒽𝓇ü𝓈𝒾𝓂ü𝓈𝒾 𝑅𝑒𝒸𝑜𝓇𝒹𝓈 𝓍 𝐵𝒶𝓂𝒷𝑜𝑜 𝒮𝒽𝑜𝓌𝓈]

Order Vinyl / Download digits:
◈ https://bambooshows.bandcamp.com/album/bnn
◈ https://chruesimuesi-records.bandcamp.com/album/bnn

As dawn breaks, amidst the lingering echoes of dreams and nightmares, which one remains etched in the depths of your mind? Caught in-between, Marseille-based project JS Donny delves into this hazy realm of recollection through their upcoming 10” vinyl single, ‘BnN’, set for release early 2024 via Bamboo Shows and Chrüsimüsi Records.
From the two-tracker exudes a fragile yet tense atmosphere, courtesy of JS Donny's unique presence, haunting vocals - soaring from restorative whispers to anguished screams – and raw energy electric guitar riffs. Further enhanced by the talents of Sarah-Louise Barbett (Drums), Jano aka Janomax (samples, keyboards) and Nadja Meier (bass), the recording seamlessly interweaves elements of slow-rock, shoegaze-folk, and soft-metal, all infused with progressive influences. A masterfully-performed balancing act between the ‘Busin***’ bittersweet ballad, and the ‘Never Forget U’ insurrectional outlet.
 
Forget and dream with the fluttering of the butterfly, available on digital platforms starting Dec. 11 and on a 10” clear-vinyl late February 2024!

Order Vinyl / Download digits:
◈ https://bambooshows.bandcamp.com/album/bnn
◈ https://chruesimuesi-records.bandcamp.com/album/bnn

Credits:
Music, guitar, vocals: JS Donny
Drums: Sarah-Louise Barbett
Bass: Nadja Meier
Synth, Samples: Jano aka Janomax
Graphic design: Nadja Meier
Engineering: Anotine Nouel
Recorded in 2023 at Sound Love Studio, Grrrnd Zero

Co-released on Chrüsimüsi Records [CMR006] and Bamboo Shows [BSLP006].

Busin***

Order Vinyl / Download

JS Donny - 01. Busin*** [BSLP006 / CMR006]

@SaintAbdullah & @Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

—Rayya Badran

All proceeds UNRWA

Produced by Saint Abdullah & Eomac Featured Artists: Cinna Peyghamy, Aria Rostami, Abdel Ja7eem Hafeth Mastered by Rashad Becker Art by Ian Bruner

DBL24DL

Light meteors crashing around you will not confuse you

Saint Abdullah & Eomac - The people who initiate a new world

available on computers 'its warmth splits the atmosphere to warm my frozen kin'

Billy Bultheel - The Arcades Project (Snow Cycle)
Label: PAN
Cat.No.: PAN 138S1
Release Date: 09 February 2024
Purchase: pan.lnk.to/TheArcadesProject

Billy Bultheel shares 'The Arcades Project (Snow Cycle)', the first single from the upcoming full-length album 'Two Cycles' out via PAN on March 8th.

Written for Trackers by Billy Bulheel / IXVEUTAI by Sophocles, directed by M. Marmarinos at the Ancient Amphitheater of Epidaurus, 2021

Played by Spyros Vergis and Menelaos Moraitis
Recorded by Ilias R. Flammos at Antart Studios, Athens, 2022

Mixed by James Ginzburg
Mastered by Enyang Urbicks

Billy Bultheel - The Arcades Project (Snow Cycle) (PAN138S1)

From 'Why do people vomit?', out February 23rd on TT.

For to purchase: https://eye-measure.bandcamp.com/album/why-do-people-vomit

@eyemeasure 🤢
@rian-treanor 🤮
@tobago-tracks 🤑

To stunt perchance to go off or maybe to run it up and possibly go ham on business. To do that and feel perfectly, to enter a state of unimpeached resolution. To listen to Rian Treanor's remix of eye measure's 'Why Do People Vomit', to like and share and engage by every possible means. To do it now.

Why Do People Vomit

For to purchase

eye measure - Why do people vomit? (Rian Treanor Remix) [MK PREMIERE]

A selection of chill track in order to watch armageddon chill mode

DJ Koze - Hummell
Voice Actor - Minefields
Little Dragon - Crystalfilm
Teresa_Winter - Love_Crime
Hoodie & James K - Scorpio
Sunlounger feat. Zara  -  Lost (Chill Out Mix)
Superpitcher - Tomorrow Kompakt 
Unkle - Bloodstain
Team Sleep - King Diamond
Blawan - You Can Build Me (feat Monstera Black)
Art Of Trance - Madagascar (Push Remix)
Gohda -  Ppess rxk love jawn (demo)
Betty Hammerschlag - 06
Charli XCX. Stay Away (SALEM's Angel Remix)
Anima - No Air

SOUFFRANCE FM #53 : HAJJ (UN PEU D’ESPOIR MAIS PAS TROP QUAND MÊME MIXTAPE)

Taken from paris paris, texas texas by @moreeaze, pardo & @glassglassmusic, out March 29, 2024, via @ooh-sounds.

Pre-order: https://bitly.ws/3gIwe
Read: https://bitly.ws/3gJ94

OOH-sounds family members more eaze, pardo & glass join forces on a celestial album linking ambient neo-folk, fractured electronics and romantic escapism.

Referencing to Wim Wenders' 1984 road-movie drama masterpiece, ‘paris paris, texas texas’ is a strikingly cinematic tapestry of americana, resampled guitars, glistening electronics, subtle field recordings and processed vocals.

The beginnings of this project date back to the summer of 2022 when pardo and glass started recording some improvisations in a small studio with the aim of making an experimental guitar record. Over time, the drafts developed into mesmerizing slabs of guitar textures, simultaneously immense and intimate. No material was better suited for more eaze to add to the recordings her transversal and sensitive approach, linking the past and the present.

Ranging from gentle ambient folk to winding pedal steel passages, from twinkling electronics to distorted drones, ‘paris paris, texas texas’ is an album that’s not just “atmospheric”, it conjures its own unique atmosphere from thin air. Like a snake shedding its skin, the record slowly mutates from track to track - an epiphany, a transformation, a tangible and perceptible moment. Despite its distant trans- Atlantic origins, it evokes a warmth and intimacy that is hard to deny, an emotion that has perhaps been held back for too long. A landmark release in OOH’s catalogue, capturing the magic of its curation and sensibility in one sublime record.

Artwork by incepBOY
https://www.instagram.com/incepboy/

Mastered by Giuseppe Ielasi

Released by OOH-sounds

paris paris, texas texas

Premiere: more eaze, pardo & glass - le grand souffle céleste [OOH-sounds]

Taken from @saintabdullah & @eomac new album Light meteors crashing around you will not confuse you, out April 4, 2024, via @drownedbylocals.

Pre-order: https://bitly.ws/3gRRt
Read: https://bitly.ws/3gWcv

Saint Abdullah & Eomac rekindle their longstanding collaboration in this fiery new release sourced from the multiple cultural references and personal stories of its producers.

In their third installment entitled “Light meteors crashing around you will not confuse you”, the New York-based Iranian-Canadian siblings Mohammad and Mehdi Mehrabani-Yeganeh aka Saint Abdullah & Wicklow-based Irish producer Ian McDonnell aka Eomac continue their exploration of sounds and rhythms through an expansive use of sampling and heavy distorted beats. Passionately curious about diverse vocal and musical cultures as well as their own, the trio began their long-distance collaboration in 2019, releasing their first two albums, “Patience of a Traitor ” (Other People) and “Chasing Stateless” (Planet Mu) in 2022 and 2023 respectively.

The trio recorded the album as the world witnessed the genocide on Gaza, Mohammad notes that all tracks were “recorded within a few weeks in October after the war broke out as we tried to keep our heads above water.” The sound of Saint Abdullah is characterized by a keen interest to challenge cultural perceptions and expectations of diasporic narratives, by foregrounding sounds, field recordings, and sacred and profane music from the multiple worlds they belong to. They pay homage to the distinct influences, however sonically and culturally disparate, that have permeated their records and musical process so far. Together with Eomac, they continue a conversation shaped by their ever-growing sonic heritage and shared musical affinities. The inclusion of field recordings for example, often personal ones, are not ornamental but are integral parts of the whole album in which vocal samples are both used in moments of release or through thrusts of heavy beats, continually mirroring a state of unease.…

Reflecting on the recording process, Eomac notes that: “There is a strong influence and inspiration from hip-hop culture here. The beat-tape in particular. It’s rough, raw; rhythms are direct and not overthought. The beats are heavy and distorted for the most part, often shifting and changing throughout a single track. This brings an intentional “ungroundedness” to the record and a sense of tension.” Echoing this state of unsteadiness, Mohammad writes in a poem during the recording: “Those in the diaspora, are those that have left their home, by force, by will, somewhere in between. Are we the connective tissue that makes things more interesting?” Tracks like 'Bitch, I am Islam’ and ‘Rocknrallah’ relieve some of the sense of disorientation but are no less poignant. In the former, 'Bitch, I am Islam', Mohammad uses old personal recordings of his sisters reciting the Quran or repeating Iranian revolutionary chants like “War war, until victory”, an acknowledgment of the worlds they left behind and the ones that need building. In ‘Rocknrallah’ Abdel Ja7eem Hafeth sings a rendition of the 1933 American standard tune ‘Smoke gets in your eyes’ only to evoke the smoke coming out of Gaza.

The record also features fellow Iranian artists in the diaspora, musician and sound artist based in Paris Cinna Peyghamy and club experimentalist Aria Rostami. Ian Bruner, who worked on the album’s artwork, created a composite of the different elements and motifs that form the album, an image of arduous travel towards the mirage of Americana. In this historic period of grief and anger, ‘Light meteors crashing around you will not confuse you’ musically and conceptually engages world systems and beliefs through the experiences and stories of its producers.

Artwork by Ian Bruner

Mastered by Rashad Becker

Released by Drowned By Locals

Premiere: Saint Abdullah & Eomac - Overexposure will kill a pornstar [Drowned By Locals]

Heith - medicine boy
Label: PAN
Cat.No.: PAN 143S
Release Date: 02 April 2024
Purchase: pan.lnk.to/medicineboy

Heith shares ‘medicine boy’, the first single from the upcoming EP ‘The Liars Tell…’ out via PAN on May 10th.

Heith’s debut album X,wheel marked the beginning of a long journey, the start to a tortuous exploration of consciousness and spirit. The Liars Tell…, on the other hand, feels like a kind of respite, a moment of meditation and pause from the fatigue of dimension-hopping. As if the traveller dismounted their carriage and, standing puzzled on a crossroad, listened to the echoes of distant places. Occupying a liminal space and letting thousand of contradictory tales form the lyrics to one unfathomable song.

Written and produced by Heith
Flute by Leonardo Rubboli
Percussions by Jacopo Battaglia
Mixed & mastered at Tapewave Studio

Heith - medicine boy (PAN 143S)

ZULI | "DUALITY" | O Fluxo
https://soundcloud.com/zulimusic

Experience it with the visuals: https://www.ofluxo.net/duality-zuli/

Art by Art Crime
https://www.instagram.com/artcri_me/
https://soundcloud.com/art-crime

Tracklist:
Slipknot - Danger Keep Away
aulic veil - Thyrsus
Orieta Chrem x Selvagia - Pu ete
KAVARI - EvilTool 135BPM
Blood of Aza - AMERICA HAS A PROBLEM RMX
CHOCA - From The South To Everywere
Cocktail Party Effect - The Crow was to fly
Evian Christ - On Embers
Leftlow - Thoughtful
Hoavi - Phase 10
Leibniz - Kasa (Beatless)
bloodworms - FRIENDS
Amnesia Scanner & Freeka Tet - Giggle
When 2 - Gas
Earl Sweatshirt - Fire In The Hole


©O Fluxo, ZULI, Art Crime
2024

ZULI - DUALITY

الصَوْت الخام غَيْر المُعالج للبَرَابِرَة قُطّاع الطُرُق والمُهَمَّشين والمُتَشَرِّدين والهَمَج، إلّا أن قُلُوبُهُم رَقِيقَة

𝙑𝙤𝙞𝙘𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙢𝙖𝙧𝙜𝙞𝙣𝙖𝙡𝙞𝙯𝙚𝙙 𝙗𝙧𝙪𝙩𝙚𝙨, 𝙢𝙞𝙨𝙛𝙞𝙩𝙨, 𝙨𝙖𝙫𝙖𝙜𝙚𝙨, 𝙗𝙪𝙩 𝙩𝙝𝙚 𝙙𝙚𝙡𝙞𝙘𝙖𝙩𝙚 𝙖𝙩 𝙝𝙚𝙖𝙧𝙩

Saint Abdullah & Eomac - The people who initiate a new world

DrownedByLocals

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