Timmo’s debut Drumcode release ‘We Beat On’ carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ’s around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo’s tracks that really provide him with his acquired sound, the pads in ‘Canvas’ are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Timmo - Metropolis- Drumcode - DC125

Eugen Grieg & Nebruk-The Lapse- (jE jE Music Recordings)

InfraTouch-Error Seduction [Mutant Rebels]

2000 and One presents The Wrangel EP as his debut offering to Drumcode Limited. The three heavy-hitting techno tracks, pumped with solid basslines and intensive percussion provide a thick, quality, Dutch techno sound that is so well suited to Drumcode Limited. The Holland natives signature sound is apparent in every track – deep, dark and bursting with energy.

2000 And One - Wrangel Tool 2 - Drumcode Limited - DCLTD16

Release Date	2017-11-10
http://classic.beatport.com/release/detroit/2141572

Gallya - Detroit (Original Mix) [Set About] PREVIEW

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We're pleased to welcome Consumed Music a techno label based in Amsterdam, an imprint focused o supplying timeless music for warehouse raves. Release date: 	2018-05-11
http://classic.beatport.com/release/iso-ii/2254062

☁️ ☁️ ☁️ ☁️ Follow the artists > @alphaparticleassembly_x
☁️ ☁️ Follow the label > @consumed-music
Spotify : https://goo.gl/eaCKbe
BP : http://goo.gl/JLR8yE 
FB : https://goo.gl/PrttBW 
RA : http://goo.gl/X7Jggc 
TW : https://goo.gl/8ZSwtA


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https://soundcloud.com/8day-montreal/sets/premieres
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https://soundcloud.com/8day-montreal/sets/8daysets
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Releases Out now on 8day's imprint!
https://www.beatport.com/label/8day/63082
Stream on Spotify:
https://goo.gl/gGg9e9

PREMIERE: Alpha Particle Assembly - ISO II (Original Mix) [Consumed Music]

Digital + Vinyl:
Beatport: http://bit.ly/TR288_bp
Juno: http://bit.ly/TR115VJUNO
Deejay.de: http://bit.ly/TR115VDJ
Redeye: http://bit.ly/TR115VREDE
Stream on Spotify: http://bit.ly/TRalRM88

[Sound Quality: 128kbps]
Tronic needs no introduction for those who have followed dance music for the last 20 or so years. Since its inception back in 1994, Christian Smith has founded a label that constantly delivers top techno tracks year after year. Not only does he run the label, but also has his long-standing Tronic radio show, which is syndicated in more than over 100 countries worldwide.
Known and loved for its albums, Tronic released the very first of its kind with a collaboration only project in 2017 with 'Synergy' and this June we can reveal who is on the official remix pack. 
New names to the label appear on this release, including Petter B and Oliver Deutschmann with their heavy hitting tracks in the pack. Fast-paced, synthetic soundscapes and intricate percussive elements for some late-night rave style rework.
Shall Ocin comes in with a rolling synthetic hook, dark ominous bellowing horns, and a punchy clap, whilst Agaric's complex remix has an array of pad and synth work for a futuristic edge to the original.
Acid and breakbeat are coming back, and that can be heard in both the Jam El Mar and Zeta Reticula remixes. Jam El Mar, the only artist to have released on Tronic before drops a snapping acid line, thick kick and has a massive pad engulfing the mix, this is a big room techno anthem with a hint of trance. Zeta Reticula's breakbeat electro inspired attitude reigns in the mix, with a vocoder vocal coupled with some synths.
Tronic growing the label's roster with some fantastic new artists on this release, with a track for everyone!

Buy on Beatport

Christian Smith & Harry Romero - Jungle Life (Petter B Remix) [Tronic]

Beatport : 11 October
Worldwide : 25 October

Cosmic Boys - Trident (Original Mix) Preview LGD011

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.