Gary Beck - Egoist (Original)

Paul Ritch is back on Drumcode with his astounding new single ‘Brainwash’. Perfectly capturing the energetic, driving techno sound that Paul is capable of, ‘Brainwash’ delivers something that really engrains into the memory and leaves the dancefloor filled with vitality. On the flip side, ‘Inside Me’ is a heavily percussive rolling track that uses interesting synth hooks and stabs to create a rocking groove that creates vigour and depth that Paul’s techno represents.

Paul Ritch - Brainwash - Drumcode - DC130

PURPOSE???

🔥 Out Now 🔥

Pre-release Bandcamp:- techhouseharper.bandcamp.com/album/body-control

Lose yourself in stripped-back grooves, heavy basslines, and hypnotic rhythms. This album brings pure underground energy straight to the dancefloor—raw, dark, and relentless. Perfect for DJs and true house lovers.

Minimal Fever

Roberto Capuano has delivered Drumcode an immense 4 track EP that will blow out the cobwebs and see Roberto step back onto Drumcode with a bang. Lacing each track with pads and tantalising hook lines, Capuano’s tracks fire on all cylinders with good use of vocals and drum rhythms. His tracks have a certain swagger that only Roberto can conjure.

Roberto Capuano - Till Dawn - Drumcode - DC150

Mark Reeve presents his second release on Drumcode, ‘Run Back’, a four track EP crammed with heavy hitting kick drums and his signature big basslines. The dark sounds and heavy textures are typical of Reeve and he’s showing no sign of slowing down yet. Four tracks of brooding techno, this EP is one not to be missed.

Mark Reeve - Exposure - Drumcode - DC151

OUT NOW! '10 Years of SCI+TEC' ➔ scitec.lnk.to/10YearsOfSCITEC

A decade deep into its ongoing investigations, documenting and pushing the sonic frisson and fusion between science and technology, SCI+TEC remain at the very forefront of electronic music.

Its feet firmly on the dance floor, its spirit deep inside the machines, its sights set on the future; from day one Dubfire’s label has continuously forged its own deep furrow. With breakthrough Dubfire releases such as ‘Roadkill’ and ‘RibCage’ SCI+TEC has managed to create a whole new framework for 21st century techno. All the while SCI+TEC has consistently championed and encouraged new and unsung talent from around the world, amplifying legions of rising names; Carlo Lio, Davide Squillace, Paul Ritch, SHADED, The Junkies, Johnny Trika, Alex Mine and countless more include SCI+TEC releases in their rich histories.

This precision balance of stark sonic signature, technical ideology and nurturing new ideas along with talent, has led to SCI+TEC’s perpetual momentum into every house and techno DJ’s playlists for the past 10 years. Be it the label’s penchant for deep, undulating subby grooves, or its passion for warehouse-razing thunder-powered techno, the SCI+TEC sound covers every corner of the floor and every chapter of the night; as proven by the label’s many world tours under the guidance of lead curator and techno innovator, Dubfire. And proved once again by this fittingly stacked anniversary album.

10 brand new, unreleased tracks to celebrate 10 years from 10 of the label’s most exciting artists, every track brings home the SCI+TEC message: The breath-taking atmospheres of Alex Mine’s album scene-setter ‘In The Name Of What’; Wigbert’s detailed drum momentum on ‘Multiclock’; the soulful allure of Carlo Lio’s ‘Because Of You’; the hazy slow-burning groove smoulders of Hector & David Gtronic’s ‘Saki’; Raul Facio’s subversion of Dubfire’s early rising turbine tension on ‘Malo’; the eerie juxtaposition of acidic icicles and groaning elephantine bass on Rosper’s ‘Revenge’; Shaded’s alien up-pitched funk on ‘Crayzy’; the soaring synths and cosmic undertones of Johnny Trika’s ‘One Rainy Wish’ and the pulverising kickdrum and funk of Mr Bizz’s ‘Blue Velvet… Not to mention the deep, hypnotic swing of Dubfire’s restrained and dubbed-out groove ‘Swerve’.

Each track an odyssey in itself, they complement and tessellate to reveal a much wider vision of the past, present and, most importantly, the future. Consistently rooted but constantly rising; this album isn’t celebrating the last 10 years of SCI+TEC… It’s setting us up for the next 10 years to come.

Wigbert - Multiclock

Philip Bader - Dark Tone (Wehbba Remix)[EARMILK Premiere]

My new EP on Drumcode is out now.

You can grab your copy here: http://www.beatport.com/release/brave-new-world-ep/1009193

Support from a whole bunch of friends and colleagues;

Joseph Capriati, Karotte, Danny Tenaglia, Sven Vath, Joel Mull, Kaiserdisco, Nicole Moudaber, Pan-Pot, The Advent, Slam, Gregor Tresher, Alan Fitzpatrick, Monika Kruse, Richie Hawtin, Cari Lekebusch, Tobi Neumann, Darren Emmerson, 2000 and One, Sasha, Marco Carola, Frankyeffe, Mauro Picotto, Marko Nastic, Markantonio, Steve Lawler, Patrick Siegh, Sam Paganini, Nuno Dos Santos, Pig & Dan, Butch, Tim Xavier, Tom Hades, Billy Nasty, Luigi Madonna, Dubfire, Marco Bailey, Genarro La Fosse, Stephan Bodzin, Sasha Carassi, Alberto Pascual, Ramon Tapia, Samuel L Session, Anton Pieete, Michel de Hey, Raphael Dincsoy, Coyu, Taster Peter, Dennis Ruyer, Manic Brothers, Space DJ’z...

Bart Skils - Hypnotizing - Drumcode [Lo_Res]

The EP starts with Mikael Jonasson’s, ‘Benefit of the Doubt’ which uses dark, melodic bleeps to create tension before the epic chord stabs kick in that resonate over the throbbing bass line. Adam Beyer steps up with the second track ‘Never Really Left Home’ that uses a rhythmic synth-line to create a dark and moody piece of music. Ida Engberg then delivers her unique style of techno using old rave sounds and a huge hoover style synth to create a driving techno track that will keep any dancefloor moving. The Manic Brother’s supply another big track named ‘Different Directions’ using reverberated stabs to create an atmospheric, but still functional track with lots of rhythmic percussion thrown in. Patrick Siech then steps up with the next track, ‘Kill Room’ that also uses atmospheric percussion and stabs to build into a funky drum groove. Joel Mull presents the sixth track on the compilation; ‘Rimson’ that uses hypnotic drums to captures the listener’s attention to lead into a floaty synth and vocal line before the track introduces a pulsating bass line. ‘Second Coming’ is the next offering with Petter B using recurrent percussion to full effect to create a purposeful, heavy hitting techno track. The final track by Cari Lekebusch called ‘Xylopeggiator’, conveys a dark, pounding 5 AM rhythm that uses vocal samples and a melodic synth to create a hypnotic drum pattern.

05 - DC107 - Patrick Siech - Kill Room - Drumcode

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - Last Sapien

Independent record label owned by Adam Beyer.