Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)

Here is my new Drumcode EP! Four massive tracks made for the dancefloor.

Find your copy here: http://bit.ly/DC143

Bart Skils - The Sweep - Drumcode - DC143 [Lo_Res]

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Gorge, aka Pit Waldmann's musical journey is the story of a lifetime. From his teenage years as a pop drummer, to his vibrant DJ career, to his role as one of the most revered producers in the electronic scene, Gorge has always been hooked on the beat. "I grew up surrounded with a mix of trance, techno, house and hip-hop," he says. "It gave me a very open mind."
His attitude and openness has fuelled a thriving career as DJ, producer, and co-owner, with Nick Curly, of 8bit Records. Gorge sees no reason to compartmentalise his music, or himself. As a young DJ in Mannheim, he combined working five days a week as a paramedic with playing in the city's thriving club scene. "In the '90s clubs were open every day of the week," he recalls with a laugh. "I was going to study medicine but the music infected me." 
Eventually Gorge gave up work as a paramedic to focus on music. He began releasing records in the early '00s, experimenting with deep sounds. In 2005 he and musical comrade Nick Curly founded 8bit Records, which became one of the standout labels of forward thinking electronica. It pioneered minimal in its early years, before evolving into a deeper, groovier sound. "That's when the real hype began," Gorge says.
Once it started, the hype never stopped. Gorge pushes his sound and builds his reputation with every release, every gig. "I'm not a DJ who plays the obvious tracks with the big breakdowns," he notes. "I show people you can have a good time with hypnotic, groovy stuff. Every night is different, but I always want to create an atmosphere in the club."
His passion for finding the perfect sound is what drives Gorge's prolific production schedule. Digital tools have streamlined his superb production skills (he is an in-demand producer and remixer for other artists). "Now it doesn't take six hours to set up a sequencer, I can make a track in a few hours," he grins. Needless to say, his studio is hub for a network of electronic artists. Nick Curly is a frequent collaborator, as is Markus Homm. The duo spends days in the studio, making music, browsing Gorge's sample library, playing with technology, and cooking. "Thai, Indian, vegetarian, I love it all," he says. "Whenever I'm travelling I eat the regional food. I always want to find something original to the place."
This passion for authenticity and originality is what drives his career and creative work. Whether spinning platters or filling plates, Gorge is as an artist in love with the rhythm of life.

DHS Premiere: Far&High & pizzaaftersex - Rabbit Hole (Gorge Extended Remix)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Dutch Kiss (Straight Mix) - Drumcode - DC160

Early feedback in random order:
Pan-Pot: nice one
Joris Voorn: Killer start, good luck with the label! 
Alan Fitzpatrick: Kickstreem is awesome
Kölsch: Nice tracks here, especially 'Got Me'
Monika Kruse: a bag of goodies! will play them all! 
Nicole Moudaber: I'm actually into everything here. Support!
Karotte (Official Fanpage): top ep. top collabos. top first release on the label. 
James Zabiela: Love the A Side, that little auto tuned vocal sample does it.
Noir: Dope collab ep. 
Victor Ruiz: Great package! Good luck on the label Reinier! :D 
Pig & Dan: Kickstreem & Got Me are BOMBS!
ANNA: Kickstreem is the one for me. Got is really good also.
Bart Skils: Congrats with your new label!
Enrico Sangiuliano: yeeeeaaaaah 
Eelke Kleijn: Got Me & Cold Conquest are my favs :-) Wicked stuff. Congrats on the label as well !
Maceo Plex: thanks for the music!

The first release on Reinier Zonneveld’s own imprint, Filth on Acid, launches a special EP-series, Cocktails Mix series, whereby Reinier Zonneveld collaborates with artists that influence him, both creatively and personally.

Cocktails Mix I brings 4 different variations of tech to the floor. First up is Cold Conquest, featuring Stil vor Talent's head honcho Oliver Koletzki, together they deliver a peak-time track with lots of emotional and musical elements, while keeping a steady heavy rhythm section.

Adding Gem’s labelhead Secret Cinema to the cocktail gives us a purist no nonsense techno banger perfect for dark rooms and dirty basements. 

For the third track on the EP, we see Reinier Zonneveld combined with Gabriel Ananda, showing their emotional and deep signature sound coming to the forefront, with mesmerizing melodies and brilliant synthwork. Perfect for a night closer or sunny open air.

Finally the EP closes of with Matt Sassari and Reinier going all out with an extreme energetic bomb, featuring a machine gun like synth bass.

Enjoy the filth (on acid)!

Cocktails Mix I

Get it here

Oliver Koletzki & Reinier Zonneveld - Cold Conquest (Original Mix)

A work 12 months in the making, Adam Beyer continues his exciting series of collaborative EPs, teaming up with heavy-hitters Pig&Dan for an multi-faceted four-tracker.

Chances are up if you spied Adam Beyer in an airport departure lounge over the past 12 months, he’d have his head buried in his laptop, immersed in creating sound sketches. A long-time fan of collaborations, the Drumcode chief has been on an inspiring streak of form lately, teaming up with the likes of Mark Reeve, Dense & Pika and now Pig&Dan. The results have been compelling, to say the least. 

In trademark perfectionist Beyer style, the title track ‘Capsule’ – a shimmering slice of techno - involved “around 15 different versions” the track rigorously road tested by the Swede and featured in episodes of Drumcode Radio to test dancefloor reactions, before finally getting the sign off.  ‘In Love’ is a big room techno groover, driven by crisp drums and the kind of evocative vocal effect that’ll have hairs standing on ends. ‘Atmosfear’ is true to its name, centered on a menacing synth line and gritty percussion, its deep kicks and subterranean bass combining superbly to create a heady dancefloor brew. ‘We Are E’ is propelled by a catchy synth hook and a classic call-to-arms vocal, which tips its cap to the artists’ shared love of classic UK rave.

Adam Beyer Vs Pig&Dan - In Love - Drumcode - DC171

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Adam Beyer & Enrico Sangiuliano - Preset Heaven - Drumcode - DC178

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Rob Hes - Modern Times (Reinier Zonneveld Remix)

Mark Reeve makes his welcome return to the Drumcode fold with a powerful three-tracker ‘Far Away’.

In recent years Mark Reeve has become a pivotal member of the Drumcode crew. His 2015 EP ‘Run Back’ was a standout, before he backed it up strongly with ‘Nine of You’, his collaboration with Adam Beyer that featured on A-Sides Vol.5, ensuring his place in the hearts of DC fans. As further evidence of his importance to the collective, Beyer has selected him to suit up for the inaugural Drumcode Festival happening this August in association with Awakenings. 

Harking back to formative times in the ‘90s when he’d frequent Sven Väth’s legendary Omen in Frankfurt, the title track to Reeve’s ‘Far Away’ is a timeless beauty, driven by a celestial melody line and emotive bass notes that lobs it into the kind of laser-kissed territory that would make even the most jaded of raves throw their arms skyward. ‘Fragile’ follows, a classy bass-driven cut that makes its mark with deep subterranean stabs and punchy kicks. Rounding out the EP is ‘Redemption’ a tougher, heads-down techno workout imbued with plenty of energy thanks to a crafty bass melody that runs throughout.

Mark Reeve - Far Away - Drumcode - DC187

FIND YOUR HI-QUALITY COPY HERE: https://www.beatport.com/track/west-of-the-moon-original-mix/10967175

Out now as part of the Drumcode A-sides Volume 7.

BUY HERE

Bart Skils - West of the Moon [Drumcode]

Veerus is back with his latest 2 track EP ‘Ehm Phase’ for Monika Kruse’s Terminal M Records.

https://terminalm.lnk.to/Veerus

Premiere: Veerus - Phase

Independent record label owned by Adam Beyer.